Education talks in London

Jan
8
Tue
The Course / Homes and Gardens (Introduction and the Middle Ages) 1/10
Jan 8 @ 10:45 am – 12:45 pm
The Course / Homes and Gardens (Introduction and the Middle Ages) 1/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

In this series of 10, we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

Introduction and the Middle Ages

“An Englishman’s home is his castle” but some “castles” are rather finer and more comfortable than others. We begin with an overview of our theme, exploring how the evolution of our domestic spaces serves changing life-styles before considering the castles, monasteries, halls and huts of the Middle Ages.

Jan
9
Wed
The Course / 20th Century London: A City in Flux (The Festival Style) 6/10
Jan 9 @ 10:45 am – 12:45 pm
The Course / 20th Century London: A City in Flux (The Festival Style) 6/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

London has transformed almost unrecognisably since 1900. At the beginning of the period the capital of a truly global empire and its largest port. At the end, the centre of one of the world’s most cosmopolitan societies, a great financial centre and a cultural hub. This twenty part series of lectures and walks will trace the forces that transformed London, from Imperial pomp through wartime catastrophe, to the vibrant but nervous metropolis of the 21st century.

Building a Better Tomorrow: The Festival Style

The shock of the second war had repercussions in a variety of ways: it brought the end of Empire, the beginning of mass immigration and optimistic new social institutions, such as the NHS. This optimism, nurtured in a time of rationing, is best summarised by the 1951 Festival of Britain.

What every parent needs to know about Steiner schools – w/@lecanardnoir
Jan 9 @ 7:30 pm

The last decade has seen several ‘new religious movements’ create publicly funded Free Schools. Maharishi and Steiner Schools are perhaps the most prominent. It is timely to look closely at the origins and beliefs of Rudolf Steiner, the founder of the occult movement of Anthroposophy. Steiner was a mystic who believed he had direct clairvoyant access to cosmic knowledge. As such he developed an esoteric belief system based on karma, reincarnation, astrology, homeopathy and gnomes. His visions gave insights into architecture, art, dance, agriculture, medicine, education, science and diet. His racial hierarchy of spiritual development resonated in Germany in the early 20th Century turning a personal belief into a worldwide movement. Today we find hundreds of anthroposophically inspired organisations in the UK alone: everything from Steiner Schools, Biodynamic farms to banks, pharmaceutical and cosmetic companies, charities and cheese makers.

Andy Lewis has been trying to lift the veil on the inner secrets of the movement and will discuss how this secretive movement has direct impact on public life.

 

Jan
10
Thu
The Course / The Decorative Arts of Europe (1500-2000) Introduction 1/8
Jan 10 @ 10:45 am – 12:45 pm
The Course / The Decorative Arts of Europe (1500-2000) Introduction 1/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

Introduction to the Decorative Arts

The word “decorative” is usually associated with functional objects like tea pots; but if such objects are functional, how can they be purely “decorative”? Is not a painting, which has no other function than to decorate a room, more “decorative” than an object that is used? The first lecture in this series will look at the background to the development of the notions of “fine”, “decorative” and “applied” art.

Jan
15
Tue
The Course / Homes and Gardens (Exile and Splendour) 2/10
Jan 15 @ 10:45 am – 12:45 pm
The Course / Homes and Gardens (Exile and Splendour) 2/10 @ The COurse at the University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

In this series of 10, we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

Exile and Splendour

The triumphant return of the Tudors in 1485 brought with it the Renaissance. We look at the Continental buildings that court and monarchy aspired to emulate and how and why this changed expectations at home. And why are staircases so significant?

Jan
17
Thu
The Course / The Decorative Arts of Europe (1500 – 2000) Renaissance 2/8
Jan 17 @ 10:45 am – 12:45 pm
The Course / The Decorative Arts of Europe (1500 - 2000) Renaissance 2/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

The Decorative Arts in the Renaissance

The Renaissance is famous for its painters and sculptors but its craftsmen are often forgotten. This lecture will focus on the masterpieces of furniture, metalwork and tapestry that furnished the rooms of Renaissance princes and nobles, exploring the contexts that gave them meaning as well as the materials and techniques that gave them form.

Jan
22
Tue
The Course / Homes and Gardens (Fixtures and Fittings) 3/10
Jan 22 @ 10:45 am – 12:45 pm
The Course / Homes and Gardens (Fixtures and Fittings) 3/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

In this series of 10, we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

Fixtures and Fittings

The later 16th century saw a real improvement in living standards across the country. We see not only the houses of the wealthy but the changing expectations of the merchant class, and the objects and furniture with which they adorned their homes. Outdoors, for the first time, we see the birth of interest in gardens, highly controlled and in tune with the indoor style of the age.

Jan
23
Wed
The Course / 20th Century London: A City in Flux (Designs for Living) 7/10
Jan 23 @ 10:45 am – 12:45 pm
The Course / 20th Century London: A City in Flux (Designs for Living) 7/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

London has transformed almost unrecognisably since 1900. At the beginning of the period the capital of a truly global empire and its largest port. At the end, the centre of one of the world’s most cosmopolitan societies, a great financial centre and a cultural hub. This twenty part series of lectures and walks will trace the forces that transformed London, from Imperial pomp through wartime catastrophe, to the vibrant but nervous metropolis of the 21st century.Designs for Living

In the longer post-war period a tougher future emerged. Britain confronted the loss of its historic pre-eminence by trying to embrace the ‘White Heat of Technology’ (London was briefly swinging) before the 1970s brought a new sense of realism about the city’s place in the world.

Jan
24
Thu
The Course / The Decorative Arts of Europe (1500-2000) Baroque 3/8
Jan 24 @ 10:45 am – 12:45 pm
The Course / The Decorative Arts of Europe (1500-2000) Baroque 3/8 @ The Coure at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

Furniture in the Baroque Age

Furniture came into its own in the seventeenth century when the tradition of cabinetmaking got underway. New types of object reflect dramatically changing life styles; the furnishing of private rooms, for instance, was unprecedented. And exotic materials, such as ebony and turtleshell, reflect Europeans ambitions with regard to the New World.

Jan
29
Tue
Looking Forward: The Next Ten Years
Jan 29 @ 6:00 pm – 9:30 pm

 

What key aspects of our lives are predicted to shift radically over the next ten years?

As Bloomsbury celebrates ten years of outstanding publishing as Bloomsbury Academic, we’ve invited some of our most fascinating authors to fill us in on the opportunities, challenges and biggest changes coming to our lives in the next ten years.

Come along as our experts present their most ground-breaking ideas in the Humanities and Social Sciences in a series of short talks, and group discussion, to tell us what lies ahead. Their collective years of research and writing means we’ll all benefit from their educated insights into the future of our world.

Covering sustainability, terrorism, geopolitics, gender, religion, education and philosophy – what are the key issues and how can we prepare for the changes and challenges that lie ahead? Come with us as we aim beyond the regular predictions and leave you thinking differently about our shared future.

Event Speakers:

  • Rachel Reeves MP
  • Kerry Brown
  • Julia Ebner
  • Dr. Leslie Davis Burns
  • James G. Crossley
  • Constantine Sandis
  • Viv Ellis

Our speakers will each deliver a short talk and then take part in a live Q&A panel, hosted by Jamie Bartlett, author of Radicals and The People vs. Tech, tech blogger and Director of the Centre for the Analysis of Social Media for cross-party think-tank Demos in conjunction with The University of Sussex.

We hope to see you there. Take advantage of places for just £8.00 if you book your place before Friday, November 30th

Jan
31
Thu
The Course / The Decorative Arts of Europe (1500-2000) Silver 4/8
Jan 31 @ 12:45 pm – 12:45 pm
The Course / The Decorative Arts of Europe (1500-2000) Silver 4/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

The Art and Craft of the Silversmith

Because the very materials of gold and silver were used as currency for much of their history, the status of goldsmiths was always high and their products were often splendid. But precisely because silver objects were often regarded as a form of money, they were frequently melted down in times of need. The legacy of goldsmiths throughout the ages is intertwined with the history of aristocratic taste and patronage.

Feb
6
Wed
The Course / 20th Century London: a City in Flux (The New Historicisms) 8/10
Feb 6 @ 10:45 am – 12:45 pm
The Course / 20th Century London: a City in Flux (The New Historicisms) 8/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in art history, literature and music.

London has transformed almost unrecognisably since 1900. At the beginning of the period the capital of a truly global empire and its largest port. At the end, the centre of one of the world’s most cosmopolitan societies, a great financial centre and a cultural hub. This twenty part series of lectures and walks will trace the forces that transformed London, from Imperial pomp through wartime catastrophe, to the vibrant but nervous metropolis of the 21st century.

The New Historicisms

The last quarter of the 20th century was among the more paradoxical periods in the city’s history. Run by a left-wing council, many images of the city projected to the world were of highly traditional events: The Silver Jubilee, the Marriage of Prince Charles and Princess Diana. The transformations of the fabric of the city could be equally paradoxical: modernity in a (partly) traditional dress.

Feb
7
Thu
The Course / The Decorative Arts of Europe (1500-2000) 18th C France 5/8
Feb 7 @ 10:45 am – 12:45 pm
The Course / The Decorative Arts of Europe (1500-2000) 18th C France 5/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

Pleasure and Sensation in 18th Century France

This talk will focus on the golden age of French interiors, exploring how new sensibilities among the Parisian nobility required a new style of living, a development that gave rise to some of the most delicious and fanciful pieces of furniture, silver and porcelain ever made.

Feb
12
Tue
The Course / Homes and Gardens (A Consumer Culture) 6/10
Feb 12 @ 10:45 am – 12:45 pm
The Course / Homes and Gardens (A Consumer Culture) 6/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

In this series of 10, we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

A Consumer Culture

New houses require new furnishings, and the Grand Tour was the perfect opportunity to acquire great collections – statuary, paintings and decorative arts reflecting a society desperate for cultural status. Side by side with this, stars of the Industrial Revolution like Josiah Wedgwood and Thomas Chippendale were developing a dazzling range of affordable new products for the rising and aspirational middle classes.

Feb
14
Thu
The Course / The Decorative Arts of Europe (1500-2000) The Industrial Revolution 6/8
Feb 14 @ 10:45 am – 12:45 pm
The Course / The Decorative Arts of Europe (1500-2000) The Industrial Revolution 6/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

The Industrial Revolution & the Decorative Arts

The Industrial Revolution had a profound impact on the decorative arts, bringing objects that had previously been associated with the nobility within reach of the ever growing middle-class. Radical new inventions and techniques reduced the cost of manufacturing products, leading to the evolution of shops and entrepreneurs, which led in turn to completely new attitudes towards taste.

Feb
19
Tue
The Course / Homes and Gardens (Antique or Exotic?) 7/10
Feb 19 @ 12:45 pm – 12:45 pm
The Course / Homes and Gardens (Antique or Exotic?) 7/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

In this 10 part series we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

Antique or Exotic?

The development of Bath, Buxton and other spa towns, the London buildings of John Nash, brings classical discipline to centres of fashionable society, and new public parks provide spaces for health and stylish promenades. But the Age of Reason also provokes a revolt in the form of fantasy projects drawing on influences from Indian to Gothic.

Feb
20
Wed
The Course/20th Century London: a City in Flux (The Big Bang) 9/10
Feb 20 @ 10:45 am – 12:45 pm
The Course/20th Century London: a City in Flux (The Big Bang) 9/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in art history, literature and music.

London has transformed almost unrecognisably since 1900. At the beginning of the period the capital of a truly global empire and its largest port. At the end, the centre of one of the world’s most cosmopolitan societies, a great financial centre and a cultural hub. This twenty part series of lectures and walks will trace the forces that transformed London, from Imperial pomp through wartime catastrophe, to the vibrant but nervous metropolis of the 21st century.

The Big Bang

In one field the transformation of the economic life of the city was explosive. The City of London abandoned the traditional trappings of the banking industry and adopted a brash new persona and once again it was transformed by a wave of new buildings, including an extraordinary extension into what was once London’s docklands.

Feb
21
Thu
The Course / The Decorative Arts in Europe (1500-2000) 19th Century 7/8
Feb 21 @ 10:45 am – 12:45 pm
The Course / The Decorative Arts in Europe (1500-2000) 19th Century 7/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

Design Reform in the 19th Century

The Industrial Revolution transformed the world but, in the 19th century, some critics and commentators maintained that it also led to lower quality products and poor conditions for workers, and they called for reforms. This talk will discuss attempts to reinvest the world of commodities with dignity and propriety – for instance through the Arts and Crafts Movement and the Aesthetic Movement – as the modern world unfolded.

 

Feb
26
Tue
The Course / Homes and Gardens (The Victorians) 8/10
Feb 26 @ 10:45 am – 12:45 pm
The Course / Homes and Gardens (The Victorians) 8/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

In this 10 part series we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

The Victorians

Under Queen Victoria the Empire prospered, and provided exciting furnishings and plant species, staff were plentiful and the vast interiors were made more liveable by new technologies, such as electricity. For the “have-nots”, though, the reality could be a festering urban slum from which only cafes, bars and pubs provided escape.

Feb
28
Thu
The Course / The Decorative Arts in Europe (1500 -2000) The Bauhaus and Beyond 9/9
Feb 28 @ 10:45 am – 12:45 pm
The Course / The Decorative Arts in Europe (1500 -2000) The Bauhaus and Beyond 9/9 @ The Course at The Universsity Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting Art History, Literature and Music lectures.

In this 8 part series, we will see how in the European tradition, the status of “fine art” tends to be much higher than that of the “decorative arts” though the beauty and virtuosity of the latter can be spell-binding. This is why we have a “temple” to fine art in the centre of London – the National Gallery – while “everything else” is in the Victoria and Albert Museum – which was on the fringes of London when it was built. The difference is also reflected in the huge gap between the market prices of the two arts. Why are the decorative arts undervalued in this way and what are their virtues? This series of lectures explores this intriguing subject.

Modernist Design: the Bauhaus and Beyond

The Bauhaus was the most innovative and influential school of design in the 20th century, combining avant-garde ideas about abstract art with a thoroughly conscientious approach to social reform and domestic living. Employing some of the most celebrated artists of the 20th century, the school combined an interest in nature with faith in industrial design.

Mar
5
Tue
The Course/Homes and Gardens (You Just Can’t Get the Staff …” 9/10
Mar 5 @ 10:45 am – 10:45 am
The Course/Homes and Gardens (You Just Can't Get the Staff ..." 9/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

In this 10 part series we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

“You Just Can’t Get The Staff……”

The 20th C begins with the Edwardian heyday of country house living and moves to the 1974 V&A exhibition, “The Destruction of the Country House”, which recorded the loss of some 1000 country houses in barely a century. Sustained for a while by American heiresses and the commercial classes, rural and aristocratic dominance collapses and the emphasis shifts to the demands of industry, the city and the middle classes.

Mar
6
Wed
The Course/20th Century London: A City in Flux (Millenial Fever) 10/10
Mar 6 @ 10:45 am – 12:45 pm
The Course/20th Century London: A City in Flux (Millenial Fever) 10/10 @ The Course at The University Womens Club | England | United Kingdom

The Course offers exciting lectures in art history, music and literature.

London has transformed almost unrecognisably since 1900. At the beginning of the period the capital of a truly global empire and its largest port. At the end, the centre of one of the world’s most cosmopolitan societies, a great financial centre and a cultural hub. This twenty part series of lectures and walks will trace the forces that transformed London, from Imperial pomp through wartime catastrophe, to the vibrant but nervous metropolis of the 21st century.

Millenial Fever

The approach of a new millennium, and the appearance of the heritage lottery fund, which started in 1994, transformed the face of London, turning previously unregarded areas into cultural centres and paving the way for the rapid changes in the social character of many areas of London which are continuing to this day.

Mar
12
Tue
The Course / Homes and Gardens (Stately Homes, Suburbs and Skyscrapers) 10/10
Mar 12 @ 10:45 am – 12:45 pm
The Course / Homes and Gardens (Stately Homes, Suburbs and Skyscrapers) 10/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Music and Literature.

In this 10 part series, we ask when does a house become a “home”? When does a food plot become a “garden”? How do staircases and corridors reflect a new way of life? From the defensive architecture of the moat and keep to the 21st century urban fortresses of glass and concrete, from the monastic herbal garden to Chelsea show gardens for the urban terrace, we look not only at buildings, interiors and nature but, above all, at what they tell us about how people use their spaces to manage their lives.

Stately homes, Suburbs and Skyscapers

The dominant focus of the 20th C is urban – and so, therefore, is its architecture. Towns spread, buildings rise ever higher and private gardens are a privilege – the 20th century takes us from P. G. Wodehouse to “Digging for Britain” and the Shard.

 

Apr
30
Tue
The Course / Art & Critical Analysis (Father of the Renaissance) 1/8
Apr 30 @ 10:45 am – 12:45 pm
The Course / Art & Critical Analysis (Father of the Renaissance) 1/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

From the earliest times, there has been criticism of art, both positive and negative. A substantial body of text survives and this series will look at a wide variety of European art works in the context of their critical reception. Concentrating on major works and significant artists from 1300 to 1900 and beyond, we will observe the impact on the public’s appreciation of art and how that might be influenced by critical analysis including the vagaries of fashion. What impact did these commentaries have on art practice and the artists themselves and can critics be seen to be responsible for influencing and thus changing the course of art history?

Father of the Renaissance

Early discourse and criticism in Italian Art/From Medieval to Renaissance (1300 – 1480)

Art discourse and criticism stretches back to a very early period. In this lecture, we will witness the inception and idea of the Renaissance and the recognition of named artists such as Cimabue and Giotto about whom texts were written. We will look at the most well-known works of both, as well as others, including Pisanello, the Pollaiuolo and Leonardo, drawing on texts from Dante Alighieri, Giorgio Vasari and others.

May
2
Thu
The Course / The History of Art in Ten Colours (Gold) 1/10
May 2 @ 10:45 am – 12:45 pm
The Course / The History of Art in Ten Colours (Gold) 1/10 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and

Music.Hockney “I prefer living in colours”

The very term ‘colour’ is used differently in the C21st. This course traces the fascinating history of pigments: where they came from, how they were created, and how they have changed the course of art history. It’s a story that will take us from a single mine in Afghanistan to the serendipitous discovery of a fraudulent alchemist in Berlin to a contemporary patent for the blackest black imaginable. We’ll consider both the materiality of colours – for instance, the impact of ‘fugitive’ pigments and dyes that disappear in time – and their shifting symbolism in different cultural contexts. Re-discover paintings you thought you knew by seeing them digitally returned to their ‘real’ colours and forge new connections between artists.

Anna Akhmatova

“gold – smells of nothing”

Associated with prosperity, royalty, alchemy, Midas…. gold has an established place in painting and sculpture. Traditionally, gold leaf was made by hammering money into wafer thin leaves, so gilded panels that glowed in candlelit churches would have awed congregations. The Incas believed gold was the sweat of Inti, the sun god. But why did Joseph Beuys paint his face with gold? And what attracted Klimt and the Art Nouveau movement to it? Discover this and how contemporary sculptors like Louise Nevelson who gilded reject furniture into mass totems and Jeff Koons revived the use of gold.