Join us at Blackwell’s to hear writer and campaigner, Caroline Criado-Perez discuss her latest book, Invisible Women.

Imagine a world where your phone is too big for your hand, where your doctor prescribes a drug that is wrong for your body, where in a car accident you are 47% more likely to be seriously injured, where every week the countless hours of work you do are not recognised or valued. If any of this sounds familiar, chances are that you’re a woman.

Invisible Women shows us how, in a world largely built for and by men, we are systematically ignoring half the population. It exposes the gender data gap – a gap in our knowledge that is at the root of perpetual, systemic discrimination against women, and that has created a pervasive but invisible bias with a profound effect on women’s lives.

Award-winning campaigner and writer Caroline Criado Perez brings together for the first time an impressive range of case studies, stories and new research from across the world that illustrate the hidden ways in which women are forgotten, and the impact this has on their health and well-being. From government policy and medical research, to technology, workplaces, urban planning and the media, Invisible Women reveals the biased data that excludes women. In making the case for change, this powerful and provocative book will make you see the world anew.

We are delighted to invite to a documentary film-screening of the film Dreamland, followed by a Skype Q&A with one of the film-makers, Professor Britt Kramvig.

The film: Viewed through the camera lens of a philosopher, it is inspired by a line from “Dreamland” by romantic poet Edgar Allan Poe “…by a route obscure and lonely, haunted by ill angels only…” A journey through people-places in Arctic landscapes is made by the figure of a native anthropologist. She follows in the footsteps of many others, recounting experience. Viewers glimpse moments of a sublime, the subject of Poe’s poem. The movie gives form to hopes for futures different than pasts. An essayistic documentary in the form of a twenty-first century Arctic road-movie by professor Britt Kramvig (UiT) and filmmaker Rachel Gomez (Tromsø). Trailer: https://vimeo.com/163989818

Following the Palm D’or winning success of his latest film Shoplifters, FLJS Films is pleased to present master director Hirokazu Kore-eda’s previous film, The Third Murder, his elliptical reworking of Kurosawa’s Rashomon for modern times.

The Third Murder is an existential crime drama through which Kore-eda takes up his trademark themes of unconventional parent–child relations, while subjecting to his forensic gaze the gap that emerges between the letter of the law and justice truly served.

From the arresting opening scenes of a factory worker’s cold-blooded murder of his boss, the film employs an intriguing and expertly woven narrative of shifting stories to carry us into a profound essay on the subjectivity of truth. In doing so, The Third Murder stands as an understated yet powerful indictment of the death penalty that continues to cast a long shadow over modern-day Japan.

Sir Tim Hitchens, Wolfson College President and former UK Ambassador to Tokyo, will introduce a pre-screening talk by Tony Rayns, BFI film critic for Sight&Sound magazine and expert in East Asian cinema.

Tony is the author of books on Seijun Suzuki, Wong Kar-wai and Rainer Werner Fassbinder; a television presenter for a series on Chinese cinema; a screenwriter; film festival programmer; and commentator on DVD releases.

Praise for The Third Murder:
“Sleek and suspenseful, deceptive and profound”
Sight and Sound

“A captivating and unknowable puzzle … Kore-eda’s homage to Kurosawa’s Rashomon”
The Guardian

In our first of two seminars on the future of work after automation Dr Brendan Burchell will investigate the potential for a five-day weekend society.

Machine-learning and robotics technologies promise to be able to replace some tasks or jobs that have traditionally been performed by humans. Like previous technologies introduced in the past couple of centuries, this possibility has been met with either optimism that will permit liberation from the tyranny of employment, or pessimism that it will lead to mass precarity and unemployment.

This presentation will draw upon both qualitative and quantitative evidence to explore the possible societal consequences of a radical reduction in the length of the normal working week. Drawing upon the evidence for the psychological benefits of employment, we look at the evidence for the minimum effective dose of employment. The paper also considers why the historical increases in productivity have not been matched with proportionate reductions in working time.

About Brendan Burchell:

Dr Brendan Burchell is a Reader in the Social Sciences in the Department of Sociology at the University of Cambridge. He is also a Fellow of Magdalene College, Cambridge.

Dr Burchell is director of graduate education for the Department of Sociology and director of the Cambridge Undergraduate Quantitative Research Centre. He was recently Head of Department for Sociology, as well as a Director of Studies and a Tutor at Magdalene College.

Dr Burchell’s main research interests centre on the effects of labour market conditions on wellbeing. Recent publications have focussed on unemployment, job insecurity, work intensity, part-time work, zero-hours contracts, debt, occupational gender segregation and self-employment. Most of his work concentrates on employment in Europe, but current projects also include an analysis of job quality, the future of work and youth self-employment in developing countries. He works in interdisciplinary environments with psychologists, sociologists, economists, lawyers and other social scientists.

Dr Burchell’s undergraduate degree was in Psychology, followed by a PhD in Social Psychology. His first post in Cambridge was a joint appointment between the social sciences and economics in 1985, and he has been in a permanent teaching post in at Cambridge since 1990.

Register:
https://www.eventbrite.co.uk/e/future-of-work-after-automation-towards-a-five-day-weekend-society-tickets-61028132788

Professor Eudine Barriteau will give a talk on: ‘Coming into our own? Women and Power in the Caribbean’.

Professor Eudine Barriteau is a Grenadian born Caribbean feminist, scholar and activist with considerable experience in research, senior administration and coordination of regional projects. She has been awarded several academic scholarships and awards from universities and organisations. Professor Barriteau was the first Head of the Centre for Gender and Development Studies at The University of the West Indies (UWI), Cave Hill Campus. She was appointed Deputy Principal of the Cave Hill Campus in 2008 and Principal in 2015. Her research interests encompass transformational educational leadership, feminist theorizing, gender and public policy and investigations of the Caribbean political economy.

On Wednesday 22 May, ScreenTalk Oxfordshire proudly presents Harnessing the Power of Video in Business Communications.
An evening with Tim May, MD of Strange Films and Music, talking with Toby Low – MD of MerchantCantos an international agency specialising in bringing creativity to critical business communications; Scott Shillum – CEO of Vismedia, Winner of the 2018 Digital Impact Awards and a pioneer in creating interactive, immersive content fused with cutting edge technology; Clare Holt – Founder of Nice Tree Films in Oxford and a member of ScreenTalk provides videos for businesses, public sector organisations, charities and education; Nicky Woodhouse – Founder of Woodhouse Video Production, award-winning female director of branded content and TVCs for online and broadcast.

Join us on Wednesday 22 May from 18:15 for a drink in the downstairs Lounge Bar, Curzon, Westgate Centre in Oxford, and why not try the Curzon’s excellent Pizza – great quality! At 19:00 Tim May will be talking to Toby Low, Scott Shillum, Clare Holt and Nicky Woodhouse. Afterwards there will be Shout Outs from ScreenTalk members and facilitated networking. At ScreenTalk events we run a Card/Cash Bar so please join us and take advantage of the opportunity to catch up and network.

We expect this event to be popular and can only take pre-booked (free) tickets for entry.

Join the conversation! ScreenTalk events are an opportunity to forge and strengthen contacts in Film, TV and Associated Media.
For further information and to sign up to our mailing list please email screentalkoxfordshire@gmail.com

The 5th Annual Oxford Business and Poverty Conference will feature a diverse range of speakers addressing the Paradoxes of Prosperity. Sign up here: https://www.eventbrite.com/e/5th-annual-oxford-business-poverty-conference-tickets-57733957822
Hosted at the Sheldonian Theatre, the conference will feature keynotes by:
Lant Pritchett: RISE Research Director at the Blavatnik School of Government, former Senior Fellow at the Center for Global Development
Efosa Ojomo: Global Prosperity Lead and Senior Researcher at the Clayton Christensen Institute
John Hoffmire: Director of Center on Business and Poverty and Research Associate at Kellogg Colleges at Center For Mutual and Employee-owned Business at Oxford University
Ananth Pai: Executive Director, Bharath Beedi Works Pvt. Ltd. and Director, Bharath Auto Cars Pvt
Laurel Stanfield: Assistant Professor of Marketing at Bentley College in Massachusetts
Grace Cheng: Greater China’s Country Manager for Russell Reynolds Associates
Madhusudan Jagadish: 2016 Graduate MBA, Said Business School, University of Oxford
Tentative Schedule:
2:15-2:20 Welcome
2:20-2:50 Efosa Ojomo, co-author of The Prosperity Paradox, sets the stage for the need for innovation in development
2:50-3:20 John Hoffmire, Ananth Pai and Mudhusudan Jagadish explain how the Prosperity Paradox can be used in India as a model to create good jobs for poor women
3:20-3:40 Break
3:40-4:10 Laurel Steinfeld speaks to issues of gender, development and business – addressing paradoxes related to prosperity
4:10-4:40 Grace Cheng, speaks about the history of China’s use of disruptive innovations to develop its economy
4:40-5:15 Break
5:15-6 Lant Pritchett talks on Pushing Past Poverty: Paths to Prosperity
6:30-8 Dinner at the Rhodes House – Purchase tickets after signing up for the conference
Sponsors include: Russell Reynolds, Employee Ownership Foundation, Ananth Pai Foundation and others

Coriander Theatre presents a new play ‘My Mother Runs in Zig-Zags’ at the North Wall Arts Centre, 30th May – 1st June 2019, 7:30pm, Saturday Matinee 2:30pm.

Sometimes, race and trauma are like leaky old pipes: you can’t even have a friend over for dinner without something spilling out everywhere and flooding your life in the most unexpected way.

A conversation between friends becomes a journey to the Lebanese and Nigerian civil wars. Half-remembered worlds of violent oral history invade the kitchen and layer themselves over everyday life, shining light on the laughter that heals intergenerational traumas, and celebrating the overflowings and excesses of a life shaped by migration.

With an original musical score, a chorus of performance poets and contemporary dancers, and stories passed on from a generation of migrants, My mother runs in zig-zags is a bold new tragicomedy, devised by the best of Oxford University’s BAME actors and performers.

Age Guidance: 12+

My mother runs in zig zags

The biosphere and econosphere are deeply interlinked and both are in crisis. Industrial, fossil-fuel based capitalism delivered major increases in living standards from the mid-18th through late-20th centuries, but at the cost of widespread ecosystem destruction, planetary climate change, and a variety of economic injustices. Furthermore, over the past 40 years, the gains of growth have flowed almost exclusively to the top 10%, fuelling populist anger across many countries, endangering both democracy and global action on climate change.

This talk will argue that underlying the current dominant model of capitalism are a set of theories and ideologies that are outdated, unscientific, and morally unsound. New foundations can be built from modern understandings of human behaviour, complex systems science, and broad moral principles. By changing the ideologies, narratives, and memes that govern our economic system, we can create the political space required for the policies and actions required to rapidly transform to a sustainable and just economic system.

For this event, 12 artists from all over the country will be presenting work that they have been making as part of the Sound Diaries open call.

The presenting artists are:

Richard Bentley, Hannah Dargavel-Leafe, Aisling Davis, Atilio Doreste, Marlo De Lara, Beth Shearsby, Kathryn Tovey, Jacek Smolicki, James Green, Lucia Hinojosa, Sena Karahan, Fi.Ona

Sound Diaries expands awareness of the roles of sound and listening in daily life. The project explores the cultural and communal significance of sounds and forms a research base for projects executed both locally and Internationally, in Beijing, Brussels, Tallinn, Cumbria and rural Oxfordshire.

Natalie Triebwasser, Head of Production at Oxford based production company Quicksilver Media, makers of “Unreported World” – the UK’s longest running foreign current affairs series on Channel 4, and “Killer Ratings” – a documentary series currently streaming on Netflix, talks to award winning journalists Jenny Kleeman and Ramita Navai about their respective careers and the unique challenges that documentary makers face.

In this book talk the Author, Carl Benedikt Frey, will discuss how the Industrial Revolution was a defining moment in history, but how few grasped its enormous consequences at the time. Now that we are in the midst of another technological revolution how can the lessons of the past can help us to more effectively face the present?

This talk will be followed by a book sale, signing and drinks reception. All welcome.

FLJS Films opens its 2019-20 programme with acclaimed director Mike Leigh’s latest film Peterloo, which, by bringing to light a little-known atrocity in Manchester 200 years ago, makes a timely comment on the repercussions and resonances of public protest.

The film depicts the nascent labour movement of the nineteenth century, as the hunger and poverty brought about by the Corn Laws (which barred imports of cheap grain from the continent) drove 60,000 peaceful protesters to Manchester’s St Peter’s Field to demand the reform of parliamentary representation.

When the demonstration was brutally put down by the cavalry, leaving 18 people dead and hundreds injured, the government moved to suppress reporting by a nascent free press, and the event has since been largely forgotten.

On the bicentenary year of the massacre, and with the current resurgence of popular demonstrations and civil disobedience over Brexit and the climate crisis, Peterloo offers an invaluable reminder of the power of political resistance.

Historian of protest Dr Katrina Navickas will give a short introductory talk on her involvement in the historical research for Peterloo and the film’s political and contemporary resonances.

Praise for Peterloo
“A full-bore assault on the amnesia of British establishment history”
Sight and Sound

“Shattering in its cumulative effect, and its relevance to these turbulent times”
Wall Street Journal

Blackwell’s are delighted to announce that we will be joined by comedian, director and writer, Richard Ayoade, who will be signing his new book, Ayoade on Top.

Synopsis

At last, the definitive book about perhaps the best cabin crew dramedy ever filmed: View From the Top starring Gwyneth Paltrow.

In Ayoade on Top, Richard Ayoade, perhaps one of the most ‘insubstantial’ people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don’t care about. It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition.

Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey.”

Richard Ayoade is a writer and director. In addition to directing and co-writing Garth Marenghi’s Darkplace, he has adapted and directed Joe Dunthorne’s novel Submarine for the screen, and is the co-writer (with Avi Korine) and director of the film, The Double. As an actor he is best known for his roles as Dean Learner in Garth Marenghi’s Darkplace and Maurice Moss in the Emmy Award-winning The IT Crowd, for which we was awarded a BAFTA as Best Performance in a Comedy.

This signing is free, but please do register if you plan on attending. Please note, Richard Ayoade will be only be signing his books. For more information, please call our Customer Service Department on 01865 333 623 or email events.oxford@blackwell.co.uk.

Migration is present at the dawn of human history – the phenomena of hunting and gathering, seeking seasonal pasture and nomadism being as old as human social organisation itself.

The flight from natural disasters, adverse climatic changes, famine, and territorial aggression by other communities or other species were also common occurrences.

But if migration is as old as the hills, why is it now so politically sensitive? Why do migrants leave? Where do they go, in what numbers and for what reasons? Do migrants represent a threat to the social and political order? Are they none-the-less necessary to provide labour, develop their home countries, increase consumer demand and generate wealth? Can migration be stopped? One of Britain’s leading migration scholars, Robin Cohen, will probe these issues in this talk

Please register via the link provided.

This talk will be followed by a book sale, signing and drinks reception, all welcome. Copies available at half price — £10 — to cash buyers only.

Join us for a special lecture with St Cross alumna Lisa Downing, who will discuss the research behind her new book: Selfish Women. This event will be followed by a drinks reception.

Lisa Downing is Professor of French Discourses of Sexuality at the University of Birmingham, UK. She is a specialist in interdisciplinary sexuality and gender studies, critical theory, and the history of cultural concepts, focusing especially on questions of exceptionality, difficulty, and (ab)normality. Recent books include: The Subject of Murder: Gender, Exceptionality, and the Modern Killer (2013); Fuckology: Critical Essays on John Money’s Diagnostic Concepts (co-authored with Iain Morland and Nikki Sullivan, 2015); and After Foucault (as editor, 2018), as well as Selfish Women. Her next book project will be a short manifesto entitled Against Affect.

Inaugural event in our new events series focusing on responsible leadership: Driving Diversity and Inclusion Seminar Series.

Progress on diversity in the UK civil service and why it matters. How the dial only really shifted on gender, and why the focus is now on inclusion and addressing bullying and harassment. What the good leaders are doing?

Dame Sue Owen will give a talk followed by a Q&A with the audience moderated by Sue Dopson, Rhodes Trust Professor of Organisational Behaviour, Fellow of Green Templeton College, Deputy Dean of Saïd Business School.

Event Schedule:
17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception
19:45 – Close

Mobile phone filmmaking. It’s the camera of choice for some.
Is the best camera the one you have with you?
We will welcome expert interactive filmmaker and thriller writer Nihal Tharoor (Electric Noir Studios) and former BBC Trainer Bob Walters (MediaInk TV, iphone-filmmaking).
This session will look at the potential of mobile phone cameras for low budget reasons and for those starting out, but also for more experienced filmmakers interested in producing gritty styled thrillers or entertainment for younger audiences who use the platform most. Whether you are using mobile phones for short films, pilots, showreels, documentary filmmaking or features this event offers great value – we’ll be looking at expert output, hearing from passionate speakers and offering some bonus technical tips.

Opportunities to network with local film and TV professionals after main talk

New technologies have always provoked panic about workers being replaced by machines.

In the past, such fears have been misplaced, and many economists maintain that they remain so today. Yet in A World Without Work, Daniel Susskind shows why this time really is different. Advances in artificial intelligence mean that all kinds of jobs are increasingly at risk.

Susskind will argue that machines no longer need to reason like us in order to outperform us. Increasingly, tasks that used to be beyond the capability of computers – from diagnosing illnesses to drafting legal contracts – are now within their reach. The threat of technological unemployment is real.

So how can we all thrive in a world with less work? Susskind will remind us that technological progress could bring about unprecedented prosperity, solving one of mankind’s oldest problems: making sure that everyone has enough to live on. The challenge will be to distribute this prosperity fairly, constrain the burgeoning power of Big Tech, and provide meaning in a world where work is no longer the centre of our lives.

This talk will be followed by a drinks reception, book sale and signing, all welcome.

Join us for a screening of The Fly, the classic 1958 sci-fi horror movie produced and directed by Kurt Neumann and starring Vincent Price, Al Hedison and Patricia Owens. A scientist invents a teleportation device, but fate has other plans after an accident leads to a gruesome, life-changing injury. This brilliant 1950s sci-fi, famously remade by David Cronenberg in the 80s, treads a fine line between shlocky fun and an unnerving nature parable.

The screening will be preceded by an introductory with Dr Roderick Bailey, Medical Historian at the Wellcome Centre for Ethics and Humanities. Rod specialises in the study of modern war and conflict, the history of medicine, and the spaces in which those worlds overlap.

David Cronenberg’s ‘body horror’ film ‘The Fly’ is more than science fiction. The movie was based on an original story, published in Playboy magazine in 1957, whose author had been a spy in World War II. Dr Roderick Bailey of Oxford’s Wellcome Centre for Ethics and Humanities, works on the history of human enhancement. In the Q&A Roderick will discuss how secret procedures carried out in wartime London may have shaped this disturbing creation.

‘Funny, horrible and inventive — in its own deranged way this is a classic of 1950s horror.’ Film4

‘One strong factor of the picture is its unusual believability.’ Variety

Dir. Kurt Neumann. USA, 1958. 1h 34m. Vincent Price, Al Hedison (1927 – 2019) Patricia Owens, Herbert Marshall, Kathleen Freeman, Betty Lou Gerson.

As part of the Think Human Festival held by Oxford Brookes University, a film showing of ‘Life is Wonderful: Mandela’s Unsung Heroes’ is being held. Following the showing there will be a Q&A with a panel that includes the director of the film, Sir Nick Stadlen.

Screening of “Streetscapes” (winner of the 2017 German Critics Award) followed by Q&A.
Dr Zohar Rubinstein, clinical and organizational psychologist, specialist in mental health in emergency situations, and one of the founding members of The Interdisciplinary Master Program for Emergency and Disaster Management at the Faculty of Medicine at Tel Aviv University, will be answering questions.

Sir Martin will review the theory and practice of genuine gender equality in the workforce, including personal experience of leadership challenges in implementing gender balance leadership.

Martin was appointed President of Boeing Europe and Managing Director of Boeing UK and Ireland in June 2019. He was permanent secretary at the Department for International Trade from 2016 to 2017, and before that he spent six years as permanent secretary at the Department for Business, Innovation & Skills.

The Oath tells the fateful story of two men, whose loyalty to an ideal in a world of disintegrating legal, moral, and constitutional norms tests their beliefs and threatens their liberty.

Acclaimed director Laura Poitras has created a riveting documentary about Salim Hamdan, Osama bin Laden’s driver and the first man to face the controversial US military commissions that were established in response to his earlier exoneration by the Supreme Court. At the heart of the film is Hamdan’s charismatic brother-in-law, whose struggles with his conscience for having introduced him to bin Laden provide a gripping psychological portrait of guilt and the redemptive role of society.

A decade since its release, and with fault lines reopening between the Muslim world and the West, the film leads the viewer on a jihadist’s journey through Saudi Arabia, Yemen, Bosnia, Afghanistan, Iraq, Guantanamo Bay, all the way to the US Supreme Court. Here, the complexities and contradictions of the war on terror are laid bare, epitomized in the devastating revelation behind the double meaning of the film’s title.

Praise for The Oath
“The most essential and revelatory documentary of the year”
New York Magazine

“Compelling, emotionally and intellectually complex, The Oath is an important film that raises questions we must all ask”
Film Comment

In modern high-tech health care, patients appear to be the stumbling block.

Uninformed, anxious, noncompliant individuals with unhealthy lifestyles who demand treatments advertised by celebrities and insist on unnecessary but expensive diagnostics may eventually turn into plaintiffs. But what about their physicians? About ten years ago, Muir Gray and Gerd Gigerenzer published a book with the subtitle “Envisioning health care 2020”. They listed “seven sins” of health care systems then, one of which was health professionals’ stunning lack of risk literacy. Many were not exactly sure what a false-positive rate was, or what overdiagnosis and survival rates mean, and they were unable to evaluate articles in their own field. As a consequence, the ideals of informed consent and shared decision-making remain a pipedream – both doctors and patients are habitually misled by biased information in health brochures and advertisements. At the same time, the risk literacy problem is one of the few in health care that actually have a known solution. A quick cure is to teach efficient risk communication that fosters transparency as opposed to confusion, both in medical school and in CME. It can be done with 4th graders, so it should work with doctors, too.

Now, in 2020, can every doctor understand health statistics? In this talk, Gerd Gigerenzer will describe the efforts towards this goal, a few successes, but also the steadfast forces that undermine doctors’ ability to understand and act on evidence. Moreover, the last decade has seen two new forces that distract from solving the problem. The first is the promise of digital technology, from diagnostic AI systems to big data analytics, which consumes much of the attention. Digital technology is of little help if doctors do not understand it. Second, our efforts to make patients competent and to encourage them to articulate their values are now in conflict with the new paternalistic view that patients just need to be nudged into better behaviour.

This talk will be followed by a drinks reception, all welcome

Joint event with: The Oxford–Berlin Research Partnership

‘Job insecurity at the end of the 20th century has given way to income insecurity at the start of the 21st.’ – Andy Haldane, July 2019

Join us for a stimulating morning of talks exploring the current challenges of income insecurity, with keynote speaker Andy Haldane, Chief Economist at the Bank of England. We will discuss labour market precarity, pay volatility and income insecurity issues in the UK and more widely, and their implications for the labour market and the structure of the social security system.

Programme:

Welcome and introduction by Charles Godfray, Director, Oxford Martin School
Keynote address: Andy Haldane, Chief Economist at the Bank of England
‘Pay volatility and income insecurity: what role for social security?’ by Jane Millar, Professor of Social Policy, University of Bath
‘Measuring economic insecurity: Why and How?’ by Matteo Richiardi, Professor of Economics and Director of EUROMOD, University of Essex, INET Associate
Panel discussion and Q&A: chaired by Brian Nolan, Professor of Social Policy at Oxford, with speakers and Fran Bennett, Senior Research and Teaching Fellow, Department of Social Policy and Intervention, University of Oxford
This event is free, but registration is essential to ensure your place.

You are welcome to bring lunch with you.

This series of talks is organised by the Oxford Martin School, Department of Social Policy and Intervention & Institute for New Economic Thinking, University of Oxford

We are delighted to welcome Shakespearean actor, director, academy award nominee and anti-Apartheid campaigner, Dame Janet Suzman, to St Peter’s College.

Janet Suzman remains one of the most respected classical stage actresses of her time, having portrayed most of Shakespeare’s heroines, including Cleopatra, during her career. She has also worked alongside some of stage and screen’s most legendary stars, including Marlon Brando, Sir Laurence Olivier, Ava Gardner and Sir Derek Jacobi.

She was nominated for an Oscar for her portrayal of Czarina Alexandra in Nicholas and Alexandra (1971), a sweeping historical epic about the fall of the Romanovs.

Suzman also starred alongside Donald Sutherland and Susan Sarandon in A Dry White Season (1989), a provocative drama that centres on a white schoolmaster’s gradual awakening to the horrors of government-sanctioned racism in South Africa during the 1970s.

St Peter’s College, Hannington Hall
Free to attend
All welcome

Artist, writer and activist Jess Thom has Tourettes syndrome, a neurological condition that means she makes movements and noises she can’t control, called tics. In 2010 she co-founded Touretteshero as a creative response to her experiences, and toured the world with her multi-award-winning stage show, Backstage in Biscuit Land.

Join us for a screening of the 2018 documentary, Me, My Mouth and I, part of BBC Two’s Performance Live strand. Exploring Jess Thom’s funny and unpredictable journey of discovery into one of Samuel Beckett’s most complex plays, Not I, the film asks us to reconsider issues of representation and social exclusion as she prepares to perform the role of ‘Mouth’ in front of a live theatre audience. The screening with be followed by a Q & A with Jess herself.

Touretteshero presents Not I at The North Wall from 18 – 21 March.

About Inspiring People
The Inspiring People series is a joint venture between The North Wall and our principal sponsor, St Edward’s School. Our organisation both have a mission to educate and inspire and our hope is that this series will do just that: half of all tickets are offered free to local schools

How do you build inclusion from the ground up?

People with albinism face discrimination across the globe but are often left out of activist efforts around diversity and inclusion.

In this episode, we speak to representatives of Sesame Street Workshop, who have been championing diversity for years. With a breadth of expertise in the art of embracing diversity, this insightful look into the world of Sesame Street gives us new ways of approaching our goals. Supermodel and activist Diandra Forrest also joins the conversation. Fellow guest speaker Stephan Bognar, Executive Director of New York Dermatology Group Foundation, completes the line-up. They worked together previously on the Colorfull campaign, which was conceived by NYDG to highlight the prejudice that albinism attracts.

Amanda Oates (Executive Director of Workforce, Mersey Care NHS Foundation Trust) and Dr Kristina Brown (Senior Lecturer, Newcastle Business School, Northumbria University) will be speaking on the story of the Just and Learning Culture at Mersey Care NHS Trust.

In recent years, Mersey Care NHS Foundation Trust has undergone a radical shift in workplace culture and organisational procedures. They have gone from a blame culture to a culture where staff feel empowered and supported to learn from incidents. Numbers of disciplinary and suspension cases went down, staff reporting of adverse incidents went up, and there were positive effects on staff retention and levels of sickness absence.

Restorative justice was integral to these changes, termed the ‘Just and Learning Culture’. Amanda Oates and Kristina Brown will reflect on the impact of the restorative just culture at Mersey Care and help us to understand how other organisations can adopt a similar approach.

This event will be held online via Zoom (link TBA). Please contact joy@minthouseoxford.co.uk for more information.

You can register for this this event on Eventbrite: https://www.eventbrite.co.uk/e/restorative-just-culture-the-story-of-mersey-care-nhs-trust-tickets-146564629753