Some face-to-face events are returning. Check carefully for any requirements.

There is increasing recognition over the last decade that conservation, while conserving biodiversity of global value, can have local costs. Understanding these costs is essential as a first step to delivering conservation projects that do not make some of the poorest people on the planet poorer. Using examples from Madagascar and Bolivia, we explore the challenges of quantifying the impact of conservation on local wellbeing.
Julia Jones is Professor in conservation science at the School of Environment, Natural Resources and Geography, Bangor University. Julia is interested in how people interact with natural resources and how incentives can be best designed to maintain ecosystem services; for example the growing field of Payment for Ecosystem Services (PES) and how schemes such as REDD+ can effectively deliver global environmental benefits while also having a positive impact on local livelihoods. She also has a strong interest in the design of robust conservation monitoring using different types of data, and in analysing the evidence underpinning environmental policies and decisions.

Ludo, snakes & ladders and draughts are all popular pastimes, but in the past couple of decades a new generation of board games from designers with backgrounds in maths and science has begun to break the Monopoly monopoly. Perhaps the most successful of these is multi award winning Reiner Knizia, who joins mathematician Katie Steckles and board game lover Quentin Cooper to discuss how you develop a game which is easy to learn, hard to master and fun to play time after time. With a chance to have a go at some of Reiner’s latest creations and other top games afterwards.
Book here: http://www.oxfordshiresciencefestival.com/tuesday.html

Join us for a sensational evening of cabaret – an alchemy of acts delivered by Science Oxford’s network of creative science performers. If you love science, stage and stand up, you’ll be in your element with our periodic table-themed cabaret including science presenter and geek songstress Helen Arney and compered by award-winning science communicator Jamie Gallagher. See the everyday elements that make up the world around us in a new light, watch in disbelief as gold is created before your eyes, and learn about their origins and how they behave inside our bodies. Get your tickets now – once they are gone they argon!

Martin Barker (Professor Emeritus of Film Studies at Aberystwyth University, Director of the Global Hobbit Project) will be visiting Oxford to discuss the results of the landmark Global Hobbit Project, a research initiative examining the popular reception of Peter Jackson’s Hobbit Film trilogy.
Synopsis:
“Tolkien aficionados may have disagreed somewhat among themselves about the value and achievements of the Lord of the Rings film trilogy. But any frustrations – or celebrations – over the 2001-3 films were nothing compared to the overwhelming sense of let-down occasioned by the Hobbit trilogy. But your disappointments are, I am afraid, grist to the mill of an audience researcher like me. In 2014 I led a consortium of researchers in 46 countries across the world, to gather responses to Peter Jackson’s second trilogy. We managed to attract just over 36,000 completions of our questionnaire. Of course, when we conceived and planned the project, we couldn’t know what the films would be like, or what range of responses and debates they might elicit. In this presentation I will (briefly) explain why and how we carried out the research, and offer some of its major findings. These can act, I hope, as a kind of mirror to the depths, and also the significance, of the sense of disappointment experienced by even the most hopeful and forgiving viewers. And they open an important agenda about the changing role of ‘fantasy’ in our contemporary culture.”

Please join us at 7pm on Thursday of 7th Week (November 24th) for a presentation by Daniel Castro Garcia and Thomas Saxby on their recent publication ‘Foreigner: Migration into Europe 2015–2016’.
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“The photographs are a protest against those who so
readily attack refugees and migrants entering Europe
without taking into consideration the dangers faced
during the journey.” (Foreigner: Migration into Europe 2015–16 by John Radcliffe Studio www.johnradcliffestudio.com)
For more information please read the press release below:
‘Foreigner: Migration into Europe 2015–2016’, is a photography book that documents the lives of people at various stages of their migration to Europe. The book is divided into three sections, focusing on migration to Italy from North Africa, migration to Greece and through the Balkans from the middle east, and the migrant camp in Calais known as ‘The Jungle’. Alongside the photography, written texts serve both as a context, and a means to share the stories of the people we met during the project.
The book was created in response to the imagery used in
the media to discuss the issue of migration, which we felt was
sensationalist, alarmist and was not giving people the time and
consideration they deserved. We wanted to approach the subject from a calmer perspective, using medium format portrait photography as a means of meeting the people at the centre of the crisis face to face – and of learning something about their lives.
John Radcliffe Studio is the creative partnership of Thomas Saxby and Daniel Castro Garcia. We specialise in photography, film and graphic design and have spent the last year documenting the refugee and migrant crisis in Europe.
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The Moser Theatre is fully accessible, with access to gender netural toilets, and the event will be **FREE** to attend. Oxford for Dunkirk will be collecting donations before and after the event in aid of La Liniere Refugee Camp, Dunkirk, France: please see our page for more details! (www.facebook.com/oxfordfordunkirk)
Jenny Josephs & Why eating insects might soon become the new normal
By 2050 the global population will reach 9 billion and this will put ever increasing pressure on food and environmental resources. It will be a challenge to ensure global food security without further damaging the environment with intensified farming practices.
One UN backed solution is to focus on alternative sources of protein, such as insects for food and animal feed. About 2 billion of us already include insects in our diets, though it is still a growing trend in the west.
Insects are described as having a variety of different flavours, from mushroomy to pistachio or pork crackling. They are comparable to beef in protein and contain beneficial nutrients like iron and calcium. Their environmental impact is also minimal, requiring far less water and feed than cattle, and releasing fewer emissions.
During this talk, Jenny will explain how insects might replace some of the meat in our diets and also give some tips on how to cook them. You will be invited to sample some tasty bug snacks after the talk!
Bio: After completing a PhD in Visual Cognition at the University of Southampton, Jenny changed course and started The Bug Shack – a business promoting and selling edible insects. Jenny is a regular speaker at Skeptics events and science festivals and she recently returned from a trip to research attitudes towards eating and farming insects in Thailand and Laos.
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7.30PM start at St. Aldates Tavern, and entry is free, although we do suggest a donation of around £3 to cover speaker expenses. We tend to get busy, so arrive early to make sure you get a seat. Come along and say hello! All welcome. http://oxford.skepticsinthepub.org/Event.aspx/8101/Why-eating-insects-might-soon-become-the-new-normal
Join the Facebook event and invite your friends: https://www.facebook.com/events/1317127301666085/
Lord Browne of Madingley is presently Chairman of L1 Energy, the Chairman of Trustees of both the Tate and the QEII Prize for Engineering, and Chairman of the Advisory Board of the Blavatnik School of Government at Oxford University.

Join us for the first in Blackwell’s free summer series of lunchtime events, where we will be joined by Greg Garrett author of ‘Living with the Living Dead’.
The zombie apocalypse is one of the most prominent narratives of the post 9/11 West, represented by popular movies, TV shows, games, apps, activities, and material culture. Greg explores why stories about the living dead serve a variety of functions for consumers and explains how representations of Death and the walking dead have appeared in other times of great stress and danger, including the Middle Ages and World War One.
Greg Garrett blogs on books, culture, religion, politics, travel, and food for The Huffington Post. He is the author or co-author of twenty books and one of America’s leading authorities on religion and culture.
What does it mean to be a feminist? Who can be a feminist? And is there a right and wrong way of doing it?
Join us on a unique journey through feminist history, adding your voice as we discuss key moments in literature, art, politics, music, sport, and science to develop our understanding of feminism.
You’ll discover knowledge you didn’t realise you had as we join together the pieces of feminist history and women’s achievements in this fun, interactive workshop.
We will identify different stages and criticisms of feminism and consider intersections with race, LGBTIQ, age, and disability politics. We look for silences and unacknowledged voices, and consider the privileges and biases in our own perspectives.

Andy will take you on a journey from the creation of ghetto’s to the rise of Hip-Hop as a critique against social and racial injustice. He will discuss the empowerment that has emerged through this form of art the consequences of its commercialisation. His talk will also question ‘what makes something a piece of art?’ and ‘how can creative wealth arise from financial poverty?’
Andy Ninvalle is a versatile artist, entrepreneur and renowned educator. In addition to leading the Dutch dance company Massive Movement. He has recently collaborated with Curtis Richardson, songwriter for Jeniffer Lopez and Rihanna and wrote and produced for the latest album of Polish Jazz Legend Michał Urbaniak. As a rapper and beatboxer, he breaks down barriers between different art forms through his collaborations with Earth Wind and Fire, the Polish National Philharmonic Orchestra and Jazz musician Candy Dulfer.
Growing up on the streets of Guyana, hip hop was Andy’s first language for self-expression. He is passionate about sharing his love for art, as well as advancing the education of black history and culture. He is a frequent speaker at high-schools throughout the Netherlands. He has given guest lectures and workshops at Penn State University and University of Troyes.
www.andyninvalle.com

Ever felt like there was something you really wanted to say but you just weren’t sure how? We’re exploring the why and how of women’s speech and writing with the help of some amazing women writers and gender experts.
This is our fabulous launch for a feminist writing course to run in Oxford in early 2018.
The event will include presentations from rising-star feminist writers sharing their work and discussing what it means to express their gender in their writing.
There will be a chance to share your ideas about what feminist poetry means to you, how gender is expressed through poetry and language, what it means to write as your gender, and some of the challenges of writing women’s experiences, platforming a variety of voices in conversation.
We also invite presentations from YOU of your own work and/or that of your feminist heroes.
Kids and people of all genders welcome.
East Oxford Community Centre
Doors open 7.30pm (the bar will be open)

CARU | Arts re Search Annual Conference 2017
“What does it mean to research art / to research through art?”
CARU brings together artists and researchers for yet another day of cross-disciplinary exploration into arts research! The event will consist of an exciting mixture of talks and performances from a variety of creative and academic disciplines, including Fine Art, Live Art, Social Practice, Art History, Anthropology, Education, Science and Technology, to question and debate various areas of arts research, such as themes, material/form, documentation and practice methodology.
Keynote talk: ‘Resonances and Discords’
Speaker: Prof. Kerstin Mey
PVC and Dean, Westminster School of Media, Arts and Design, University of Westminster
“The presentation will explore research in art at the interface to other epistemological systems and approaches. Drawing on case studies, it will explore key strategies and tactical manoeuvres of knowledge making in order to explore the hermeneutics of practice led inquiry in the space of art.”
Presentations include:
“The artist in the boardroom: Action research within decision-making spaces”
“Exploring the Art space as fluid cultural site through the immediacy of the performance and its inherent collaborative ethos”
“Chapter 1 (draft): Using text in performance: a range of strategies”
“Memory and identity within Bosnia’s Mass Graves”
“Fermenting conversations”
“Arcade Interface Art Research”
“Making sounds happen is more important than careful listening (with cups)”
“Shadow:Other:myself / photographic research from 2010”
“Un-knowing unknowing in painting as research”
“Developing an artistic epistemology”
Register at: www.ars2017.eventbrite.co.uk

Our Marriages: When Lesbians Marry Gay Men 奇缘一生 —Documentary Screening and Talk with Director He Xiaopei and Dr Bao Hongwei
The Oxford Chinese Studies Society welcomes all to an exclusive screening and discussion of “Our Marriage: When Lesbians Marry Gay Men” with Director He Xiaopei and Dr Bao Hongwei.
How do gays and lesbians negotiate their social identities in postsocialist China? Are the so-called “fake marriages 形式婚姻” between them a pragmatic choice made out of social pressure or a queering act of subversion against the traditional institution of marriage? How do these phenomena tie into China’s revolutionary past and connect to Asia’s current wave of gay marriage legalisation and rising pink economy? These are the questions provoked by Dr. He Xiaopei’s documentary Our Marriage.
“The film, Our Marriage, is an exploration of the lives of four lesbians who decided to marry gay men in order to secretly pursue their relationships with their girlfriends and at the same time fulfil their families’ deep-seated desire that they get married. The sense of respect and responsibility that the marriage partners feel towards their parents, and the avoidance of social ridicule and tricky questions about their child’s sexuality, also play a large role in their decision to stage elaborate and glamorous sham ceremonies…In China, as one of the women in the documentary explained, nobody is allowed to be single. Whilst a burgeoning lesbian social scene is becoming more visible in large cities, heteronormative attitudes force people, heterosexual and homosexual alike, into marriages which they would rather avoid. Marriage can provide social acceptance, but it also gives you certain economic benefits such as access to social housing. Whilst homosexuality is not illegal in China there are no plans to introduce same sex marriage. Activists like He have argued against campaigns for same sex marriage suggesting that the institution of marriage itself should be challenged as it supports patriarchal norms and is detrimental to all people, whether they are gay, straight or bisexual.” — Kate Hawkins, Sexuality and Development Programme International Advisory Group
This event will be of interest to those of you who work on Chinese society, queer studies, film studies, as well as gender studies. The documentary is 45 minutes long, followed a brief talk on queer filmmaking and LGBT activism in China by Dr Bao Hongwei from the University of Nottingham, and then both of them will engage in audience Q & A and discussions.
Speaker biography:
Dr He Xiaopei completed a PhD at the University of Westminster in 2006, titled ‘I am AIDS: Living with the Epidemic in China’. She co-founded an NGO called the Pink Space Sexuality Research Centre in Beijing to promote sexual rights and sexual pleasure among people who are oppressed.
Dr Hongwei Bao is Assistant Professor in Media Studies at the University of Nottingham, UK. He holds a PhD in Gender Studies and Cultural Studies from the University of Sydney, Australia. His research primarily focuses on gay identity and queer politics in contemporary China. He is author of Queer Comrades: Gay Identity and Tongzhi Activism in Postsocialist China (Copenhagen: NIAS Press, forthcoming in 2018).

Rediscovered Taiwanese Film Screening with Prof. Chris Berry: Dangerous Youth 危險的青春 (1966)
2018/Feb/07 Wednesday 7-9:30PM Lecture Theatre, Lecture Theatre, China Centre, St Hugh’s College, Oxford
Supported by: Oxford Chinese Studies Society
For our third film screening event in Hilary Term, we have invited renowned Chinese film scholar, Professor Chris Berry from King’s College London, to screen one of Taiwan’s lost commercial films from the Martial Law period and discuss the relevant issues of language politics and cultural censorships with us. This event is part of the project, Taiwan’s Lost Commercial Cinema: Recovered and Restored, directed by Prof. Chris Berry and Dr. Ming-yeh Rawnsley, which includes a symposium (7 Oct 2017) and a film screening tour of old Taiwanese cinema in the UK and Europe throughout October and November 2017.
Synopsis
Shi Ying is a deliveryman for a cosmetics company. He is a womaniser and dreams of making a quick buck. He meets a romantic 20-year-old girl, Qingmei (Zheng Xiaofen), who feels trapped by her mother’s small restaurant and is eager to escape. Kueiyuan earns a commission fee by introducing Qingmei to a cabaret, run by Yuchan (Gao Xingzhi). Qingmei falls in love with Kueiyuan and sleeps with him. However, under pressure from Kueiyuan and Yuchan, Qingmei agrees to become a mistress to an old millionaire. Meanwhile, Yuchan seduces Kueiyuan and controls him with money and sex. When Qingmei discovers that she is pregnant by Kueiyuan, the latter demands an abortion. Qingmei runs away and hides. When Kueiyuan proposes marriage to Yuchan and is rejected by her, he finally realises that he is in love with Qingmei and goes out to look for her.
Commentary
‘The stark, dark social realism of this film is rendered through a modernist, even avant garde form, reminding audiences of French New Wave or early Nagisa Oshima (in particular Cruel Story of Youth, 1960): a long take of an angry young man on his motorcycle circling, its engine howling; a variety of pop songs raging on soundtrack; a montage of neon lights at urban night; composition-in-depth in conflict scenes; a daunting shot overlooking a sex act done on the floor; an open ending. Dangerous Youthremains a classic of Taiwanese cinema.’
This event will be of interest to those of you who work on Taiwanese history, Sinophone studies, translation studies, and film studies. The film is 95 minutes long and Prof. Berry will talk for around 10 minutes afterwards and we will leave plenty of time for critical dialogues, Q & A and discussions. There will be information handouts designed by Prof. Berry available on the day for all participants.
Speaker biography:
Prof Chris Berry is Professor of Film Studies at King’s College London, and his academic research is grounded in work on Chinese-language cinemas. Prof. Berry has recently served as a judge for the Golden Horse Awards 金馬獎 2017 in Taiwan. Primary publications include: (with Mary Farquhar) Cinema and the National: China on Screen (Columbia University Press and Hong Kong University Press, 2006); Postsocialist Cinema in Post-Mao China: the Cultural Revolution after the Cultural Revolution (New York: Routledge, 2004); (co-edited with Luke Robinson) Chinese Film Festivals: Sites of Translation (Palgrave Macmillan, 2017); (co-edited with Koichi Iwabuchi and Eva Tsai) Routledge Handbook of East Asian Popular Culture (Routledge, 2016); (edited with Nicola Liscutin and Jonathan D. Mackintosh), Cultural Studies and Cultural Industries in Northeast Asia: What a Difference a Region Makes (Hong Kong: Hong Kong University Press, 2009); and (co-edited with Feii Lu) Island on the Edge: Taiwan New Cinema and After (Hong Kong: Hong Kong University Press, 2005).

Yan Geling and Lawrence Walker: A Journey Together, in Literature
嚴歌苓和勞倫斯:他們的芳華
This event is in English.
As Yan Geling often says, her literary career can be divided into three stages. Drawing on a range of classical Chinese and Western literatures discovered in her grandfather and father’s collections, she started writing stories while she was still part of the Art Troupe in the Chinese military. As a young teenager, the experiences performing in the Sichuan-Tibet region and reporting during the Vietnam War provided her with rich materials for her creative writing. Already an award-winning writer in her 20s, she took the opportunity to study for an MFA in Chicago in the late 1980s. That was the period when she started exploring the lived experiences of the Chinese diaspora in her fiction, and her dramatic encounters with the FBI as a result of dating Lawrence, then a US diplomat, were later adapted into her novel Café with No Exit 無出路咖啡館 (2001). Geling’s literary career entered another highly productive phase when she moved to Nigeria with Lawrence in the early 2000s, where she completed the highly popular novel The Ninth Widow 第九個寡婦 (2006) and most of the essays published in her collection African Notes 非洲札記 (2013). Now living in Berlin, Geling keeps a comparative view on language and literature, and still works hard to bring out vivid portrayals of Chinese life from her memory and imagination. Throughout her career, she has had close connections with the film and TV industries in China and the wider Sinophone world, and adapted many of her stories into visual forms, never failing to impress audiences at home and abroad.
In this public event, Geling and Lawrence will be in conversation with Flair Donglai SHI (DPhil in English) to talk about their journey in literature. We will not only bring more spotlight on Geling’s less discussed works, but also focus on how the couple’s transnational and bilingual experiences have shaped their views and practices on fiction writing and translation. We will also continue the topic on media adaptations of literature and the concerns over contemporary Chinese literature’s international visibility and influence.
This event will be of interest to those of you who work on contemporary China, Chinese literature, Chinese diaspora, film studies, gender studies, translation studies, and intercultural communication in general. The conversation will be approximately 30 minutes long, and plenty of time will be given to audience Q & A and discussions. After the event, Geling will stay for a while longer to chat with enthusiastic readers and sign book copies (please bring your own).
Speaker biographies:
Yan Geling
Yan Geling is one the most prominent and widely read authors in mainland China and overseas Chinese communities today. She holds a Master of Fine Arts in Fiction Writing from Columbia College Chicago. Her short stories and novels, including “Siao Yu 少女小漁”, “Celestial Bath (Xiuxiu the Sent-down Girl) 天浴”, The Flowers of War金陵十三釵, A Woman’s Epic一個女人的史詩, and Criminal Lu Yanshi陸犯焉識, have won numerous awards in mainland China and Taiwan. She also works as a screenplay writer and has collaborated with many prominent Chinese directors such as Ang Lee 李安, Sylvia Chang 張艾嘉, Joan Chen 陳沖Chen Kaige 陳凱歌, Zhang Yimou 張藝謀, and Feng Xiaogang 馮小剛to adapt her writings into films and TV dramas. The 2017 film, Youth 芳華, directed by Feng Xiaogang and based the eponymous novel by Ms. Yan, was one of the highest grossing and most discussed films in China of the year.
Lawrence A. Walker
Lawrence Walker worked as a US diplomat from 1980-1991 and again from 2004-2013, serving in Mexico City, Germany (Bonn and Berlin), Taipei (for Chinese language training), Shenyang, the State Department’s Office of Korean Affairs, on loan to Bank of America in San Francisco, in Nigeria (Abuja), Taipei, Berlin and at the U.S. Africa Command in Stuttgart. Between 1991 to 2004 he worked as managing director of the German-American Chamber of Commerce in San Francisco, and in business development for a dot-com and a venture capital company. In 1999, he translated into English and published a collection of Yan Geling’s works entitled White Snake and Other Stories. More recently, he published a translation of her story ‘The Landlady’女房東 in Granta (https://granta.com/the-landlady/). He currently manages his wife Geling’s business affairs and is translating her novel The Criminal Lu Yanshi 陸犯焉識. He holds a Bachelor of Science in Languages and Linguistics from Georgetown University, an M.B.A. from the University of Illinois and a maîtrise en administration et en gestion from the Université Catholique de Louvain in Belgium, which he attended as a Rotary Ambassadorial Scholar.

Think Human Festival is proud to host this panel on Writing Working-Class Fiction.
Kerry Hudson, Kit de Waal and Alex Wheatle are celebrated contemporary British novelists who have all written working-class experience into their fiction. At this event, the novelists are hosted by writer and critic Boyd Tonkin.
They will read from their work, and then discuss the problems they have encountered in being working-class writers, the creative responses they have formulated in their writing of working-class experience, and the wider issues of publishing and literary culture in relation to working-class writing and authorship. The Faculty of Humanities and Social Sciences at Oxford Brookes has a rich tradition of research into working-class life and culture, across literature, history and the social sciences.

In celebration of the Oxford Festival of Nature, Blackwell’s Broad Street will be hosting a day of free Nature talks and activities.
At 1pm we will be joined by Jeremy Mynott who will be discussing his book ‘Birds in the Ancient World’. Then at 3pm Leif Bersweden will be exploring his search for 52 species of Orchid in ‘The Orchid Hunter’.
In the Children’s Department there will be nature themed storytime and craft activities.
Jeremy Mynott – ‘Birds in the Ancient World’
‘Birds in the Ancient World’ offers a fresh account of Ancient Greek and Roman civilisation illustrated through the relationship between humankind and birds.
It explores the numerous and varied roles birds played in daily life: as portents of weather, markers of time, their use in medicine, hunting, and farming, and also as messengers of the gods.
We learn how birds were perceived – through quotations from well over a hundred classical Greek and Roman authors, all of them translated freshly into English, through nearly 100 illustrations from ancient wall-paintings, pottery and mosaics, and through selections from early scientific writings, and many anecdotes and descriptions from works of history, geography and travel.
Jeremy will be discussing this rich and fascinating material, using birds as a prism through which to explore both the similarities and the often surprising differences between ancient conceptions of the natural world and our own. His book is an original contribution to the flourishing interest in the cultural history of birds and to our understanding of the ancient cultures in which birds played such a prominent part.
Jeremy Mynott is the author of ‘Birdscapes: Birds in Our Imagination and Experience’ (2009), a book exploring the variety of human responses to birds, described by reviewers as ‘the finest book ever written about why we watch birds’ (Guardian) and ‘a wonderful rumination on birds and birders through space and time for anyone interested in our relationship with nature’ (THES). He has also published an edition and translation of Thucydides in the series, ‘Cambridge Texts in the History of Political Thought’ and, more recently, ‘Knowing your Place’, an account of the wildlife in a tiny Suffolk hamlet. He has broadcast on radio and television, is a regular reviewer for the TLS and wildlife magazines, a founder member of ‘New Networks for Nature’, and is the former Chief Executive of Cambridge University Press and an Emeritus Fellow of Wolfson College, Cambridge.
This talk is free to attend, please register your interest in advance. For all enquiries please email events.oxford@blackwell.co.uk or call 01865 333623.
As part of Think Human Festival, this one-off pop-up event is a unique opportunity for visitors of all ages to interact with leading academics from the Faculty of Humanities and Social Sciences at Oxford Brookes University. The academics will act as ‘human books’ from a range of perspectives; historic, literary, political, legal and educational for 15 minutes per ‘book loan’ against the back drop of revolution. ‘RESIST! REMAIN!’ will provide the chance to engage with and access humanities and social science disciplines in a fun, original and inspiring way, and aims to create a lasting impression of how these subjects can help to understand what it is to be human.
Please note that this event is free, open to all ages and there is no need to book ahead. Please come to Bonn Square and start a interesting conversation around revolution!
Join us for live music in the John Henry Brookes Building – Forum before the panel discussion at 18:00 in the Lecture Theatre.
Most political movements are accompanied by protest songs. This Think Human Festival event aims to explore their rich tradition and assess their meaning and impact over time. Peggy Seeger, Andrew Scheps, Dr Angela McShane and Professor John Street will shed light on the historical context of protest songs, their production and sound, their political meaning and power, and their personal performance.
Our panel will examine the historical roots of protest songs, explore their impact on social and political movements, and explain what makes a song effective as protest. They’ll also discuss whether protest music is a dead or thriving art, and ask how far gender plays a role in their creation and performance.
Peggy Seeger is a celebrated singer of traditional Anglo-American songs and activist songmaker whose experience spans 60 years of performing, travel and songwriting. Dr Angela McShane leads the Research Development Team for the Wellcome Collection, an expert on early modern protest songs. Andrew Scheps is a Grammy award winning mix engineer, recording engineer, producer, and record label owner. John Street is Professor of Politics at the University of East Anglia and specialises in the politics of popular music.

Join us for live music in the Forum of the John Henry Brookes Building from 17:00 before the panel discussion in the John Henry Brookes Lecture Theatre at 18:00.
Most political movements are accompanied by protest songs. This Think Human Festival event aims to explore their rich tradition and assess their meaning and impact over time. Peggy Seeger, Andrew Scheps, Dr Angela McShane and Professor John Street will shed light on the historical context of protest songs, their production and sound, their political meaning and power, and their personal performance.
Our panel will examine the historical roots of protest songs, explore their impact on social and political movements, and explain what makes a song effective as protest. They’ll also discuss whether protest music is a dead or thriving art, and ask how far gender plays a role in their creation and performance.
Peggy Seeger is a celebrated singer of traditional Anglo-American songs and activist songmaker whose experience spans 60 years of performing, travel and songwriting. Dr Angela McShane leads the Research Development Team for the Wellcome Collection, an expert on early modern protest songs. Andrew Scheps is a Grammy award winning mix engineer, recording engineer, producer, and record label owner. John Street is Professor of Politics at the University of East Anglia and specialises in the politics of popular music.

Kerry Hudson, Kit de Waal and Alex Wheatle are celebrated contemporary British novelists who have all written working-class experience into their fiction. At this event, the novelists are hosted by writer and critic Boyd Tonkin.
They will read from their work, and then discuss the problems they have encountered in being working-class writers, the creative responses they have formulated in their writing of working-class experience, and the wider issues of publishing and literary culture in relation to working-class writing and authorship. The Faculty of Humanities and Social Sciences at Oxford Brookes has a rich tradition of research into working-class life and culture, across literature, history and the social sciences.

Our panel of acclaimed writers will explore the power of food literature to enhance our lives. Whether cookery writing that reveals the nature of cultural heritage, works of food history that highlight changing social conditions, or campaigning journalism that tackles corruption in the food industry, different forms of food literature play vital roles.
Claudia Roden is one of the world’s most respected food writers. Her work, known for being meticulously researched, is focused on the historical and cultural dimensions of national and regional cuisines. A Book of Middle Eastern Food, first published in 1968, was followed by around 20 more books including Mediterranean Cookery, The Food of Italy and The Book of Jewish Food. She has won many awards including six Glenfiddich Awards, two Andre Simon Awards and a James Beard Award in the US.
Bee Wilson is a food writer, historian and journalist. She began her professional writing career as food critic for the New Statesman, and went on to write for The Guardian, The Sunday Times, The Times Literary Supplement and The New Yorker, amongst other publications. She has written five books and her latest, First Bite: How We Learn to Eat, won a special commendation at the 2017 Andre Simon Awards.
Jeremy Lee is Chef Proprietor of Quo Vadis, in London’s Soho. Before taking up his position at this venerable restaurant he spent many years at the Blueprint Café, owned by Sir Terrence Conran. His articles have appeared in numerous publications, most recently The Guardian.
Donald Sloan is the Chair of the Oxford Cultural Collective, an educational and cultural institute that promotes better understanding of food and drink.

Join us for our Blackwell’s Open Mic Night, where there will be performances from an array of talented local performers, across a wide mix of creativity. Everyone is welcome to come along and listen, places for this event are free to register. Information about who will be performing will be updated when the final line-up is confirmed.
If you would like to register to perform, places are still available please email events.oxford@blackwell.co.uk. Each performer will have a 10 minute slot to showcase their work.
To allow opportunity and new talent to join the stage, we are not accepting performers from the last session in March as a main headliner. There will be a slot at the end that is open to drop in on the night for shorter pieces such as a poem or a song, and everyone is welcome to come forward.
For all enquiries please email events.oxford@blackwell.co.uk or call 01865 333623.

Blackwell’s presents an evening with madison moore, who will be exploring his new book ‘Fabulous: The Rise of the Beautiful Eccentric’, an exploration of what it means to be fabulous – and why eccentric style, fashion, and creativity are more political than ever.
What does it mean to be fabulous? Is fabulous style only about labels, narcissism, and selfies—looking good and feeling gorgeous? Or can acts of fabulousness be political gestures, too? What are the risks of fabulousness? And in what ways is fabulous style a defiant response to the struggles of living while marginalized? madison moore answers these questions in a timely and fascinating book, moving from catwalks and nightclubs to the street, ‘Fabulous’ includes a range of fabulous and creative powerhouses, including DJ Vjuan Allure, voguing superstar Lasseindra Ninja, fashion designer Patricia Field, performance artist Alok Vaid‑ Menon, and a wide range of other aesthetic rebels from the worlds of art, fashion, and nightlife.
madison moore, is a cultural critic, DJ, and creative director whose writing has appeared in Theater, Journal of Popular Music Studies, Dancecult: Journal of Electronic Dance Music Culture, Aperture, Thought Catalog, Out,Splice Today, and Interview. His work touches pop culture, queer studies, fashion, nightlife, sound, media, visual culture and contemporary art. madison is currently a Research Associate in Modern Moves in the Department of English at King’s College London, where he is also the director of the Queer@King’s Research Centre.
madison moore will be interviewed by Ruth Ramsden-Karelse. Ruth is a co-convener of the Queer Studies Network and a DPhil candidate in the English Faculty, based at Merton College, University of Oxford. Ruth is primarily interested in drag performances as sites at which gender, sexuality, race and class intersect in their full contextual complexity.
For all enquiries please email events.oxford@blackwell.co.uk. The doors for this event will open at 6:45pm, with seats allocated on a first come, first seated basis. There will be a bar serving an array of drinks available to purchase from 6:45pm-7pm.

In celebration of the Oxford Festival of Nature, Blackwell’s Broad Street will be hosting a day of free Nature talks and activities.
At 1pm we will be joined by Jeremy Mynott who will be discussing his book ‘Birds in the Ancient World’. Then at 3pm Leif Bersweden will be exploring his search for 52 species of Orchid in ‘The Orchid Hunter’.
In the Children’s Department there will be nature themed storytime and craft activities.
Leif Bersweden – ‘The Orchid Hunter’
In the summer after leaving school, a young botanist sets out to fulfil a childhood dream – to find every species of orchid native to the British Isles.
Battling the vagaries of the British climate in his clapped-out car, Leif Bersweden had just a few months to do what no one has ever done before: to complete this quest within one growing season.
‘The Orchid Hunter’ is a study of the 52 native species, it is a fantastic gateway into the compendious world of orchids, and one that will open your eyes to the rare hidden delights to be found on the doorstep. Join as as Leif discusses his fascinating journey.
Leif Bersweden graduated with a degree in Biology from Oxford and is currently a PhD student at Kew Gardens. He has loved orchids longer than he can remember. He is also the author of Winter Trees: A Photographic Guide to Common Trees and Shrubs, published by the Field Studies Council in 2013.
This talk is free to attend, please register your interest in attending. For all enquiries please email events.oxford@blackwell.co.uk or call 01865 333623.
First World War stories rarely appeared in British war comics published after the Second World War. This was not the case during the war and interwar period, though: story papers, precursors to comics, engaged with the war in detail. Dr. David Budgen (University of Kent) tracks comic book engagement with the conflict from these first ventures through to recent centenary commemorations.
This is a joint lecture with The Rockefeller Foundation Economic Council on Planetary Health at the Oxford Martin School
Ana María Loboguerrero, Head of Global Policy Research at CGIAR Research Program on Climate Change, Agriculture and Food Security (CCAFS) will present an initiative for transforming food systems under a changing climate. This initiative envisions a world in which all people, including future generations, are well-nourished and food secure, achieved through transformed food systems that are sustainably managing current and future stresses, climatic and non-climatic. These food systems will be building on the capacities and empowerment of people to strengthen their resilience and adaptive capacity to climate-related hazards and natural disasters while contributing to emissions reductions and/or capturing of GHG, to a sustainable land-use and to the protection of ecosystems, considering efforts along the food value chain.
Ana Maria will set out a framework to promote radical change in value chains, and transformation of how ecosystems are maintained, and on how policies, human behaviour, financing, and the political economy can fundamentally solve the most challenging problems with respect to food, agriculture and climate change.
All welcome, registration required.
Blackwell’s are delighted to be hosting one of Britain’s most influential literary critics, Terry Eagleton, to talk about his latest book, Humour.
A compelling guide to the fundamental place of humour and comedy within Western culture-by one of its greatest exponents
Written by an acknowledged master of comedy, this study reflects on the nature of humour and the functions it serves. Why do we laugh? What are we to make of the sheer variety of laughter, from braying and cackling to sniggering and chortling? Is humour subversive, or can it defuse dissent? Can we define wit?
Packed with illuminating ideas and a good many excellent jokes, the book critically examines various well-known theories of humour, including the idea that it springs from incongruity and the view that it reflects a mildly sadistic form of superiority to others. Drawing on a wide range of literary and philosophical sources, Terry Eagleton moves from Aristotle and Aquinas to Hobbes, Freud, and Bakhtin, looking in particular at the psychoanalytical mechanisms underlying humour and its social and political evolution over the centuries.