Chemistry talks in London

Jun
20
Thu
The Course / The History of Art in Ten Colours (Orange) 8/10
Jun 20 @ 10:45 am – 12:45 pm
The Course / The History of Art in Ten Colours (Orange) 8/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and

Music.Hockney “I prefer living in colours”

The very term ‘colour’ is used differently in the C21st. This course traces the fascinating history of pigments: where they came from, how they were created, and how they have changed the course of art history. It’s a story that will take us from a single mine in Afghanistan to the serendipitous discovery of a fraudulent alchemist in Berlin to a contemporary patent for the blackest black imaginable. We’ll consider both the materiality of colours – for instance, the impact of ‘fugitive’ pigments and dyes that disappear in time – and their shifting symbolism in different cultural contexts. Re-discover paintings you thought you knew by seeing them digitally returned to their ‘real’ colours and forge new connections between artists.

Orange Vincent Van Gogh

“There is no blue without yellow and without orange”

A special colour in Buddhist art, till the C16th, orange was referred to as ‘yellow-red’ or ‘saffron.’ But a deep orange chromium from a Siberian mineral was discovered in the C18th. Before that, orange the colour was popular with the sophisticated Ferrara Renaissance painters such as Garofalo and Dosso Dossi. Explore how orange became a fashionable colour from princely orangeries through Frederic Leighton’s Flaming June, Winslow Homer’s and Toulouse-Lautrec’s works.

Jun
27
Thu
The Course / The History of Art in Ten Colours (Black) 9/10
Jun 27 @ 10:45 am – 12:45 pm
The Course / The History of Art in Ten Colours (Black) 9/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and

Music.Hockney “I prefer living in colours”

The very term ‘colour’ is used differently in the C21st. This course traces the fascinating history of pigments: where they came from, how they were created, and how they have changed the course of art history. It’s a story that will take us from a single mine in Afghanistan to the serendipitous discovery of a fraudulent alchemist in Berlin to a contemporary patent for the blackest black imaginable. We’ll consider both the materiality of colours – for instance, the impact of ‘fugitive’ pigments and dyes that disappear in time – and their shifting symbolism in different cultural contexts. Re-discover paintings you thought you knew by seeing them digitally returned to their ‘real’ colours and forge new connections between artists.

Black Hans Arp

“The black grows deeper and deeper darker and darker before me. It menaces me like a black gullet. I can bear it no longer. It is monstrous. It is unfathomable”

One of the most difficult colours to paint with, see how masters such as Frans Hals, Caravaggio, Degas, Goya, Manet, Robert Rauschenberg, Ad Reinhardt, and more succeeded in using black. What did Malevich mean by his iconic ‘Black Square’? How is bone black made? From the drawings of Aubrey Beardsley to the fashions of Coco Chanel, to Picasso’s ‘Guernica,’ and the innovations of Anish Kapoor, see this colour in all its manifestations.

Jul
4
Thu
The Course / The History of Art in Ten Colours (Brown) 10/10
Jul 4 @ 10:45 am – 12:45 pm
The Course / The History of Art in Ten Colours (Brown) 10/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and

Music.Hockney “I prefer living in colours”

The very term ‘colour’ is used differently in the C21st. This course traces the fascinating history of pigments: where they came from, how they were created, and how they have changed the course of art history. It’s a story that will take us from a single mine in Afghanistan to the serendipitous discovery of a fraudulent alchemist in Berlin to a contemporary patent for the blackest black imaginable. We’ll consider both the materiality of colours – for instance, the impact of ‘fugitive’ pigments and dyes that disappear in time – and their shifting symbolism in different cultural contexts. Re-discover paintings you thought you knew by seeing them digitally returned to their ‘real’ colours and forge new connections between artists.

Brown Georgia O’Keeffe (Visit to the National Gallery)

“All the earth colours of the painter’s palette are out there in the many miles of badlands”

The earth pigments are some of the oldest to be used in art, evident in the Cave painters. There are many natural (raw umber, raw sienna) and human-made (burnt umber, burnt sienna) variations. Their versatility, stability, and affordability mean we can enjoy them in the great landscape painters, Dutch and Flemish genre painters like Joachim Beuckelaer, Velázquez, Van Dyck, and masters like Rembrandt who eschewed more expensive pigments in their search for truth. This gallery visit will also be an opportunity to revise our other colours by comparing them ‘in the flesh.’

Oct
3
Thu
The Course / Leonardo da Vinci: the Life of the Universal Man 2/10
Oct 3 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: the Life of the Universal Man 2/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Masters At Work: Techniques And Mediums

We will examine Leonardo’s decisions behind his choice of techniques and mediums, including his use of metal point, black chalk, red chalk, pen and ink and wash, and his early use of oil paint. We will look at exquisite examples of all these, asking what were their uses and how they would affect Leonardo’s choices.

Oct
10
Thu
The Course / Leonardo da Vinci: The Life of the Universal Man 3/10
Oct 10 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: The Life of the Universal Man 3/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Sculpture And The World Of The Antique

Although no sculptures by Leonardo exist, we will examine his influences from the antique world, his sculptural design ideas and how they would play into the narrative of the Renaissance aesthetic. We will also consider the drawings that were made to demonstrate how he might have constructed these artworks.

Oct
17
Thu
The Course / Leonard da Vinci: The Life of the Universal Man 4/10
Oct 17 @ 10:45 am – 12:45 pm
The Course / Leonard da Vinci: The Life of the Universal Man 4/10 @ The Course at The University Womens Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

The Art And The Meaning Of Portraiture

We will look at Leonardo’s interest in portraiture; his own image and what that might tell us about the man as well as portraits of ruling families, including La Giocondo or Lisa Gherardini, now known as the Mona Lisa. We will also examine his obsession with the Madonna and child grouping, his sources for these compositions and what he hoped to achieve with his constant revisiting of this subject.

Oct
31
Thu
The Course / Leonardo da Vinci: The Life of a Universal Man 6/10
Oct 31 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: The Life of a Universal Man 6/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Obsession With Nature, Anatomical & Experiment

Leonardo was obsessed with how everything worked and the close relationship between man and nature. Here, we will look at his exploration of the workings of nature and his attempt to understand these processes and thus understand the soul of man. We will look at examples of anatomical drawings that demonstrate Leonardo’s unflinching eye and ability to investigate areas of human anatomy that many would find repulsive.

Nov
7
Thu
The Course / Leonardo da Vinci: The Life of the Universal Man 7/10
Nov 7 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: The Life of the Universal Man 7/10 @ The Course at the University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Drawing Becomes Art

The emergence of drawing as an art form has always been hard to pinpoint. In this lecture, we will look at Leonardo’s drawings and examine how and why this art form might be attributed to him. We will also look at the Burlington Cartoon in London’s National Gallery, its life, history and production, and ask why this unfinished work has been seen as the earliest example of drawing as art and why it holds such a special place in the Gallery’s collection.

Nov
14
Thu
The Course / Leonardo da Vinci: The Life of the Universal Man 8/10
Nov 14 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: The Life of the Universal Man 8/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Signature Projects

We will look in detail at some of Leonardo’s major projects: the Last Supper, The Madonna of the Rock and The Battle of Cascina and discuss how these works were realised, what was the thinking behind them and how do they compare with works by his contemporaries? We will also look at the work of collaborators on these projects and ask how much is theirs and how much Leonardo’s and why do we care?

 

Nov
21
Thu
The Course / Leonardo da Vinci : Life of the Universal Man 9/10
Nov 21 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci : Life of the Universal Man 9/10 @ The Course at the University Women's Club

Established in 1994, The Course offers Art History, Music, Opera and Literature Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

The Art Of War & Mechanical Engineering

In the middle and latter part of Leonardo’s life, he became increasingly in demand for his designs and this would see him ultimately working for powerful patrons such as Isabella d’Este and Lodovico Sforza. We will look at his complex mechanical designs for flying machines, underwater breathing apparatus and ultimately weapons of mass destruction. Why did Leonardo carry out such work and what were his thoughts on these?

Nov
28
Thu
The Course / Leonardo da Vinci: Life of the Universal Man 10/10
Nov 28 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: Life of the Universal Man 10/10 @ The Course at The University Women's Club

Established in 1994, The Course offers Art History, Music, Opera and Literature Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

His Legacy, School, Influences And Followers

In our final session, we consider artists such as Giovanni Antonio Boltraffio (about 1467 – 1516) and Francesco Melzi (1493 – 1570) with whom Leonardo worked and trained and compare their works with those of the Master. We will also look at his followers such as Antonio Allegri (active 1494 – 1534), known as Correggio. What did they learn and what can we learn from these works? We will examine the misattributions surrounding Leonardo’s collaborators and finally the current obsession with Leonardo culminating in the sale of the Salvator Mundi.