FLJS Films is pleased to present a special screening of Golden Kingdom, the acclaimed first international feature film to be produced in Myanmar since its reopening. The film’s director Brian Perkins will discuss the film and its genesis, which included a campaign to partly crowdfund its production.

Set and shot in a remote monastery in Shan State — a region in which separatists have fought a decades-long war against the Myanmar government — Golden Kingdom follows the story of four young monks, each endearingly and intelligently played by local non-professional actors. When their simple life of meditation and play is interrupted by an urgent call to engage with the vastly more threatening environment of the country at large, the film depicts the physical and spiritual journey of one of the boys through the troubled country as civil strife breaks out.

Touching on themes of displacement and the quest for safe passage and refuge, and featuring exquisitely evocative sound design by Oscar nominee David C. Hughes (GONE GIRL, HER), Golden Kingdom subtly alludes to the wider geopolitical currents emerging in Myanmar, while avoiding easy answers in its enigmatic exploration of the beauty, spirituality, and fortitude of the country and its people.

We invite attendees to donate to the Médecins Sans Frontières/Doctors Without Borders (MSF) Rohingya Refugee Crisis appeal to provide vital healthcare to Rohingya refugees fleeing violence in Myanmar.

Praise for Golden Kingdom:

“Compelling and elegantly crafted throughout, and hugely evocative of an enclosed world with its own lore and beliefs.”
Jonathan Romney, Screen International

“Transporting …. Shimmering … Golden Kingdom is a more intimate appreciation of Buddhism than Martin Scorsese’s rapturous “Kundun” or Bernardo Bertolucci’s “Little Buddha”.”
Guy Lodge, Variety

Talk followed by questions and discussion

All welcome

This is the latest in a series of eight weekly talks. The full list is:

Brexit: archaic techniques of ecstasy
Thursday 17 January: 7:30pm–9:00pm
Wesley Memorial Church (New Inn Hall St)

Shamanism: taking back control
Thursday 24 January: 7:30pm–9:00pm
Wesley Memorial Church (New Inn Hall St)

Tithe, timber, and the persistence of the ancien régime
Thursday 31 January: 7:30pm–9:00pm
Oxford Town Hall (St Aldates)

Hegelian dialectics and the prime numbers (part 2)
Thursday 7 February: 7:30pm–9:00pm
Wesley Memorial Church (New Inn Hall St)

Christopher Caudwell (1907–1937) and ‘the sources of poetry’
Thursday 14 February: 7:30pm–9:00pm
Wesley Memorial Church (New Inn Hall St)

Television: remote control
Thursday 21 February: 7:30pm–9:00pm
Wesley Memorial Church (New Inn Hall St)

Fascism and populism: can you spot the difference?
Thursday 28 February: 7:30pm–9:00pm
Wesley Memorial Church (New Inn Hall St)

The epos of everyday life
Thursday 7 March: 7:30pm–9:00pm
Wesley Memorial Church (New Inn Hall St)

Deborah Warner: Changing Directions – Journeys in theatre, opera and installation
Date: Wednesday, 27 February 2019
Time: 5.00pm (Attendees must be seated by 4.45pm)
Venue: Bernard Sunley Lecture Theatre, St Catherine’s College, Manor Road, Oxford, OX1 3UJ

Over her career, Deborah Warner has worked extensively in the fields of theatre, opera and classical music. Examples of her work as a Director include the plays Electra, King Lear and Richard II; and the operas The Turn of the Screw for the Royal Opera, which won the Evening Standard and South Bank Awards; Dido and Aeneas and La Traviata for the Vienna Festival. You can read more about Deborah Warner, and about the Cameron Mackintosh Visiting Professorship here.

Places for this event will be allocated by ballot. To register for the ballot, please complete the online form at www.stcatz.ox.ac.uk/deborahwarner by 12.00pm on Friday, 8 February. Please note that entry to the ballot does not automatically entitle applicants to a place at the lecture, but to a place in the draw. Printed confirmation of your ticket to the event will be required in order to attend the lecture.

You will be notified, via email, week commencing Monday, 18 February if you have been successful in securing a place at the lecture. Please contact development.office@stcatz.ox.ac.uk should you have any queries.

ScreenTalk Oxfordshire proudly presents an evening with British Producer Jeremy Thomas. Jeremy has worked with renowned directors including Bertolucci, Nicolas Roeg, Jonathan Glazer and Ben Wheatley producing such great films as ‘The Last Emperor’, ‘Crash’, ‘Sexy Beast’ and ‘High-Rise’.

On Tuesday 5th March at the Lounge Bar, Curzon, Westgate Centre in Oxford, local producer Carl Schoenfeld will be talking to Jeremy Thomas about Directors, Actors, Crews as well as films he has produced and what he has learnt throughout his career.

Join us from 18:15 for a drink and chat in the bar, then at 19:00 with Carl Schoenfeld (ScreenTalk Co-Founder and Steering Group Member) in conversation with Jeremy Thomas (Recorded Picture Company).

There will be a Card/Cash Bar so join us after the talk to catch up and network.

ScreenTalk events are an opportunity to forge and strengthen contacts in Film, TV and Associated Media. For further information and to sign up to our mailing list please email screentalkoxfordshire@gmail.com

We expect this event to be popular and can only take pre-booked (free) tickets for entry.
Tickets: http://bit.ly/2GnlZhi

The Oxford Women’s Leadership Alliance is honoured to welcome two internationally acclaimed filmmakers who are using film as a tool to shape public conversations and ignite lasting change.

Dawn Porter’s Trapped, which won both a Peabody and Sundance Film Festival award, explores laws regulating abortion clinics in the American South and has been used to help propel reproductive rights conversations in countries across the globe.

Lindsey Dryden, a veteran of BBC, Channel 4, and The History Channel, produced 2017’s Unrest, which highlights the power of human connection in the face of a life-altering, debilitating illness.

To commemorate this year’s International Women’s Day, please join Dawn and Lindsey for clips and conversation and learn how they use the power of film to give voice to the voiceless.

Schedule:
18:30 – On-site registration
19:00 – Talk commences
20:00 – Networking reception
21:00 – Event close

Join us at Blackwell’s to hear writer and campaigner, Caroline Criado-Perez discuss her latest book, Invisible Women.

Imagine a world where your phone is too big for your hand, where your doctor prescribes a drug that is wrong for your body, where in a car accident you are 47% more likely to be seriously injured, where every week the countless hours of work you do are not recognised or valued. If any of this sounds familiar, chances are that you’re a woman.

Invisible Women shows us how, in a world largely built for and by men, we are systematically ignoring half the population. It exposes the gender data gap – a gap in our knowledge that is at the root of perpetual, systemic discrimination against women, and that has created a pervasive but invisible bias with a profound effect on women’s lives.

Award-winning campaigner and writer Caroline Criado Perez brings together for the first time an impressive range of case studies, stories and new research from across the world that illustrate the hidden ways in which women are forgotten, and the impact this has on their health and well-being. From government policy and medical research, to technology, workplaces, urban planning and the media, Invisible Women reveals the biased data that excludes women. In making the case for change, this powerful and provocative book will make you see the world anew.

We are delighted to invite to a documentary film-screening of the film Dreamland, followed by a Skype Q&A with one of the film-makers, Professor Britt Kramvig.

The film: Viewed through the camera lens of a philosopher, it is inspired by a line from “Dreamland” by romantic poet Edgar Allan Poe “…by a route obscure and lonely, haunted by ill angels only…” A journey through people-places in Arctic landscapes is made by the figure of a native anthropologist. She follows in the footsteps of many others, recounting experience. Viewers glimpse moments of a sublime, the subject of Poe’s poem. The movie gives form to hopes for futures different than pasts. An essayistic documentary in the form of a twenty-first century Arctic road-movie by professor Britt Kramvig (UiT) and filmmaker Rachel Gomez (Tromsø). Trailer: https://vimeo.com/163989818

Following the Palm D’or winning success of his latest film Shoplifters, FLJS Films is pleased to present master director Hirokazu Kore-eda’s previous film, The Third Murder, his elliptical reworking of Kurosawa’s Rashomon for modern times.

The Third Murder is an existential crime drama through which Kore-eda takes up his trademark themes of unconventional parent–child relations, while subjecting to his forensic gaze the gap that emerges between the letter of the law and justice truly served.

From the arresting opening scenes of a factory worker’s cold-blooded murder of his boss, the film employs an intriguing and expertly woven narrative of shifting stories to carry us into a profound essay on the subjectivity of truth. In doing so, The Third Murder stands as an understated yet powerful indictment of the death penalty that continues to cast a long shadow over modern-day Japan.

Sir Tim Hitchens, Wolfson College President and former UK Ambassador to Tokyo, will introduce a pre-screening talk by Tony Rayns, BFI film critic for Sight&Sound magazine and expert in East Asian cinema.

Tony is the author of books on Seijun Suzuki, Wong Kar-wai and Rainer Werner Fassbinder; a television presenter for a series on Chinese cinema; a screenwriter; film festival programmer; and commentator on DVD releases.

Praise for The Third Murder:
“Sleek and suspenseful, deceptive and profound”
Sight and Sound

“A captivating and unknowable puzzle … Kore-eda’s homage to Kurosawa’s Rashomon”
The Guardian

Professor Eudine Barriteau will give a talk on: ‘Coming into our own? Women and Power in the Caribbean’.

Professor Eudine Barriteau is a Grenadian born Caribbean feminist, scholar and activist with considerable experience in research, senior administration and coordination of regional projects. She has been awarded several academic scholarships and awards from universities and organisations. Professor Barriteau was the first Head of the Centre for Gender and Development Studies at The University of the West Indies (UWI), Cave Hill Campus. She was appointed Deputy Principal of the Cave Hill Campus in 2008 and Principal in 2015. Her research interests encompass transformational educational leadership, feminist theorizing, gender and public policy and investigations of the Caribbean political economy.

On Wednesday 22 May, ScreenTalk Oxfordshire proudly presents Harnessing the Power of Video in Business Communications.
An evening with Tim May, MD of Strange Films and Music, talking with Toby Low – MD of MerchantCantos an international agency specialising in bringing creativity to critical business communications; Scott Shillum – CEO of Vismedia, Winner of the 2018 Digital Impact Awards and a pioneer in creating interactive, immersive content fused with cutting edge technology; Clare Holt – Founder of Nice Tree Films in Oxford and a member of ScreenTalk provides videos for businesses, public sector organisations, charities and education; Nicky Woodhouse – Founder of Woodhouse Video Production, award-winning female director of branded content and TVCs for online and broadcast.

Join us on Wednesday 22 May from 18:15 for a drink in the downstairs Lounge Bar, Curzon, Westgate Centre in Oxford, and why not try the Curzon’s excellent Pizza – great quality! At 19:00 Tim May will be talking to Toby Low, Scott Shillum, Clare Holt and Nicky Woodhouse. Afterwards there will be Shout Outs from ScreenTalk members and facilitated networking. At ScreenTalk events we run a Card/Cash Bar so please join us and take advantage of the opportunity to catch up and network.

We expect this event to be popular and can only take pre-booked (free) tickets for entry.

Join the conversation! ScreenTalk events are an opportunity to forge and strengthen contacts in Film, TV and Associated Media.
For further information and to sign up to our mailing list please email screentalkoxfordshire@gmail.com

Content Wars: The Societal Roles and Responsibilities of Media Organisations Today
A Distinguished Speaker Seminar with Biz Stone and Dame Carolyn McCall in conversation with Dean Peter Tufano.
We are bombarded with news, information and entertainment from a growing number of content providers and technology platforms. In this hyper connected age, what are the responsibilities of leading organisations in terms of content and how it is delivered, and what trends do they believe are shaping the near future?

About the speakers

Biz Stone is best known as a technology company founder (Twitter, Medium, Jelly) and angel investor (Square, Slack, Pinterest). A progenitor of social media, Stone has been developing large scale systems that facilitate the open exchange of information for 20 years. Stone is also an author, filmmaker, philanthropist, and Visiting Fellow at Oxford University. Honors include TIME’s 100 Most Influential People in the World, The Economist’s Innovation Award, and Vanity Fair’s 2019 Global Goals List. Biz rejoined Twitter full time in 2017.

Carolyn McCall became ITV’s Chief Executive and a member of the Board of ITV in January 2018. Before joining ITV, Carolyn was the Chief Executive of Easyjet plc from 2010 to 2017 and prior to this she held several roles at the Guardian Media Group plc, including the position of Chief Executive.

Schedule

17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception
19:45 – Close

The 5th Annual Oxford Business and Poverty Conference will feature a diverse range of speakers addressing the Paradoxes of Prosperity. Sign up here: https://www.eventbrite.com/e/5th-annual-oxford-business-poverty-conference-tickets-57733957822
Hosted at the Sheldonian Theatre, the conference will feature keynotes by:
Lant Pritchett: RISE Research Director at the Blavatnik School of Government, former Senior Fellow at the Center for Global Development
Efosa Ojomo: Global Prosperity Lead and Senior Researcher at the Clayton Christensen Institute
John Hoffmire: Director of Center on Business and Poverty and Research Associate at Kellogg Colleges at Center For Mutual and Employee-owned Business at Oxford University
Ananth Pai: Executive Director, Bharath Beedi Works Pvt. Ltd. and Director, Bharath Auto Cars Pvt
Laurel Stanfield: Assistant Professor of Marketing at Bentley College in Massachusetts
Grace Cheng: Greater China’s Country Manager for Russell Reynolds Associates
Madhusudan Jagadish: 2016 Graduate MBA, Said Business School, University of Oxford
Tentative Schedule:
2:15-2:20 Welcome
2:20-2:50 Efosa Ojomo, co-author of The Prosperity Paradox, sets the stage for the need for innovation in development
2:50-3:20 John Hoffmire, Ananth Pai and Mudhusudan Jagadish explain how the Prosperity Paradox can be used in India as a model to create good jobs for poor women
3:20-3:40 Break
3:40-4:10 Laurel Steinfeld speaks to issues of gender, development and business – addressing paradoxes related to prosperity
4:10-4:40 Grace Cheng, speaks about the history of China’s use of disruptive innovations to develop its economy
4:40-5:15 Break
5:15-6 Lant Pritchett talks on Pushing Past Poverty: Paths to Prosperity
6:30-8 Dinner at the Rhodes House – Purchase tickets after signing up for the conference
Sponsors include: Russell Reynolds, Employee Ownership Foundation, Ananth Pai Foundation and others

Coriander Theatre presents a new play ‘My Mother Runs in Zig-Zags’ at the North Wall Arts Centre, 30th May – 1st June 2019, 7:30pm, Saturday Matinee 2:30pm.

Sometimes, race and trauma are like leaky old pipes: you can’t even have a friend over for dinner without something spilling out everywhere and flooding your life in the most unexpected way.

A conversation between friends becomes a journey to the Lebanese and Nigerian civil wars. Half-remembered worlds of violent oral history invade the kitchen and layer themselves over everyday life, shining light on the laughter that heals intergenerational traumas, and celebrating the overflowings and excesses of a life shaped by migration.

With an original musical score, a chorus of performance poets and contemporary dancers, and stories passed on from a generation of migrants, My mother runs in zig-zags is a bold new tragicomedy, devised by the best of Oxford University’s BAME actors and performers.

Age Guidance: 12+

My mother runs in zig zags

It is now well-accepted that digital media platforms are not merely information intermediaries, but also central control points of the Internet. They have become the so-called ‘deciders’ and ‘custodians’ of online speech, leading to the privatization of Internet governance.

In China, domestic platforms such as WeChat, Weibo, and Toutiao have become the mediators, gatekeepers, and governors of online news and information. In order to perform this role, platforms have to work closely with the Chinese state in guiding and controlling public opinion.

The aim in this workshop is to advance analysis and understanding of the role platforms play in the governance of online news and information, and their relations with the state. After opening with a close study of the situation in China, the workshop will consider the experience of western nations, which also have to rely on private platforms to tackle issues like online hate speech, disinformation, and political or terrorism propaganda.

The workshop will gather together a number of academics working in related areas to discuss this highly topical and immensely important issue.

Presentations:
Governance regarding public opinion in a platform era: a study of China
Jufang WANG, Center for Cultural and Media Policy Studies, Warwick University

China’s control of digital infrastructure in comparative perspective
Ralph SCHROEDER, Oxford Internet Institute, Oxford University

The new governance and freedom of expression
Damian TAMBINI, Department of Media and Communications, London School of Economics

Algorithmic public sphere: controlling access to knowledge in the digital age
Roxana RADU, PCMLP/CSLS, Oxford University

Participants:
Wang Jufang, PhD candidate in Media and Communication, Warwick University, and former vice-director of news of CRI Online

Denis Galligan, Emeritus Professor of Socio-Legal Studies and Director of Programmes, Foundation for Law, Justice and Society, Oxford

Roxana Radu, Postdoctoral Researcher at the University of Oxford’s Programme in Comparative Media Law and Policy

Ralph Schroeder, Professor in Social Science of the Internet, Oxford Internet Institute, and director of its MSc programme in Social Science of the Internet

Damian Tambini, Associate Professor, Department of Media and Communications, LSE

Commentators:
Jacob Rowbottam, Associate Professor, University College, Oxford University

Pu Yan, Doctoral Student, Oxford Internet Institute, Oxford University

For this event, 12 artists from all over the country will be presenting work that they have been making as part of the Sound Diaries open call.

The presenting artists are:

Richard Bentley, Hannah Dargavel-Leafe, Aisling Davis, Atilio Doreste, Marlo De Lara, Beth Shearsby, Kathryn Tovey, Jacek Smolicki, James Green, Lucia Hinojosa, Sena Karahan, Fi.Ona

Sound Diaries expands awareness of the roles of sound and listening in daily life. The project explores the cultural and communal significance of sounds and forms a research base for projects executed both locally and Internationally, in Beijing, Brussels, Tallinn, Cumbria and rural Oxfordshire.

Natalie Triebwasser, Head of Production at Oxford based production company Quicksilver Media, makers of “Unreported World” – the UK’s longest running foreign current affairs series on Channel 4, and “Killer Ratings” – a documentary series currently streaming on Netflix, talks to award winning journalists Jenny Kleeman and Ramita Navai about their respective careers and the unique challenges that documentary makers face.

Data-driven micro-targeted campaigns have become a main stable of political strategy. As personal and societal data becomes more accessible, we need to understand how it can be used and mis-used in political campaigns and whether it is relevant to regulate political candidates’ access to data.

This book talk will be followed by a drinks reception and book sale, all welcome

FLJS Films opens its 2019-20 programme with acclaimed director Mike Leigh’s latest film Peterloo, which, by bringing to light a little-known atrocity in Manchester 200 years ago, makes a timely comment on the repercussions and resonances of public protest.

The film depicts the nascent labour movement of the nineteenth century, as the hunger and poverty brought about by the Corn Laws (which barred imports of cheap grain from the continent) drove 60,000 peaceful protesters to Manchester’s St Peter’s Field to demand the reform of parliamentary representation.

When the demonstration was brutally put down by the cavalry, leaving 18 people dead and hundreds injured, the government moved to suppress reporting by a nascent free press, and the event has since been largely forgotten.

On the bicentenary year of the massacre, and with the current resurgence of popular demonstrations and civil disobedience over Brexit and the climate crisis, Peterloo offers an invaluable reminder of the power of political resistance.

Historian of protest Dr Katrina Navickas will give a short introductory talk on her involvement in the historical research for Peterloo and the film’s political and contemporary resonances.

Praise for Peterloo
“A full-bore assault on the amnesia of British establishment history”
Sight and Sound

“Shattering in its cumulative effect, and its relevance to these turbulent times”
Wall Street Journal

Blackwell’s are delighted to announce that we will be joined by comedian, director and writer, Richard Ayoade, who will be signing his new book, Ayoade on Top.

Synopsis

At last, the definitive book about perhaps the best cabin crew dramedy ever filmed: View From the Top starring Gwyneth Paltrow.

In Ayoade on Top, Richard Ayoade, perhaps one of the most ‘insubstantial’ people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don’t care about. It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition.

Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey.”

Richard Ayoade is a writer and director. In addition to directing and co-writing Garth Marenghi’s Darkplace, he has adapted and directed Joe Dunthorne’s novel Submarine for the screen, and is the co-writer (with Avi Korine) and director of the film, The Double. As an actor he is best known for his roles as Dean Learner in Garth Marenghi’s Darkplace and Maurice Moss in the Emmy Award-winning The IT Crowd, for which we was awarded a BAFTA as Best Performance in a Comedy.

This signing is free, but please do register if you plan on attending. Please note, Richard Ayoade will be only be signing his books. For more information, please call our Customer Service Department on 01865 333 623 or email events.oxford@blackwell.co.uk.

Join us for a special lecture with St Cross alumna Lisa Downing, who will discuss the research behind her new book: Selfish Women. This event will be followed by a drinks reception.

Lisa Downing is Professor of French Discourses of Sexuality at the University of Birmingham, UK. She is a specialist in interdisciplinary sexuality and gender studies, critical theory, and the history of cultural concepts, focusing especially on questions of exceptionality, difficulty, and (ab)normality. Recent books include: The Subject of Murder: Gender, Exceptionality, and the Modern Killer (2013); Fuckology: Critical Essays on John Money’s Diagnostic Concepts (co-authored with Iain Morland and Nikki Sullivan, 2015); and After Foucault (as editor, 2018), as well as Selfish Women. Her next book project will be a short manifesto entitled Against Affect.

Inaugural event in our new events series focusing on responsible leadership: Driving Diversity and Inclusion Seminar Series.

Progress on diversity in the UK civil service and why it matters. How the dial only really shifted on gender, and why the focus is now on inclusion and addressing bullying and harassment. What the good leaders are doing?

Dame Sue Owen will give a talk followed by a Q&A with the audience moderated by Sue Dopson, Rhodes Trust Professor of Organisational Behaviour, Fellow of Green Templeton College, Deputy Dean of Saïd Business School.

Event Schedule:
17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception
19:45 – Close

Mobile phone filmmaking. It’s the camera of choice for some.
Is the best camera the one you have with you?
We will welcome expert interactive filmmaker and thriller writer Nihal Tharoor (Electric Noir Studios) and former BBC Trainer Bob Walters (MediaInk TV, iphone-filmmaking).
This session will look at the potential of mobile phone cameras for low budget reasons and for those starting out, but also for more experienced filmmakers interested in producing gritty styled thrillers or entertainment for younger audiences who use the platform most. Whether you are using mobile phones for short films, pilots, showreels, documentary filmmaking or features this event offers great value – we’ll be looking at expert output, hearing from passionate speakers and offering some bonus technical tips.

Opportunities to network with local film and TV professionals after main talk

Join us for a screening of The Fly, the classic 1958 sci-fi horror movie produced and directed by Kurt Neumann and starring Vincent Price, Al Hedison and Patricia Owens. A scientist invents a teleportation device, but fate has other plans after an accident leads to a gruesome, life-changing injury. This brilliant 1950s sci-fi, famously remade by David Cronenberg in the 80s, treads a fine line between shlocky fun and an unnerving nature parable.

The screening will be preceded by an introductory with Dr Roderick Bailey, Medical Historian at the Wellcome Centre for Ethics and Humanities. Rod specialises in the study of modern war and conflict, the history of medicine, and the spaces in which those worlds overlap.

David Cronenberg’s ‘body horror’ film ‘The Fly’ is more than science fiction. The movie was based on an original story, published in Playboy magazine in 1957, whose author had been a spy in World War II. Dr Roderick Bailey of Oxford’s Wellcome Centre for Ethics and Humanities, works on the history of human enhancement. In the Q&A Roderick will discuss how secret procedures carried out in wartime London may have shaped this disturbing creation.

‘Funny, horrible and inventive — in its own deranged way this is a classic of 1950s horror.’ Film4

‘One strong factor of the picture is its unusual believability.’ Variety

Dir. Kurt Neumann. USA, 1958. 1h 34m. Vincent Price, Al Hedison (1927 – 2019) Patricia Owens, Herbert Marshall, Kathleen Freeman, Betty Lou Gerson.

As part of the Think Human Festival held by Oxford Brookes University, a film showing of ‘Life is Wonderful: Mandela’s Unsung Heroes’ is being held. Following the showing there will be a Q&A with a panel that includes the director of the film, Sir Nick Stadlen.

Screening of “Streetscapes” (winner of the 2017 German Critics Award) followed by Q&A.
Dr Zohar Rubinstein, clinical and organizational psychologist, specialist in mental health in emergency situations, and one of the founding members of The Interdisciplinary Master Program for Emergency and Disaster Management at the Faculty of Medicine at Tel Aviv University, will be answering questions.

The Oath tells the fateful story of two men, whose loyalty to an ideal in a world of disintegrating legal, moral, and constitutional norms tests their beliefs and threatens their liberty.

Acclaimed director Laura Poitras has created a riveting documentary about Salim Hamdan, Osama bin Laden’s driver and the first man to face the controversial US military commissions that were established in response to his earlier exoneration by the Supreme Court. At the heart of the film is Hamdan’s charismatic brother-in-law, whose struggles with his conscience for having introduced him to bin Laden provide a gripping psychological portrait of guilt and the redemptive role of society.

A decade since its release, and with fault lines reopening between the Muslim world and the West, the film leads the viewer on a jihadist’s journey through Saudi Arabia, Yemen, Bosnia, Afghanistan, Iraq, Guantanamo Bay, all the way to the US Supreme Court. Here, the complexities and contradictions of the war on terror are laid bare, epitomized in the devastating revelation behind the double meaning of the film’s title.

Praise for The Oath
“The most essential and revelatory documentary of the year”
New York Magazine

“Compelling, emotionally and intellectually complex, The Oath is an important film that raises questions we must all ask”
Film Comment

In modern high-tech health care, patients appear to be the stumbling block.

Uninformed, anxious, noncompliant individuals with unhealthy lifestyles who demand treatments advertised by celebrities and insist on unnecessary but expensive diagnostics may eventually turn into plaintiffs. But what about their physicians? About ten years ago, Muir Gray and Gerd Gigerenzer published a book with the subtitle “Envisioning health care 2020”. They listed “seven sins” of health care systems then, one of which was health professionals’ stunning lack of risk literacy. Many were not exactly sure what a false-positive rate was, or what overdiagnosis and survival rates mean, and they were unable to evaluate articles in their own field. As a consequence, the ideals of informed consent and shared decision-making remain a pipedream – both doctors and patients are habitually misled by biased information in health brochures and advertisements. At the same time, the risk literacy problem is one of the few in health care that actually have a known solution. A quick cure is to teach efficient risk communication that fosters transparency as opposed to confusion, both in medical school and in CME. It can be done with 4th graders, so it should work with doctors, too.

Now, in 2020, can every doctor understand health statistics? In this talk, Gerd Gigerenzer will describe the efforts towards this goal, a few successes, but also the steadfast forces that undermine doctors’ ability to understand and act on evidence. Moreover, the last decade has seen two new forces that distract from solving the problem. The first is the promise of digital technology, from diagnostic AI systems to big data analytics, which consumes much of the attention. Digital technology is of little help if doctors do not understand it. Second, our efforts to make patients competent and to encourage them to articulate their values are now in conflict with the new paternalistic view that patients just need to be nudged into better behaviour.

This talk will be followed by a drinks reception, all welcome

Joint event with: The Oxford–Berlin Research Partnership

We are delighted to welcome Shakespearean actor, director, academy award nominee and anti-Apartheid campaigner, Dame Janet Suzman, to St Peter’s College.

Janet Suzman remains one of the most respected classical stage actresses of her time, having portrayed most of Shakespeare’s heroines, including Cleopatra, during her career. She has also worked alongside some of stage and screen’s most legendary stars, including Marlon Brando, Sir Laurence Olivier, Ava Gardner and Sir Derek Jacobi.

She was nominated for an Oscar for her portrayal of Czarina Alexandra in Nicholas and Alexandra (1971), a sweeping historical epic about the fall of the Romanovs.

Suzman also starred alongside Donald Sutherland and Susan Sarandon in A Dry White Season (1989), a provocative drama that centres on a white schoolmaster’s gradual awakening to the horrors of government-sanctioned racism in South Africa during the 1970s.

St Peter’s College, Hannington Hall
Free to attend
All welcome

Artist, writer and activist Jess Thom has Tourettes syndrome, a neurological condition that means she makes movements and noises she can’t control, called tics. In 2010 she co-founded Touretteshero as a creative response to her experiences, and toured the world with her multi-award-winning stage show, Backstage in Biscuit Land.

Join us for a screening of the 2018 documentary, Me, My Mouth and I, part of BBC Two’s Performance Live strand. Exploring Jess Thom’s funny and unpredictable journey of discovery into one of Samuel Beckett’s most complex plays, Not I, the film asks us to reconsider issues of representation and social exclusion as she prepares to perform the role of ‘Mouth’ in front of a live theatre audience. The screening with be followed by a Q & A with Jess herself.

Touretteshero presents Not I at The North Wall from 18 – 21 March.

About Inspiring People
The Inspiring People series is a joint venture between The North Wall and our principal sponsor, St Edward’s School. Our organisation both have a mission to educate and inspire and our hope is that this series will do just that: half of all tickets are offered free to local schools

How do you build inclusion from the ground up?

People with albinism face discrimination across the globe but are often left out of activist efforts around diversity and inclusion.

In this episode, we speak to representatives of Sesame Street Workshop, who have been championing diversity for years. With a breadth of expertise in the art of embracing diversity, this insightful look into the world of Sesame Street gives us new ways of approaching our goals. Supermodel and activist Diandra Forrest also joins the conversation. Fellow guest speaker Stephan Bognar, Executive Director of New York Dermatology Group Foundation, completes the line-up. They worked together previously on the Colorfull campaign, which was conceived by NYDG to highlight the prejudice that albinism attracts.