The Performing Arts in the Belle Epoque (Diaghilev & the Ballet Russes)

When:
November 1, 2017 @ 10:45 am – 12:45 pm
2017-11-01T10:45:00+00:00
2017-11-01T12:45:00+00:00
Where:
The Course at the University Women's Club
2 Audley Square
Mayfair, London W1K 1DB
UK
Cost:
£59
Contact:
Mary Bromley
020 7266 7815

Established in 1994, THE COURSE offers innovative and exciting lectures in Art History, Literature, Music and Opera.

The Belle Epoque (c.1890–1914) was a period of extraordinary brilliance and glamour in the performing arts. No actors had ever been as famous as Sarah Bernhardt and Eleonora Duse, no dancers as famous as Pavlova and Nijinsky, no tenor as famous as Caruso and no pianist as famous as Paderewski. Much of the unprecedented celebrity of these artists has to do not only with their extraordinary talents but also with changes in society and innovations in technology – railways and steamships, photography, the telegraph and mass circulation newspapers and finally the gramophone and moving film. Under the influence of Wagner, Ibsen, Diaghilev and Isadora Duncan many artists saw themselves no longer as mere entertainers but as revolutionaries capable of transforming society. This course will examine the careers of these great artists putting them in the context of social and historical change and developments in the arts in general.

Diaghilev and the Ballets Russes

The great Russian impresario rescued classical dance from the doldrums into which it had fallen and created modern classical ballet. A devotee of the Wagnerian ideal of the Gesamtkunstwerk or total work of art, Diaghilev impacted on the worlds of fine art, music, fashion and interior design. Among the great talents that he presented to the wider world were Nijinsky, Chaliapin, Bakst, Stravinsky, Massine and Balanchine.