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In this talk Natasha Randall explores the task of biographical research into the figure of the literary translator Constance Garnett. Translators notionally produce non-original text but are there aspects of their work, their semantic tendencies perhaps, that can expose something of their personal nature, or their lived experience? Garnett brought seventy volumes of Russian literature to English readers over the course of her lifetime, often first translations, and yet her existing letters and diaries betray relatively little of her interior life. Can her translations provide additional insight into her life and character? What are the detectable choices in Garnett’s work that can contribute to a portrait of her?
Natasha Randall is a literary translator of the works of Dostoyevsky, Zamyatin, Gogol, and others, for publishers such as Penguin Classics, Canongate’s Canon, and the Modern Library. Her writing and critical work has appeared in theTimes Literary Supplement, the Los Angeles Times Book Review, The Moscow Times, BookForum, The New York Times, Strad magazine, The Yale Review, Jubilat, and on National Public Radio. She is a contributing editor to the New York-based literary magazine A Public Space. Her novel, Love Orange, about modern anxieties and opioid addiction, was published in September by riverrun (Quercus).
Narrative Futures is an interactive podcast featuring interviews with leading authors and editors in the speculative genre and writing prompts designed to support the imagination of better futures.
Narrative Futures is the capstone podcast project of the Futures Thinking network at TORCH. Devised, recorded and edited by Chelsea Haith, the Narrative Futures podcast features eight interviews with some of the mosts important authors and editors working in the the speculative genre today. At the end of each interview, novelist and creative writing tutor Louis Greenberg presents two writing prompts which are designed to support engaged thought and creative imagination about the interview and the listener’s own creative practice in narrative building.
Interviewed on the podcast are Lauren Beukes, Mohale Mashigo, Sami Shah, Mahvesh Murad, Jared Shurin, EJ Swift, Ken Liu, and Tade Thompson. Each interview explores writing strategies, hopes and fears for the future, opinions on genre fiction and tackles questions such as: How do you conceive of and write time? Why is alien invasion a good metaphor for colonialism? What would a benevolent AI look like? What kind of representation is needed in the speculative genre? Are the old stories of future worlds still relevant? How do we integrate the present pandemic into our future imaginaries?
Lt. Major Cecilia Diaconeasa was a Cold War secret police informant who in March 1983, several weeks after the birth of her baby daughter, was assigned to extract confessions from a woman suspected of collaborating in a public political protest, and to prevent her from committing ‘unthinkable acts’. Her ‘target,’ my mother, was under arrest in the infectious ward of the district’s children’s hospital with her own new born son, who was struggling for his life. The talk will discuss working with Cold War surveillance family archives and the process of getting inside the Lt.’s mind, in order to understand the narrative of oppression. In the course of locating the appropriate form which could transform the historical documents and the life experiences into literature, I found myself asking deeper questions about what constitutes literary language.
Carmen Bugan, a George Orwell Prize Fellow, is the author of four poetry collections, most recently Lilies from America, a Poetry Society Special Commendation. Her memoir, Burying the Typewriter, called by the Sunday Times ‘a modern classic,’ won the Bread Loaf Nonfiction Prize and was a BBC Radio 4 Book of the Week. Her poems have been anthologized in the Penguin’s Poems for Life and Joining Music with Reason among others, and her work has been translated into several languages. She wrote a monograph on Seamus Heaney and East European Poetry in Translation: Poetics of Exile and reviews regularly for Harvard Review Online. Bugan was the 2018 Helen DeRoy Professor in Honors at the University of Michigan and teaches at the Gotham Writers’ Workshop in Manhattan. She appears on current affairs and history programmes on the BBC, NPR, Monocle, and ABC. Bugan has a DPhil in English literature from Balliol College, Oxford University. Her book of essays, Poetry and the Language of Oppression, will be published by Oxford University Press in March 2021.
This is the Weinrebe Lecture in Life-Writing for Michaelmas Term 2020.
Hermione Lee, whose biography of Tom Stoppard is published by Faber on 1 October, talks about his life and work, and the challenges for a biographer in writing the life of a living subject.
With unprecedented access to private papers, diaries, letters, and countless interviews with figures ranging from Felicity Kendal to John Boorman and Trevor Nunn to Steven Spielberg, Hermione Lee has built a meticulously researched portrait of one of our greatest playwrights. Drawing on several years of long, exploratory conversations with Stoppard himself, it tracks his Czech origins and childhood in India to every school and home he’s ever lived in, every piece of writing he’s ever done, and every play and film he’s ever worked on. This is the revealing story of a very public and very private man.
Hermione Lee was the President of Wolfson College from 2008 to 2017, and is the founder and advisory director of OCLW. She held the Goldsmiths’ Chair of English Literature at Oxford from 1998 to 2008, and before that taught at the Universities of Liverpool and York. Her work includes acclaimed biographies of Virginia Woolf (1996), Edith Wharton (2007) and Penelope Fitzgerald (2013, winner of the James Tait Black Memorial Prize for Biography). She has also published books on Elizabeth Bowen, Willa Cather and Philip Roth, and she has written about life-writing, in Body Parts: Essays on Life-Writing (2005), Biography: A Very Short Introduction (2009), and, co-edited with Kate Kennedy, in a collection based on an OCLW conference, called Lives of Houses (2020). Her biography of Tom Stoppard is published by Faber in October 2020. She is a Fellow of the British Academy, of the Royal Society of Literature (where she serves on the Council) and of the American Academy of Arts and Sciences, and in 2013 she was made a Dame for services to literature.
The video of this Weinrebe Lecture in Life-Writing will be available for 24 hours only.
In her mid-20s, Heidi Williamson was part of a Scottish community that suffered an inconceivable tragedy, the Dunblane Primary School shooting.
Through poems about landscape and loss, the poems in her third collection, Return by Minor Road (Bloodaxe), explore the lasting impact of being an ‘incoherent bystander’ at such a tragedy.
Through rivers, rain, wildlife and landscape, Williamson revisits where ‘the occasional endures’ and discovers the healing properties of a beloved place:
‘These small movements
towards the bracken
are to be reckoned with.’
—
Heidi Williamson is a poet, writing tutor and mentor, and an Advisory Fellow for the Royal Literary Fund. She studied poetry and prose at the UEA and regularly teaches for arts and literature organisations in the UK.
Her work has appeared in literary journals in the UK, America and Australia and been translated into Polish, German, and Turkish. It has inspired poetry and science discussions in schools and adult creative writing groups, and has featured in NHS waiting rooms, cafés, and at science and literary festivals in the UK and abroad.
Her first collection, Electric Shadow, was supported by a grant from Arts Council England and was published by Bloodaxe in 2011. It was a Poetry Book Society Recommendation and shortlisted for the Seamus Heaney Prize for Poetry.
Her second collection was inspired by being a printer’s daughter. The Print Museum received the EAW Book by the Cover’ Award and the 2016 East Anglian Book Award for Poetry.
With a rootless lily held in front of him, a poem from her latest collection, won the 2019 Plough Prize.
Following her Research Forum talk in Trinity 2020, ‘The Elusive Subject: Biographies of Exiles’ Soledad Fox Maura returns to the OCLW programme for the launch of her first novel, Madrid Again (Simon & Schuster), in conversation with Hannie Lawlor. Told with humor, candor, and grit, Madrid Again is a highly original novel, and an homage to the haunting power of history, and how it shapes the identity of two generations of women.
Soledad Fox Maura is the V-Nee Yeh ‘81 Professor at Williams College. She has a PhD in Comparative Literature from the Graduate Center of The City University of New York. She has written two biographies that have been published in English, Spanish, and French. The first one is about Constancia de la Mora, aka one of the Spanish “Mitford Sisters” who rebelled against her wealthy and conservative upbringing to become a one-woman anti-Fascist force during the Spanish Civil War; and the second about Jorge Semprún, who fought in the French Resistance, survived Buchenwald, and went on to become a serial autobiographer, auto-fiction writer, and Oscar nominee for two screenplays. At the moment she is preparing editions of memoirs written by two Spanish women in exile, and working on a collection of biographical essays about American collectors, soldiers, writers, artists, and impresarios, and politicians in 20th century Spain.
We are pleased to reschedule this talk by Dr Estelle Zinsstag (Edinburgh Napier University/University of Oxford) which was originally planned for March 2020 and postponed due to COVID-19.
Dr Zinsstag will present her research on restorative justice and cases of sexual violence.
This event will be held online via Zoom (link TBA). Please contact joy@minthouseoxford.co.uk for more information.
Amanda Oates (Executive Director of Workforce, Mersey Care NHS Foundation Trust) and Dr Kristina Brown (Senior Lecturer, Newcastle Business School, Northumbria University) will be speaking on the story of the Just and Learning Culture at Mersey Care NHS Trust.
In recent years, Mersey Care NHS Foundation Trust has undergone a radical shift in workplace culture and organisational procedures. They have gone from a blame culture to a culture where staff feel empowered and supported to learn from incidents. Numbers of disciplinary and suspension cases went down, staff reporting of adverse incidents went up, and there were positive effects on staff retention and levels of sickness absence.
Restorative justice was integral to these changes, termed the ‘Just and Learning Culture’. Amanda Oates and Kristina Brown will reflect on the impact of the restorative just culture at Mersey Care and help us to understand how other organisations can adopt a similar approach.
This event will be held online via Zoom (link TBA). Please contact joy@minthouseoxford.co.uk for more information.
You can register for this this event on Eventbrite: https://www.eventbrite.co.uk/e/restorative-just-culture-the-story-of-mersey-care-nhs-trust-tickets-146564629753