Nov
19
Tue
The Course / Princely Patronage in the Italian Renaissance 9/10
Nov 19 @ 10:45 am – 12:45 pm
The Course / Princely Patronage in the Italian Renaissance 9/10 @ The Course at the University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

Merchants, Monks and Guilds

The patronage of princes inspired others. Wealthy urbanites and the Church, individuals and groups, increasingly used art to confirm their commitment to Renaissance values of piety, charity and scholarship.

Nov
21
Thu
The Course / Leonardo da Vinci : Life of the Universal Man 9/10
Nov 21 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci : Life of the Universal Man 9/10 @ The Course at the University Women's Club

Established in 1994, The Course offers Art History, Music, Opera and Literature Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

The Art Of War & Mechanical Engineering

In the middle and latter part of Leonardo’s life, he became increasingly in demand for his designs and this would see him ultimately working for powerful patrons such as Isabella d’Este and Lodovico Sforza. We will look at his complex mechanical designs for flying machines, underwater breathing apparatus and ultimately weapons of mass destruction. Why did Leonardo carry out such work and what were his thoughts on these?

The Shakers: from Manchester to Maine
Nov 21 @ 6:30 pm – 8:30 pm

Join Philip Davies, Emeritus Professor of American Studies at De
Montfort University as we look at the lives of ‘The Shakers’. Ann Lee
and eight followers left Manchester for America in 1774. The United
Society of Believers in Christ’s Second Appearing, otherwise known as
Shakers, had emerged in the industrialising northwest of England
during the later years of that international spiritual ferment, the Great Awakening.

Nov
26
Tue
The Course / Princely Patronage in the Italian Renaissance 10/10
Nov 26 @ 10:45 am – 12:45 pm
The Course / Princely Patronage in the Italian Renaissance 10/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

Influence

Italy created the model in which connoisseurship became the distinguishing mark of the enlightened and refined ruler. From Krakow to London, monarchs presented themselves through their patronage of the arts, the forms taken from Italy and often executed by artists from the peninsula itself, responsible for spreading the vocabulary of classicism and power across the European courts.

Nov
27
Wed
The Course / London: the people who shaped a city (10/20)
Nov 27 @ 10:45 am – 12:45 pm
The Course / London: the people who shaped a city (10/20) @ The Course at The University Women's Club

Established in 1994, The Course offers Art History, Literature, Music and Opera lectures.

In this series of 20 paired lectures and walks, we will look at the ways in which particular groups, often professions, have shaped and been shaped by London. Each theme could provide a course of its own, so we will proceed through a series of snapshots at the activities of those groups and individuals at key moments in the formation of the city.

Engineers

Engineers, often overlooked in favour of more obviously glamourous professions, have made the city operate – the first underground railway, a pioneering sewerage system and a succession of fabulous bridges. London, sitting on clay rather than a bed of rock has provided as many challenges as opportunities in its construction.

The week following the lecture (4 December) there will be an accompanying walk along the South Bank of the Thames.

Nov
28
Thu
The Course / Leonardo da Vinci: Life of the Universal Man 10/10
Nov 28 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: Life of the Universal Man 10/10 @ The Course at The University Women's Club

Established in 1994, The Course offers Art History, Music, Opera and Literature Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

His Legacy, School, Influences And Followers

In our final session, we consider artists such as Giovanni Antonio Boltraffio (about 1467 – 1516) and Francesco Melzi (1493 – 1570) with whom Leonardo worked and trained and compare their works with those of the Master. We will also look at his followers such as Antonio Allegri (active 1494 – 1534), known as Correggio. What did they learn and what can we learn from these works? We will examine the misattributions surrounding Leonardo’s collaborators and finally the current obsession with Leonardo culminating in the sale of the Salvator Mundi.