Some face-to-face events are returning. Check carefully for any requirements.

OutBurst is the Oxford Brookes University festival at the Pegasus Theatre on Magdalen Road. Brookes will be bursting out of the university campus into the community, bringing great ideas, activities, and entertainment right to the doorstep of the Oxford public.
The festival, now in its fourth year, runs from 7-9 May and showcases cutting-edge research and expertise from across the university in a variety of stimulating and fun events for students, staff, and the local community, including installations, lectures, workshops, exhibitions, and discussions for all ages.
Oxford Internet Institute Bellwether Lecture presented by Professor Dan Burk on Copyright, Culture, and Community in Virtual Worlds
We have accumulated an increasingly rich body of data concerning online communities, particularly those that share virtual environments. The on-line interactions of such communities are uniquely mediated by the audiovisual content of the software interface, which becomes a feature of shared culture. Much of this content is subject to copyright law, which confers on the copyright owner the legal right to prevent certain unauthorized uses of the content. Such exclusive rights impose a limiting factor on the development of communities that are situated around the interface content, as the rights, privileges, and exceptions associated with copyright generally tend to disregard the cultural significance of copyrighted content. Thus, the opportunity for on-line communities to legally access and manipulate the graphical elements on which their communities are built is frought with potential legal liability. Reconsideration of current copyright law would be required in order to accommodate the cohesion of on-line communities through cultural uses of copyrighted content.
Please visit http://www.oii.ox.ac.uk/events/ for more information.
Please email events@oii.ox.ac.uk to register for the event.

2015 lies between the 450th anniversary of Shakespeare’s birth last year, and the 400th anniversary of his death next year. As celebrations of Shakespeare’s profundity and morality abound, James Sheldrake will be offering a timely exploration of the darker side of Shakespeare in performance, exploring stagings of the “universal” playwright in Nazi Germany, Fascist Italy, and pre-Civil Rights America.
James is a freelance Shakespearean. Since finishing a Masters in Renaissance Literature at Oxford, he has taught at RADA, worked with Globe Education and podcasts regularly at www.sheldrakeonshakespeare.com. He is currently pitching a programme on Shakespeare and Evil, the subject of today’s lecture, to the BBC World Service.
We live in a world of information. Together, both the so-called copyright (or content) industries and its consumers (via user-generated content) provide an enormous amount of information (or content). But paradoxically, we simultaneously suffer from a deficit of “smart” information. Smart information is information that is traceable and therefore reliable, trust-worthy, and ultimately verifiable. This essay sets forth various reasons for this scarcity of smart information and proposes one type of solution in the realm of consumer goods: a tracermark. Earlier work examining the function of certification marks in global value networks (aka ‘supply chains’) points to an urgent albeit emerging need for more nimble, hybrid, and transparent forms of marking products and services.
Global digital networks have the potential to be combined with other kinds of technologies (e.g., QR, UPC codes, smart phone apps, and other forms of smart information intermediaries) to contribute meaningfully to the production of smart information and therefore to the regulation of goods and services in the consumer interest. Smarter information can be incentivized into the direction of creation and disclosure within a soft regulatory framework. And recognized categories of intellectual property such as trademarks and certification marks then could evolve to impart more information about specific process measures, in addition to more overt product characteristics – that is, to trace so-called credence as well as the more commonly accepted experience (or search) attributes important for consumers. Proposed here therefore is a tool called a “tracermark” (a hybrid of trademark and certification mark), which would allow stakeholders to disclose and trace the provenance of opaque quality attributes associated with particular goods and services throughout global value networks.
Speaker:
Dr Marion Fresia (Professeure assistante, Institut d’ethnologie, Université de Neuchâtel)
Ethnographic approaches of policy processes are usually interested in issues of power and control, translation and mediation, contestation and resistance, and the formal and implicit norms at stake in the formulation, implementation and outcomes of policy. They draw on micro-scale observation and widely rely on participant-observation and multi-situated fieldwork as methodological tools to inquire into social actors’ actual practices and agency at different knots of the ‘implementation’ chain. This presentation will discuss some of the potential and challenges of mobilizing such approaches in the study of global refugee policy, at both epistemological and methodological levels. Drawing on a wider research project on the every-day work of ‘asylum-makers’ within UNHCR, it will first examine the added value of ethnography for analysing how policy agendas are set, formulated and made ‘global’ at the level of UNHCR’s Executive Committee in Geneva. It will then discuss the potential of such approaches for studying the actual implementation of global refugee policy, by taking the example of the politics and practice of refugee status determination at the level of two UNHCR country offices in Ankara and Nouakchott.
About the speaker:
Marion Fresia is Assistant Professor in the Institute of Ethnography, University of Neuchâtel, Switzerland. Her research interests focus on the anthropology of development and social change; humanitarian aid and forced migration; and the anthropology of international institutions. Part of her current research examines UNHCR from the ‘inside’, exploring how its boundaries take shape through the daily social practices of an assemblage of experts, diplomats and NGOs constantly producing and reproducing the refugee label worldwide. Her doctorate is from the Ecole des Hautes Etudes en Sciences Sociales, France, for which she conducted extensive fieldwork with Mauritanian refugees in Senegal (2001-2005). She subsequently worked with UNHCR as an education expert between 2005 and 2007.
As adults can tell us when they are feeling pain we can often simply ask them whether pain medication is working. As babies cannot talk, we need to rely on other measures to find out whether they are feeling pain. It is not always possible to know whether a baby is in pain by looking at their behaviour. Join us to hear Dr Rebeccah Slater, discuss whether the use of modern brain imaging techniques can tell us whether a baby can feel pain. This is particularly important for babies admitted to intensive care after birth who may need lots of medical interventions to be performed everyday as part of their essential medical care.
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Siddhartha will be reading from his books of poetry, Kalagora and Digital Monsoon, showing clips from his theatre work and film, as a way into exploring the relationship between memory, imagination and globalised environments. He will reflect on how the very idea of writing lives in the 21st century, of creatively using memory and imagination, are being renegotiated in radical ways in contemporary thought and aesthetic practice.

Do you want to learn something new?
The Knowledge Project offers affordable evening courses in exciting subjects. Our classes are taught by specialists in small, friendly groups and open to all. The coming term is set to be our busiest schedule yet, packed with new courses and some old favourites. All courses will be held in the comfortable setting of Oxford International College, taught by passionate and talented postgraduate students. As always, our proceeds will be donated to local children’s charity Jacari.
Premium: Introduction to Shakespeare. Fridays 7-8.30, 14th May – 2nd July. £150
This premium course will help you to discover the world of the Bard in six discussion based classes and two outings to local plays. With the aid of a passionate postgraduate student, discover the double meanings within Shakespeare’s plays and why this playwright is still so loved today.
We are also offering courses in:
Positive Psychology. Saturdays 10-11.30, 16th May – 4th July. £80
This new course looks into the popular topics of positivity and resilience. Why are some people more resilient than others and how can we increase our resilience? Why are some people more optimistic and is it possible to make ourselves happier?
What is Feminism? Tuesdays 6.30-8pm, 12th May – 30th June. £80
This fantastic new course – developed by the talented Monique Ma-Velous of Sydney University (Gender Studies) and University of Oxford (Creative Writing) – explores what it means to be a feminist in today’s world.
Creativity. Tuesdays 7-8.30, 12th May – 30th June. £80
This new and innovative course explores how creativity makes us happy, even replacing the job of therapy, and what the right creative medium is for each individual person.
Introduction to Contemporary Art. Thursdays 6-7.30, 14th May – 2nd July. £80
This course is for anyone who loves art (or would simply like to understand what the new Tate Modern exhibition is all about. You’ll cover: performance, feminism, land art, conceptual art, appropriation and globalisation. The course is discussion led so come with questions and opinions!
Introduction to Novel Writing. Mondays 6-7.30, 11th May – 29th June. £80
Our flagship course covering all the key aspects of novel writing: voice, world-making, perspective and of course endings and beginnings. No experience necessary!
To enrol simply visit our website, select the course you would like to follow and fill in an enrolment form. Your space will be confirmed upon payment. Be sure to stay up to date with all of our goings on by visiting our Facebook page and feel free to contact us with any further questions.

This is a one-day event providing an in-depth look at at the world of documentary production in TV, Radio and Film, with five sessions exploring the areas of observational documentaries, wildlife, radio, feature-length and how to make a documentary.
Our speakers have a wealth of experience in these genres and include: Bill Oddie (TV presenter), Clio Barnard (Director, ‘The Arbor’, ‘The Selfish Giant’), Simon Elmes, (Former Creative Director for BBC Radio Documentaries), Nicolas Kent (Creative Director, Oxford Film and TV), Mike Brett (Director, ‘Next Goal Wins’) and many more.
The conference is being organised by the St Hilda’s Media Network, an alumnae group for media professionals, and is intended for a broad audience, from those with a general interest, to students, to those already working in the media.
Tickets (including lunch and all refreshments):
£45 Standard Admission
£32 St Hilda’s Alumnae
£20 Full-time Students
To book please go to: www.sthildasdocumentaryday.eventbrite.co.uk
Please see the Eventbrite link for full details and for further information please e-mail sthildasdocumentaryday@gmail.com.

Part of Book at Lunchtime, a fortnightly series of bite size book discussions, with commentators from a range of disciplines. Free, all welcome – no booking required. Join us for a sandwich lunch from 12:45, with discussion from 13:00 to 13:45.
Kirsten Shepherd-Barr (Associate Professor of Modern Drama, University of Oxford) will discuss her book Theatre and Evolution from Ibsen to Beckett with:
Michael Billington (Theatre Critic, The Guardian)
Morten Kringlebach (Associate Professor and Senior Research Fellow, Department of Psychiatry, University of Oxford)
Laura Marcus (Goldsmiths’ Professor of English Literature)
About the book
Evolutionary theory made its stage debut as early as the 1840s, reflecting a scientific advancement that was fast changing the world. Tracing this development in dozens of mainstream European and American plays, as well as in circus, vaudeville, pantomime, and “missing link” performances, Theatre and Evolution from Ibsen to Beckett reveals the deep, transformative entanglement among science, art, and culture in modern times.
The stage proved to be no mere handmaiden to evolutionary science, though, often resisting and altering the ideas at its core. Many dramatists cast suspicion on the arguments of evolutionary theory and rejected its claims, even as they entertained its thrilling possibilities. Engaging directly with the relation of science and culture, this book considers the influence of not only Darwin but also Lamarck, Chambers, Spencer, Wallace, Haeckel, de Vries, and other evolutionists on 150 years of theater. It shares significant new insights into the work of Ibsen, Shaw, Wilder, and Beckett, and writes female playwrights, such as Susan Glaspell and Elizabeth Baker, into the theatrical record, unpacking their dramatic explorations of biological determinism, gender essentialism, the maternal instinct, and the “cult of motherhood.”
It is likely that more people encountered evolution at the theater than through any other art form in the late nineteenth and early twentieth centuries. Considering the liveliness and immediacy of the theater and its reliance on a diverse community of spectators and the power that entails, this book is a key text for grasping the extent of the public’s adaptation to the new theory and the legacy of its representation on the perceived legitimacy (or illegitimacy) of scientific work.
Speaker: Professor Guy Goodwin-Gill (Emeritus Fellow, All Souls College, University of Oxford)
In 1977, as national refugee status determination procedures were gaining new life, States members of UNHCR’s Executive Committee asked the Office to provide guidance on the interpretation and application of the 1951 Convention/1967 Protocol. The outcome was the 1979 UNHCR Handbook, still widely cited in courts around the world, but substantially unchanged notwithstanding successive ‘re-issues’. Following adoption of its Agenda for Protection in 2000, UNHCR sought to keep up with jurisprudential developments and emergent issues by publishing supplementary guidelines, for example, on exclusion, gender, social group, and children; these were mostly drafted in-house, like the original Handbook, and without any formal input from States or other stakeholders. Following criticism of its 2013 guidelines on military service, however, UNHCR began to consider how external input could be usefully and effectively managed, for example, through the circulation of drafts for comment. Authoritative and influential guidelines will need a solid methodology when it comes to synthesizing best practice and pointing the way ahead, and UNHCR cannot just rely on its statutory and treaty role in ‘supervising the application’ of the 1951 Convention. In some respects, its task is analogous to that of the International Law Commission, incorporating both codification (identifying where States now see the law) and progressive development (showing how the law should develop consistently, if protection is to keep in step with need). So, what are the issues on which further guidance is needed today? What, if any, are the limits to interpretation, and when are new texts required? In drafting guidelines, who should be consulted? And how should others’ views and analysis be taken into account?
About the speaker:
Professor Guy S. Goodwin-Gill is Emeritus Fellow of All Souls College, University of Oxford. He is Professor of International Refugee Law at Oxford and was formerly Professor of Asylum Law at the University of Amsterdam. He served as a Legal Adviser in the Office of United Nations High Commissioner for Refugees (UNHCR) from 1976-1988. He practises as a Barrister from Blackstone Chambers, London, and he has written extensively on refugees, migration, international organisations, elections, democratisation and child soldiers. Recent publications include: The Refugee in International Law (OUP, 2007), 3rd ed. with Dr Jane McAdam; Free and Fair Elections (Inter-Parliamentary Union, 2nd ed., 2006); and Basic Documents on Human Rights (OUP, 2006), 5th ed., with Ian Brownlie, eds.

New College Chapel presents Paradise Lost: a staged reading of Milton’s epic poem in 3 parts, directed by Professor Elisabeth Dutton (Fribourg), featuring new settings of Milton’s hymns by the Organist, Robert Quinney, and anthems by Byrd, Weelkes and Purcell. There will be a pre-performance talk by Dr Will Poole on Friday 22nd May, 7.15, in the Conduit Room.
Wed 20 May: Books 1-4, The Parliament in Hell
Thurs 21 May: Books 5-8, The War in Heaven
Fri 22 May: Books 9-12, The Fall
Each part can be viewed individually.
Tickets on the door: £10/£5 students; £25/10 for all 3 nights. All proceeds will go to Sight Savers, who work to treat and prevent blindness in the developing world.

This talk is being held as part of the Practice of Evidence-Based Health Care module which is part of the MSc in Evidence-Based Health Care. Members of the public are welcome to attend.
Carl Heneghan is Director of the Centre of Evidence-Based Medicine, a General Practitioner and Senior Tutor of Kellogg College.
Carl has been the author and principal investigator on the Cochrane reviews on Tamiflu in adults and children and for 6 years he has worked alongside an international Cochrane group to obtain the missing unpublished evidence. This work has proved controversial in questioning the £500 million spent by the UK stockpiling the drug and has led to parliamentary appearances and substantial news coverage. The talk will detail the journey to obtain the evidence, the new methods including the use of clinical study reports and the effect of the drug once all the evidence became available.

Thursday, May 21, 2015 at 7.30pm @ Film Oxford – FREE
Drones – Aerial Filming & Photography.
Everyone’s talking about Drones, come and find what the fuss is about! Speaker, Matthew Nicholson of HOLLYWOOD DRONES
Hollywood Drones is an aerial filming company based in Oxford. Fully licensed by the Civil Aviation Authority they film up to Ultra 4K using the same equipment as used by major broadcasters such as the BBC and ITV. Since setting up in 2014 they have established work for Sky Sports the National Trust and Oxford University as well as other Oxfordshire companies.
Matthew Nicholson is looking forward to visiting Film Oxford in May. His plan is to bring along all the kit with him so you can get close up and see what it is all about. Matt will explain what is involved in setting up and running the business from a legal perspective, how to operate drones legally and demonstrate some of their more recent short films. (Photos Hollywood Drones)
ALSO we will be having our ADOBE GROUPS raffle draw – one lucky person attending will win a year’s subscription to Adobe Creative Cloud!
We prefer if you can RSVP at our meetup page (but not compulsory)
Digital Film Editors (Oxford) MEET-UP PAGE
also
Facebook https://www.facebook.com/groups/premiereandpostoxford
Film Oxford page (includes all previous meetings) http://www.filmoxford.org/adobeusergroups/
Joint meeting with Adobe Groups: Digital Film Editors (Oxford) and Oxford Digital Creative

New College Chapel presents Paradise Lost: a staged reading of Milton’s epic poem in 3 parts, directed by Professor Elisabeth Dutton (Fribourg), featuring new settings of Milton’s hymns by the Organist, Robert Quinney, and anthems by Byrd, Weelkes and Purcell. There will be a pre-performance talk by Dr Will Poole on Friday 22nd May, 7.15, in the Conduit Room.
Wed 20 May: Books 1-4, The Parliament in Hell
Thurs 21 May: Books 5-8, The War in Heaven
Fri 22 May: Books 9-12, The Fall
Each part can be viewed individually.
Tickets on the door: £10/£5 students; £25/10 for all 3 nights. All proceeds will go to Sight Savers, who work to treat and prevent blindness in the developing world.

This symposium offers an innovative and exciting ‘coming together’ of language teachers and teachers of the creative arts, asking the questions:
What does creativity mean to me? What do I do about it as a teacher? Why does it matter?
It will offer exciting new ideas for teaching language through dance, poetry, art and play; and will give participants opportunities to share and try out creative teaching ideas that connect language with other ‘intelligences’.
The plenary speakers are world-class creative educators both within and beyond the TESOL profession, including Jean Clark (dance educator), John Daniel (poet), Charlie Hadfield, Jill Hadfield, Chris Lima, Alan Maley, Amos Paran, Rachel Payne (art educator), Rob Pope, Jane Spiro and Nick Swarbrick (specialist in children’s play).
Fees include gourmet Friday evening meal & Saturday tapas lunch for all delegates.

New College Chapel presents Paradise Lost: a staged reading of Milton’s epic poem in 3 parts, directed by Professor Elisabeth Dutton (Fribourg), featuring new settings of Milton’s hymns by the Organist, Robert Quinney, and anthems by Byrd, Weelkes and Purcell. There will be a pre-performance talk by Dr Will Poole on Friday 22nd May, 7.15, in the Conduit Room.
Wed 20 May: Books 1-4, The Parliament in Hell
Thurs 21 May: Books 5-8, The War in Heaven
Fri 22 May: Books 9-12, The Fall
Each part can be viewed individually.
Tickets on the door: £10/£5 students; £25/10 for all 3 nights. All proceeds will go to Sight Savers, who work to treat and prevent blindness in the developing world.

Have you thought about using crowdfunding to fund your next degree, innovation, entrepreneurial project, charitable work, creative arts or sports club? What support you need from your college, the university and the crowdfunding platform? Speak out and let them know.
OxFund invited Jonathan May – the CEO and Co-founder of Hubbub, the representatives from the Development Offices at Green Templeton College, Keble College, Merton College, Regent’s Park, St Hugh’s College, Somerville College (the only Oxford college has its own branded crowdfunding platform) and University College, and the staff from ISIS Innovation who are working with Hubbub to build a Oxford-branded crowdfunding platform for Oxford staff and students to raise money for their entrepreneurial projects to form a panel to listen your needs.
More college’s development offices may join, as we are still in the process of confirming. Please check the Facebook event for the updates. Even your college’s development office is not in the panel, speak out your needs and we will pass them to the development office of your college.
Speaker:
Dr Phil Orchard (Senior Lecturer, Peace and Conflict Studies and International Relations, University of Queensland)
In the past two decades, global policy on internal displacement has become a discernible area of activity for the United Nations High Commission for Refugees (UNHCR) and a range of other international and non-government organizations. It is an area of policy which operates in parallel with global refugee policy, alongside but separate as it is neither as strongly legally or institutional anchored. Its development has been far more ad hoc, incremental, and divided than refugee policy. And yet global policy on internal displacement as both process and product is clearly identifiable. This is reflected in legal developments including the Guiding Principles on Internal Displacement and the African Union’s Convention for the Protection and Assistance of Internally Displaced Persons in Africa (the Kampala Convention). But it is also reflected in practice within the United Nations, including the development of the cluster approach to provide protection and assistance to the internally displaced, and in the basic working processes not only of UNHCR, but also of the Security Council and the General Assembly. This suggests that incremental processes can have long term effects on global policy generally.
About the speaker:
Dr Phil Orchard is Senior Lecturer in Peace and Conflict Studies and International Relations at the University of Queensland. His research interests focus primarily on international efforts to provide institutional and legal forms of protection to civilians and forced migrants. His first book, A Right to Flee: Refugees, States, and the Construction of International Cooperation (Cambridge University Press, 2014), examines the origins and evolution of refugee protection from 1648 to the present. His co-edited book, with Alexander Betts and entitled Implementation in World Politics: How Norms Change Practice (Oxford University Press, 2014), examines the difficulties in implementing even strongly institutionalised human-centred norms. His current work focuses on institutional and legal protections for internally displaced persons. He has published in a variety of outlets within the fields of international relations and forced migration studies, including Global Governance, International Affairs, the Review of International Studies and Refugee Survey Quarterly.
Prior to joining UQ, Dr Orchard served as a Canadian Department of National Defence Security and Defence Forum Post-Doctoral Fellow. He holds a PhD from the University of British Columbia, and previously worked as the Assistant to the Representative of the UN Secretary-General for Internally Displaced Persons. He is also the Research Director of the Asia-Pacific Centre for the Responsibility to Protect.
Susan Jebb is a nutrition scientist who has spent more than 25 years studying the links between what we eat and the effect on our weight and risk of cardiovascular disease. Her research includes a mix of observational analyses from prospective cohorts, experimental studies and both controlled and more pragmatic dietary intervention studies.
In this talk she will consider how evidence from these diverse sources informs dietary recommendations. Drawing on her experience as a scientific advisor to the Department of Health on obesity and food policy and a raft of public engagement activities, including the recent Horizon series “What’s the right diet for you?” she will also consider how the scientific evidence is translated into policy and practice.

Join us at the Museum of Natural History for an evening of talks and networking to celebrate the research behind our new exhibition,‘Biosense’.
The exhibition features contemporary research, including how bacteria sense their micro-world, why oxygen sensing could revolutionise human medical treatment, and the way that the light around us affects our behaviour.
Professor Sir John Bell has been invited to Oxford Brookes to discuss the future of medicine and the role of the Oxford Academic Health Science Centre. His research interests are in the area of autoimmune disease and immunology where he has contributed to the understanding of immune activation in a range of autoimmune diseases. In 1993, he founded the Wellcome Trust Centre for Human Genetics, one of the world’s leading centres for complex trait common disease genetics.

• Mike set up the volunteer organisation Smile Kids Japan (website under reconstruction…) in 2007 to promote sustainable and local volunteering at institutional care facilities (sometimes called orphanages) in Japan. This grew and has helped volunteers set up visits in 25 of the 47 prefectures in Japan, seeing several thousand people volunteer their friendship to kids in care. Following the 2011 earthquake and tsunami that struck Tohoku, Smile Kids Japan joined up with another NPO, Living Dreams, and Mike moved to the area to work full time on this project. Mike and the team raised over $900,000 in the months after the disaster, working with large corporate donors and setting up smaller events, including a 5 kilometre fun run that was carried out in 12 countries on the same day and raised over $100,000. The work was featured on the ITV ‘Tonight’ documentary news program, and in national papers. After giving a talk at TEDxTokyo and returning to the UK to study the alternative care system in Japan, Mike was invited by the Japanese Ambassador to meet and talk with the Emperor and Empress of Japan along with other Brits, including Lord Patten, who had been involved in the relief work.
• Mike is going to speak about fundraising strategies and will suggest (at least) three concrete ideas for fundraising that can be done before the end of term. These can be used for any charity fundraising, however the focus will be on post disaster, specifically on the situation in Nepal.
• The meeting aims to form a small team who can work on a flash fundraising event before the end of term, though you do not have to participate further if you just want to listen to the talk and learn more about fundraising.
To Book a place, click ‘going’ on our Facebook Event https://www.facebook.com/events/467192280115835/
OxFund — the Crowdfunding Society for Oxford Students
Email: hello.oxfund@gmail.com
Website: http://oxfund.wix.com/oxfund
Facebook: https://www.facebook.com/groups/OxFund/
Twitter: https://twitter.com/OxFund
Fund OxFund to run events: https://hubbub.net/p/oxfundsociety/
Refugee Studies Centre 2015 Annual Elizabeth Colson Lecture
Speaker:
Professor Miriam Ticktin (The New School for Social Research)
With the grounding assumption that innocence plays a central role in the politics of forced migration and asylum, this lecture will delve into the idea of innocence, trying to understand it and render its workings more legible, and arguing that it is a political – not simply a religious or moral – concept. By examining the figure of the child, the trafficked victim, the migrant, asylum seeker, the enemy combatant and the animal, Professor Ticktin will suggest that innocence sets up hierarchies of humanity, all the while feeding an expanding politics of humanitarianism. Ultimately, she will ask if innocence is a concept we want to protect.
About the speaker:
Miriam Ticktin is Associate Professor of Anthropology at The New School for Social Research and co-director of the Zolberg Institute on Migration and Mobility. She received her PhD in Anthropology at Stanford University, in co-tutelle with the Ecole des Hautes Etudes en Sciences Sociales in Paris, France, and an MA in English Literature from Oxford as a Rhodes Scholar. Before coming to the New School, Miriam was an Assistant Professor in Women’s Studies and Anthropology at the University of Michigan, and also held a postdoctoral position in the Society of Fellows at Columbia University.
Professor Ticktin’s research has focused in the broadest sense on what it means to make political claims in the name of a universal humanity. She has been interested in what these claims tell us about universalisms and difference, about who can be a political subject, on what basis people are included and excluded from communities, and how inequalities get instituted or perpetuated in this process. She is the author of Casualties of Care: Immigration and the Politics of Humanitarianism in France (University of California Press, 2011; co-winner of the 2012 William A. Douglass Prize in Europeanist Anthropology) and co-editor (with Ilana Feldman) of In the Name of Humanity: the Government of Threat and Care (Duke University Press, 2010), along with many other articles and book chapters. She is a founding editor of the journal Humanity: An International Journal of Human Rights, Humanitarianism and Development. Next year she will be a fellow at Princeton’s Institute for Advanced Study.

The Psychology and Neuroscience Applications Society (PsyNAppS) is excited to bring you the biggest event on the neuroscience calendar!
Register here to attend our inaugural symposium for FREE: https://www.eventbrite.co.uk/e/psynapps-inaugural-symposium-tickets-16983645541
The event boasts an exciting line up of speakers – guaranteeing something for everyone – held at the award-winning TS Eliot Theatre.
The speakers and talk topics list is as follows:
Dr. David Lewis: Founder of Mindlab on Neuromarketing
Dr. Adam Corner: Psychology of climate change communication
Dr. Rebecca Park (Oxford): Neuroscience and treatment of eating disorders
Mr. Stelios Kiosses: Challenges of treating compulsive hoarding
This free event will take place on the 11th of June at the TS Eliot Theatre of Merton College, located in Rose Lane gardens (accessible from either Merton College or directly from Rose Lane). Doors open at 3.45pm and there will be a drinks and canapes reception at 7pm.