Politics talks in London

Jun
25
Tue
The Course / Art & Critical Analysis (Hogarth) 7/8
Jun 25 @ 10:45 am – 12:45 pm
The Course / Art & Critical Analysis (Hogarth) 7/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

From the earliest times, there has been criticism of art, both positive and negative. A substantial body of text survives and this series will look at a wide variety of European art works in the context of their critical reception. Concentrating on major works and significant artists from 1300 to 1900 and beyond, we will observe the impact on the public’s appreciation of art and how that might be influenced by critical analysis including the vagaries of fashion. What impact did these commentaries have on art practice and the artists themselves and can critics be seen to be responsible for influencing and thus changing the course of art history?

Hogarth and the Art of the Conversation Piece and Social Commentary

The impact of Criticism on the work of William Hogarth (1697-1764)

Hogarth is rightly acknowledged to be one of the best loved British artists, but in his day, this was not the case. We will look at the impact of criticism on Hogarth’s work through the pictures which Hogarth referred to as conversation pieces. The lecture will highlight both the positives and negatives which were seen by many as a social commentary while also looking at Hogarth’s own prejudices and how they impacted on his work.

Jul
2
Tue
The Course / Art & Critical Analysis 8/8
Jul 2 @ 10:45 am – 12:45 pm
The Course / Art & Critical Analysis 8/8 @ The Course at The University Womens Club | England | United Kingdom

Established in 1994, The Course offers exciting lectures in Art History, Literature and Music.

From the earliest times, there has been criticism of art, both positive and negative. A substantial body of text survives and this series will look at a wide variety of European art works in the context of their critical reception. Concentrating on major works and significant artists from 1300 to 1900 and beyond, we will observe the impact on the public’s appreciation of art and how that might be influenced by critical analysis including the vagaries of fashion. What impact did these commentaries have on art practice and the artists themselves and can critics be seen to be responsible for influencing and thus changing the course of art history?

A Catalyst for Change in Art Appreciation

From Pre-Raphaelitism & Ruskin to Impressionism, Modernity & Roger Fry (1848 – 1910)

Revolutionary iconoclasts or traditionalist in disguise? The artists in this final session seem hell-bent on causing offence and to be deliberately counter-culture just for the sake of it. Was this in reality their modus operandi or was there more to it? This session looks at two different approaches to modernity from both sides of the Chanel which changed the course of art history forever. In England, we will look at the Pre-Raphaelites and their relationship with John Ruskin and on the French side of the Chanel, the Impressionists and their critical reception. In both cases, the role of the critic, be it supportive or not, was crucial in establishing the reputation of these groups of artists. This session will also explore the tensions between artists and critics in what would become known as modern painting.

Jul
24
Wed
The Politics of American Conspiracy Theories (w/ Prof. Joe Uscinski)
Jul 24 @ 7:30 pm – 8:30 pm

NB: Please be aware that this Greenwich Skeptics in the Pub talk is not held at its usual time of the first Wednesday of the month.

Particularly since 2016, conspiracy theories became a mainstay of American political debate. Not only did conspiracy theories affect major political decisions (i.e., the election of Trump), but conspiracy theories have become the currency of mainstream political debate. Why has this happened, and what are the measurable effects? What are the dangers of this turn toward dark and disturbing narratives? Professor Uscinski will bring to bear a wealth of polling data from the US to explain how, when, and why conspiracy theories will affect political debate and decision-making. The surprising findings address the following questions: Who believes in conspiracy theories and why? Why are some conspiracy theories more popular than others? What are the dangers of conspiracy theories? Are conspiracy theorists prone to violence? How did conspiracy theories affect the 2016 and 2018 elections? What can conspiracy theories in the United States tell us about conspiracy theories in the United Kingdom?

Joseph Uscinski is associate professor of political science at University of Miami in Coral Gables, FL. He is co-author of American Conspiracy Theories (Oxford, 2014) and editor of Conspiracy Theories and the People Who Believe Them (Oxford, 2018).

 

Talks are held on the first Wednesday of the month starting at 7:30 pm unless otherwise noted. We meet in the Star and Garter pub, 60 Old Woolwich Road, London SE10 9NY. The Star and Garter pub is close to many transport links and is approximately 7 minutes walk from Maze Hill Overground Station, or 10 minutes walk from the Cutty Sark DLR Station. Although the pub does not serve food, there are plenty of excellent restaurants in Greenwich, including several very nearby on Trafalgar Road. Attendance is free (unless otherwise stated) although a small donation to help cover expenses is appreciated. There is no need to book in advance (again, unless otherwise stated).

For further information, visit http://greenwich.skepticsinthepub.org/ or contact Prof Chris French (email: [email protected]).

NB: You are strongly recommended to register (at no cost) with the “Psychology of the Paranormal” email list (run by Professor Chris French, Head of the Anomalistic Psychology Research Unit, Goldsmiths, University of London) to ensure that you are informed of any future changes to the programme as well as news of related events. You can also follow @chriscfrench on Twitter for announcements (including news of last-minute cancellations, changes of speaker, etc.).

Visit: http://www.gold.ac.uk/apru/email-network/

 

Sep
24
Tue
The Course/Princely Patronage in the Italian Renaissance 1/10
Sep 24 @ 10:45 am – 12:45 pm
The Course/Princely Patronage in the Italian Renaissance 1/10 @ The University Womens Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

 

Introduction and the Court Artist

Why the arts? What is a Prince? Were they all leaders of taste? We begin by exploring some of the key themes and figures of this series before moving on to examine the qualities, experience and identity of the “court artist”.

Oct
3
Thu
The Course / Leonardo da Vinci: the Life of the Universal Man 2/10
Oct 3 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: the Life of the Universal Man 2/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Masters At Work: Techniques And Mediums

We will examine Leonardo’s decisions behind his choice of techniques and mediums, including his use of metal point, black chalk, red chalk, pen and ink and wash, and his early use of oil paint. We will look at exquisite examples of all these, asking what were their uses and how they would affect Leonardo’s choices.

Oct
10
Thu
The Course / Leonardo da Vinci: The Life of the Universal Man 3/10
Oct 10 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: The Life of the Universal Man 3/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Sculpture And The World Of The Antique

Although no sculptures by Leonardo exist, we will examine his influences from the antique world, his sculptural design ideas and how they would play into the narrative of the Renaissance aesthetic. We will also consider the drawings that were made to demonstrate how he might have constructed these artworks.

Oct
22
Tue
The Course / Princely Patronage in the Italian Renaissance 5/10
Oct 22 @ 10:45 am – 12:45 pm
The Course / Princely Patronage in the Italian Renaissance 5/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

Smoke and Mirrors

Mantua, small and muddy, was one of the least powerful of Italian city states but through extraordinary and judicious patronage of the arts, the Gonzaga dynasty presented itself as the equal of all contemporaries. Alberti in architecture, Pisanello and Mantegna in painting created an image of splendour which made the city the envy of its contemporaries.

Oct
24
Thu
The Course / Leonardo da Vinci: The Life of the Universal Man 5/10
Oct 24 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: The Life of the Universal Man 5/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Inside The Mind Of Man – Grotesques, Personality & Caricature

Leonardo’s mind and its supposed impact on physiognomy and ultimately personality will be the subject for this session. We will look at a wide variety of his drawings of physiological types and ask if these can tell us about the social mores of Leonardo’s times and ultimately how the explorations into the human psyche affected Leonardo’s finished works such as The Last Supper.

Oct
31
Thu
The Course / Leonardo da Vinci: The Life of a Universal Man 6/10
Oct 31 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: The Life of a Universal Man 6/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

Obsession With Nature, Anatomical & Experiment

Leonardo was obsessed with how everything worked and the close relationship between man and nature. Here, we will look at his exploration of the workings of nature and his attempt to understand these processes and thus understand the soul of man. We will look at examples of anatomical drawings that demonstrate Leonardo’s unflinching eye and ability to investigate areas of human anatomy that many would find repulsive.

Nov
5
Tue
The Course / Princely Patronage in the Italian Renaissance 7/10
Nov 5 @ 10:45 am – 12:45 pm
The Course / Princely Patronage in the Italian Renaissance 7/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

A “Restive and Independent City”

Florence was a proud Republic, so the position of the Medici family was equivocal. Officially “first among equals”, they trod a fine line in asserting their rule without alienating the democratic rhetoric of the state, and their discerning and generous commissions to some of the greatest creative figures of the age were calculated to give political reassurance while subtly reminding the people of the munificence, wisdom and virtue of the first family.

Nov
12
Tue
The Course / Princely Patronage in the Renaissance 8/10
Nov 12 @ 10:45 am – 12:45 pm
The Course / Princely Patronage in the Renaissance 8/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

Princes of the Church

Renaissance popes were not only princes of the church but rulers of vast secular domains, determined to recreate for Rome the glories of pagan antiquity. None was more remarkable than Julius II who, in a reign of barely 10 years, rebuilt a dilapidated city, commissioned Michelangelo, Raphael and Bramante, and laid the foundations of St Peter’s Basilica as we know it today.

Nov
19
Tue
The Course / Princely Patronage in the Italian Renaissance 9/10
Nov 19 @ 10:45 am – 12:45 pm
The Course / Princely Patronage in the Italian Renaissance 9/10 @ The Course at the University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

Merchants, Monks and Guilds

The patronage of princes inspired others. Wealthy urbanites and the Church, individuals and groups, increasingly used art to confirm their commitment to Renaissance values of piety, charity and scholarship.

Nov
21
Thu
The Course / Leonardo da Vinci : Life of the Universal Man 9/10
Nov 21 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci : Life of the Universal Man 9/10 @ The Course at the University Women's Club

Established in 1994, The Course offers Art History, Music, Opera and Literature Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

The Art Of War & Mechanical Engineering

In the middle and latter part of Leonardo’s life, he became increasingly in demand for his designs and this would see him ultimately working for powerful patrons such as Isabella d’Este and Lodovico Sforza. We will look at his complex mechanical designs for flying machines, underwater breathing apparatus and ultimately weapons of mass destruction. Why did Leonardo carry out such work and what were his thoughts on these?

Nov
26
Tue
The Course / Princely Patronage in the Italian Renaissance 10/10
Nov 26 @ 10:45 am – 12:45 pm
The Course / Princely Patronage in the Italian Renaissance 10/10 @ The Course at The University Women's Club

Started in 1994, The Course offers Art History, Literature, Music and Opera Lectures.

In Princely Patronage, a series of 10 lectures, we will examine how for nearly two centuries, some dozen city states waged war and their leaders competed to create spheres of both authority and magnificence. Artists from Italy and abroad flourished, moving from court to court, sharing influences and creating ever more sumptuous environments. This series examines the role of the ruling families, their spectacular personalities and projects, and the values of the age in driving this artistic flowering.

Influence

Italy created the model in which connoisseurship became the distinguishing mark of the enlightened and refined ruler. From Krakow to London, monarchs presented themselves through their patronage of the arts, the forms taken from Italy and often executed by artists from the peninsula itself, responsible for spreading the vocabulary of classicism and power across the European courts.

Nov
27
Wed
The Course / London: the people who shaped a city (10/20)
Nov 27 @ 10:45 am – 12:45 pm
The Course / London: the people who shaped a city (10/20) @ The Course at The University Women's Club

Established in 1994, The Course offers Art History, Literature, Music and Opera lectures.

In this series of 20 paired lectures and walks, we will look at the ways in which particular groups, often professions, have shaped and been shaped by London. Each theme could provide a course of its own, so we will proceed through a series of snapshots at the activities of those groups and individuals at key moments in the formation of the city.

Engineers

Engineers, often overlooked in favour of more obviously glamourous professions, have made the city operate – the first underground railway, a pioneering sewerage system and a succession of fabulous bridges. London, sitting on clay rather than a bed of rock has provided as many challenges as opportunities in its construction.

The week following the lecture (4 December) there will be an accompanying walk along the South Bank of the Thames.

Nov
28
Thu
The Course / Leonardo da Vinci: Life of the Universal Man 10/10
Nov 28 @ 10:45 am – 12:45 pm
The Course / Leonardo da Vinci: Life of the Universal Man 10/10 @ The Course at The University Women's Club

Established in 1994, The Course offers Art History, Music, Opera and Literature Lectures.

We have all heard of the great master of the Renaissance – Leonardo da Vinci. Speculation regarding the true life and meaning of his work has been rife for centuries. Books such as the Da Vinci Code and many others only serve to confirm and equally to confuse us. So how much do we really know? How did he become such a great artist, how famous was he in his own lifetime, was he rich and where and how did he learn his craft? This series of lectures will give you an insight into the life of this great artist; charting the beginnings of his career, the highs and the lows, and finding out just how and why he became the ultimate and universal genius we now regard him.

His Legacy, School, Influences And Followers

In our final session, we consider artists such as Giovanni Antonio Boltraffio (about 1467 – 1516) and Francesco Melzi (1493 – 1570) with whom Leonardo worked and trained and compare their works with those of the Master. We will also look at his followers such as Antonio Allegri (active 1494 – 1534), known as Correggio. What did they learn and what can we learn from these works? We will examine the misattributions surrounding Leonardo’s collaborators and finally the current obsession with Leonardo culminating in the sale of the Salvator Mundi.

Dec
4
Wed
The psychology of conspiracy theories (w/ Dr. Dan Jolley @DrDanielJolley)
Dec 4 @ 7:30 pm – 8:30 pm

Conspiracy theories are associated with almost every significant social and political event, including the theory that the U.S. government orchestrated the 9/11 attacks, that the U.K Government murdered Diana, Princess of Wales, or that the pharmaceutical industry deliberately concealed the fact that the MMR vaccine causes Autism. Belief in these types of conspiracy theories is blooming in the 21st century; millions of people subscribe to them.

A basic understanding of logic, rationality, and probability tell us, however, that most of these conspiracy claims are probably false. So why then do so many people believe them? What makes them so attractive and compelling to people? And, anyway, what’s the problem, aren’t they just harmless fun?

In this talk, Dr Daniel Jolley will take you through the psychology of conspiracy theories. You will learn why people subscribe to conspiracy theories and discuss some of the misconceptions (including whether all conspiracy believers are paranoid!).  He will also uncover some of the potentially damaging consequences of conspiracy theories; maybe they are not just harmless after all, before discussing ongoing research into tools to combat the negative harm of conspiracism!

Dr Daniel Jolley is a Senior Lecturer in Psychology at Staffordshire University.  He is a Chartered Psychologist of the British Psychological Society, where he is a member of the Executive Committee of the Social Psychology Section.  Jolley’s main area of research is the psychology of conspiracy theories.  He is particularly interested in using experimental methods to examine the social consequences of exposure to conspiracy theories and has co-authored articles in outlets such as PLoSONE, the British Journal of Psychology and Political Psychology.  He blogs at conspiracypsychology.com and tweets @DrDanielJolley.

 

Talks are held on the first Wednesday of the month starting at 7:30 pm unless otherwise noted. We meet in the Star and Garter pub, 60 Old Woolwich Road, London SE10 9NY. The Star and Garter pub is close to many transport links and is approximately 7 minutes walk from Maze Hill Overground Station, or 10 minutes walk from the Cutty Sark DLR Station. Although the pub does not serve food, there are plenty of excellent restaurants in Greenwich, including several very nearby on Trafalgar Road. Attendance is free (unless otherwise stated) although a small donation to help cover expenses is appreciated. There is no need to book in advance (again, unless otherwise stated).

For further information, visit http://greenwich.skepticsinthepub.org/ or contact Prof Chris French (email: [email protected]).

NB: You are strongly recommended to register (at no cost) with the “Psychology of the Paranormal” email list (run by Professor Chris French, Head of the Anomalistic Psychology Research Unit, Goldsmiths, University of London) to ensure that you are informed of any future changes to the programme as well as news of related events. You can also follow @chriscfrench on Twitter for announcements (including news of last-minute cancellations, changes of speaker, etc.).

Visit: http://www.gold.ac.uk/apru/email-network/