Some face-to-face events are returning. Check carefully for any requirements.

Simon will investigate class and literature ranging across British writers from the early 19th century through to the present day.
Across poetry and fiction, Simon will present works – classic and not so well-known – which foreground issues of social and economic power, work and wealth, language and accent, region and property.
This lecture asks what happens when literary pursuits turn to working-class lives and what happens when working-class people write themselves into these traditions? Is there a continuity, say, between the ‘peasant poet’ John Clare an the Booker-winning Glaswegian novelist James Kelman? Should we even care about class when we read? Is there such a thing as working-class literary tradition?

In such a competitive and fast-moving industry, what measures can publishers take to remain fresh and unique? Today, innovation in publishing goes far beyond the e-book.
From crowdfunding to creating book apps, to interacting directly with book-buyers, digital publishers are doing some inventive and original things to get their books to the top of your reading list. Xander Cansell, Head of Digital at Unbound and Anna Jean Hughes, Founder and Editorial Director of The Pigeonhole join us on the 8th June to discuss the importance of innovation in publishing, and reveal some of the exciting new ways to publish and connect with readers. Come along and discover what the future of publishing looks like!

A one-day conference, with Professor Dame Marina Warner and featuring a rehearsed reading of Roberto Cavosi’s Bellissima Maria (after Phaedra/Hipploytus). Registration is £25, or £20 for students, and includes: lunch, refreshments, a drinks reception and confirms a place at the evening’s rehearsed reading (in the Jacqueline du Pré Music Building, St Hilda’s). See the website for the full line-up of speakers and papers.
On June 11th, St Anne’s College will be running Oxford Translation Day, a celebration of literary translation consisting of workshops and talks throughout the day at St Anne’s and around the city, culminating in the award of the Oxford-Weidenfeld Translation Prize. Our programme includes a range of events which are all open to the public, providing students, translators, publishers, writers, and anyone interested in languages with the opportunity to discover and discuss literary translation.
Oxford Translation Day is a joint venture of the Oxford-Weidenfeld Translation Prize and Oxford Comparative Criticism and Translation (the research programme housed in St Anne’s and the Oxford Research Centre for the Humanities), in partnership with the Oxford German Network and Modern Poetry in Translation.
All events are free and open to anyone, but registration is required.
– See more at: http://www.occt.ox.ac.uk/oxford-translation-day-2016
Where poetry meets science creative sparks fly, so come along and hear ideas catch fire at SciPo – a day of talks, panel discussions and readings with the distinguished Welsh poet, Tony Curtis, Director of Medicine Unboxed, Samir Guglani, multi-award-winning poet Lesley Saunders and St Hilda’s College’s own resident science poet – Sarah Watkinson. The event will be introduced by Jenny Lewis of the Poet’s House, Oxford.

There is increasing recognition over the last decade that conservation, while conserving biodiversity of global value, can have local costs. Understanding these costs is essential as a first step to delivering conservation projects that do not make some of the poorest people on the planet poorer. Using examples from Madagascar and Bolivia, we explore the challenges of quantifying the impact of conservation on local wellbeing.
Julia Jones is Professor in conservation science at the School of Environment, Natural Resources and Geography, Bangor University. Julia is interested in how people interact with natural resources and how incentives can be best designed to maintain ecosystem services; for example the growing field of Payment for Ecosystem Services (PES) and how schemes such as REDD+ can effectively deliver global environmental benefits while also having a positive impact on local livelihoods. She also has a strong interest in the design of robust conservation monitoring using different types of data, and in analysing the evidence underpinning environmental policies and decisions.

Local songwriter and Shelley specialist John Webster’s new DVD ‘Shelley’s Golden Years in Italy’ takes Shelley from the printed page and into the flux of contemporary culture. Teaming up with poet, playwright and Shelley admirer Benjamin Zephaniah, who provides context to the Shelley songs performed by John’s group Brindaband, it is an unrivalled guide to the poet, introducing around 20 of his key poems, highlighting important aspects of his thinking and describing his final dramatic years in Italy.
John will be introducing and playing the 43 minute-long film – expect an evening touching on some of life’s ‘fundamental things’, illuminated by a great poet’s unique perspective, and leaving an afterburn of hope.
Light refreshments, with an Italian flavour, will be provided.
To confirm your attendance please email events.oxford@blackwell.co.uk or call the Customer Service Department on 01865 333623.

A collaboration between Japanese artist Isao Miura and poet Chris Beckett, presented to the Glass Tank by the Oxford Brookes Poetry Centre.
In spring 1689, Matsuo Bashō sold his house in Edo (now Tokyo) and set off with his friend, Sora, on a long risky journey to the north of Japan, mostly on foot. He travelled light, just a paper coat, light cotton gown, his writing brush and ink. His aim was to see the great northern sights like Matsushima and Kisagata Bay which had inspired poets before him, a process the Japanese call ‘uta makura’, literally ‘poem pillow’, but more accurately translated as ‘the poem road’. This exhibition explores the rich legacy of Bashō’s work, both visually and poetically, and it documents some of Isao’s artistic and physical journey from the deep north of Japan where he grew up, ‘translating’ Bashō’s text not only into English words but into sketch, to plaster, and bronze. The exhibition will be accompanied by a discussion event on Bashō and the artistic journey, and a workshop on the haiku style of prose, called haibun, which is rapidly gaining popularity in the UK, Europe and the USA.
Isao and Chris will be available in the Glass Tank every Tuesday from 12noon to 2:00pm to introduce and discuss the exhibition with anyone who is interested.
How to stop spending time you don’t have with people you don’t like doing things you don’t want to do.
Are you stressed out, overbooked and underwhelmed by life? Fed up with pleasing everyone else before you please yourself? Then it’s time to stop giving a f**k.
This irreverent and practical book explains how to rid yourself of unwanted obligations, shame and guilt-and give your f**ks instead to people and things that make you happy. Sarah’s simple ‘NotSorry Method’ for mental decluttering will help you unleash the power of not giving a f**k and will free you to spend your time, energy and money on things that really matter. This wise and humorous guide to modern living is a must read. Sarah is visiting from America and will be discussing the ideas and fantastic flow-charts in an evening talk and signing.
This is a FREE event and will take place in the philosophy department in the Norrington Room. For more information, or to register call 01865 333623 or email events.oxford@blackwell.co.uk.
What can be learned from three sketchbooks, a family commonplace book, a handful of letters, an essay notebook, and a few other “scraps, orts and fragments”? The Hopkins “remains” at Balliol, although comparatively few, have much to teach us about his controversial practices as self-curator, the posthumous (and precarious) disposition of his poetry and papers, and the way in which reading Gerard Manley Hopkins is always an exercise in textural counter-point.
Lesley Higgins, a Professor of English at York University (Toronto, Canada), is the co-general editor of the Collected Works of Gerard Manley Hopkins. She has produced three volumes for the series, has published extensively on Hopkins and Walter Pater, and is the author of The Modernist Cult of Ugliness: Gender and Aesthetic Politics.
Unlocking Archives is a seminar series about current research in Balliol College’s special collections. All welcome, no booking required.

Ludo, snakes & ladders and draughts are all popular pastimes, but in the past couple of decades a new generation of board games from designers with backgrounds in maths and science has begun to break the Monopoly monopoly. Perhaps the most successful of these is multi award winning Reiner Knizia, who joins mathematician Katie Steckles and board game lover Quentin Cooper to discuss how you develop a game which is easy to learn, hard to master and fun to play time after time. With a chance to have a go at some of Reiner’s latest creations and other top games afterwards.
Book here: http://www.oxfordshiresciencefestival.com/tuesday.html

Shakespeare lived in one of the most unhealthy times and places in history. Disease was rife and hygiene poor, physicians could only be trained abroad, and there was no such thing as a public medical lecture. Most of Shakespeare’s own insights into science were learnt through friends who would tell (or show!) him their discoveries.
This event will bring together professional actors from Creation Theatre with medical historian Leah Astbury and modern day researcher Martijn van de Bunt to explore some of the medical references in Shakespeare’s plays and how they relate to contemporary science. From epilepsy to astrology, malaria to anaesthesia, compare the science of 400 years ago to the cutting edge research we have today and discover what has changed and what has stayed the same.

Join us for a sensational evening of cabaret – an alchemy of acts delivered by Science Oxford’s network of creative science performers. If you love science, stage and stand up, you’ll be in your element with our periodic table-themed cabaret including science presenter and geek songstress Helen Arney and compered by award-winning science communicator Jamie Gallagher. See the everyday elements that make up the world around us in a new light, watch in disbelief as gold is created before your eyes, and learn about their origins and how they behave inside our bodies. Get your tickets now – once they are gone they argon!

Imagine constantly worrying about something that you know is not real, or feel a deep anxiety that only repetitive (and often embarrassing) behavior can diminish. Now imagine this happening 24 hours a day for 365 days a year and you can begin to understand what it might be like to suffer from OCD. Join scientist Paula Banca who will discuss the OCD brain and why psychopaths never suffer from it, followed by artist Dan Holloway’s performance poetry inspired by his own experience. This event is part of the Storytelling Science project.
The Las Casas Institute presents a day-long conference on money as a prism through which we often view the world and its challenges. Join theologians, economists, and other experts in discussing what money reveals and conceals about our world.
Reception to follow at Blackfriars Hall at 5:00pm. Registration fee includes lunch and reception.
Speakers:
Professor Philip Goodchild
Sr Margaret Atkins OSA
Sr Helen Alford OP
Panelists:
Barbara Ridpath
Charles Wookey
Peter Róna
The Institute is celebrating the Dominicans’ jubilee with a series of events on the challenges of truth telling in contemporary society.

To coincide with the current exhibition by Isao Miura and Chris Beckett, ‘Sketches from the Poem Road (after Matsuo Bashō’s The Narrow Road to the Deep North)’, which runs from 20 June to 15 July, the Poetry Centre presents a stimulating evening of talks and discussion on the subject of artistic and literary translation. It will feature John Nicoll (Chelsea Foundry), Nathalie Aubert (Professor of French Literature, Oxford Brookes), David Constantine (poet and translator), Sasha Dugdale (poet and editor of Modern Poetry in Translation) and Thomas McAuley (Lecturer in Japanese at the University of Sheffield and translator of many Japanese poems), chaired by Niall Munro, director of Oxford Brookes Poetry Centre.

This presentation explores the discourse of adoption through an analysis of how adoption is linguistically and visually delineated in a corpus of picture books. The aim is to understand how adoption is portrayed, and what the concerns and viewpoints of the three main participants are: child, adoptive parents, and birth parents, as well as those of the voices that surround them.
The study combines a quantitative and qualitative analysis, in which computer-based software is combined with the closer analysis of the individual texts.
The project lies under the umbrella of the major enterprise of understanding how adoption is conceived, the words and patterns used to talk about it, how it is visually represented, and in what ways these choices depict, challenge, and reshape society’s understanding of parenthood and families.
Dr Coral Calvo Maturana is English Lecturer at the University of Cádiz in Spain. Her research interests include stylistics, (critical) discourse analysis, corpus linguistics, and multimodality. Her doctoral thesis: ‘Motherhood and Poetic Voices in The Adoption Papers by Jackie Kay: a corpus stylistics study’, resulted in her special interest in the discourse of adoption, and its multimodal representation in both literary and non-literary texts.

Literally and figuratively, what was time for Shakespeare?
When the Prologue to Romeo and Juliet announces that the performance will last two hours, what does Shakespeare mean?
Professor Tiffany Stern (English, Oxford University) will explore hourglasses, sundials and mechanical clocks to consider the options for measuring time that were visible or audible in the early modern playhouse. Questioning what hours, minutes and seconds might have meant to a playwright in the 1500s and 1600s, Professor Stern examines how the art of describing time shaped Shakespeare’s writing.
Doors open at 6.30pm.
Our speakers this year will examine the many arenas crime fiction covers: the police detective, historical, ‘hard- boiled’, clerical, classical fairy tales, domestic, the golden age gems, the light-hearted, the crossover – romance & crime. Acclaimed author Lee Child, will be our Guest of Honour and give the Conference Lecture. We are also delighted to announce that our Honorary Fellow Val McDermid will give the After-Dinner Speech on Saturday 20 August. Further award-winning speakers will include Kate Charles, Martin Edwards, Jane Finnis, Shona MacClean, Marcia Talley, Andrew Taylor and Carol Westron. Natasha Cooper will chair the conference.

A one-day, multi-disciplinary event exploring the lyric form and its interactions across music and poetry. Hosted by the Ertegun Scholarship Programme and the Archive of Performances of Greek and Roman Drama (APGRD), with the kind support of the Oxford Song Network, the day brings together academics and performers from different disciplines (including Classicists, English and German literary specialists, musicologists, musicians and poets) and centres around a lecture-recital given by renowned musicians Stephan Loges (bass-baritone) and Natasha Loges (piano).
Tickets are £15 (or £10 for students/concessions) – this price includes a sandwich lunch, coffee and biscuits throughout the day, and a drinks reception.
A limited number of places are available for dinner, at an additional cost of £35; for further details please contact: stephanie.oade@classics.ox.ac.uk
Contributors:
Michael Silk (KCL): Aristocratic Humanities: Pindar, Castiglione, and Yeats
Pauline Le Ven (Yale): Hearing Greek Lyric as Music Again
Stephan Loges and Natasha Loges (Bass-baritone and piano): 18th-century lyrics in 19th-century dress: Brahms’s and Schubert’s settings of Ludwig Hölty’s poetry
Georgina Paul (Oxford): Pacing the emotion: lyric’s time-space
Karen Leeder (Oxford): ‘Subsongs’: The contemporary lyric and a listening poetics
William Fitzgerald (KCL): Lyric, Song and Stanza: a Horatian perspective
Dat Griffiths (Oxford Brookes): The lyrics, lyrical and not so lyrical, of selected popular songs
Stephanie Oade (Oxford): Dramatic lyric: when Catullus meets music
Josephine Balmer (Poet): Making it Personal: Lyric Transformations through Translation and Poetry

The Symposium focuses on drought and water scarcity in the UK and globally. A range of expert speakers give their perspectives from an academic and practisers view on the impact of drought and how to manage drought risk in the Up and beyond.
This event is organised and subsidised by the MaRIUS project, and so has a very low price of either £25 for the conference incl. lunch and a drinks reception; or £35 for conference, lunch, drinks reception and dinner!
More information on the event can be found here: http://www.mariusdroughtproject.org/news/

Originally located in a small room in Norham Gardens, St Hugh’s Library moved to the Main Building in 1916 and then to its current location in 1936. Packed with treasurers such as John Gould’s The Birds of Great Britain and Lewis Carroll’s Through the Looking-Glass, The Howard Piper Library tells a hidden story of Women and Oxford at the dawn of the twentieth century. This guided tour will unlock its secrets and offer a unique glimpse into a long-lost world.
Ms Nora Khayi was Assistant Librarian at St Hugh’s College in 2009 before becoming Librarian in 2013. She previously worked at the Taylor Institution Library and is a member of the Chartered Institute of Library and Information Professionals and a member of various library committees in the South East of England.

Originally located in a small room in Norham Gardens, St Hugh’s Library moved to the Main Building in 1916 and then to its current location in 1936. Packed with treasurers such as John Gould’s The Birds of Great Britain and Lewis Carroll’s Through the Looking-Glass, The Howard Piper Library tells a hidden story of Women and Oxford at the dawn of the twentieth century. This guided tour will unlock its secrets and offer a unique glimpse into a long-lost world.
Ms Nora Khayi was Assistant Librarian at St Hugh’s College in 2009 before becoming Librarian in 2013. She previously worked at the Taylor Institution Library and is a member of the Chartered Institute of Library and Information Professionals and a member of various library committees in the South East of England.
This event is part of the series A Festival of Anniversaries.

This summer St Anne’s College and The Danson Foundation jointly supported an Incubator Project to help three teams of students start their own businesses. As well as receiving working capital and accommodation, the teams were offered dedicated mentoring from The Danson Foundation and St Anne’s alumnae. At the Incubator Showcase on Thursday 20 October, the teams will present their business’s progress to date and discuss their plans for the future. All St Anne’s alumnae are very welcome to attend and learn more about the student’s projects. The event will also include time for networking.
The convenors of the American Literature Research Seminar at Oxford
invite you to attend:
Anna Despotopoulou, Associate Professor, National and Kapodistrian University of Athens,
“‘Terrible Traps to Memory’: National Monuments and Women in Henry James”
Examining the struggle between personal and collective memory expressed in James’s autobiographical and fictional writings (e.g. The American Scene, The Bostonians, and “Pandora”), this paper will focus on the ways in which his female protagonists confront the patriotism inscribed in monuments, challenging the grand narratives of nation and democracy from which they are often excluded.
Anna Despotopoulou is Associate Professor in English Literature and Culture at the National and Kapodistrian University of Athens and is an Associate Visiting Research Fellow at the RAI in 2016-7. Her research focuses on Victorian fiction, Henry James, and women’s studies. Her most recent book is Women and the Railway, 1850-1915 (Edinburgh UP, 2015). Her work on Henry James includes articles in the Henry James Review and other journals, as well as two edited volumes: Henry James and the Supernatural (with Kimberly Reed; Palgrave-Macmillan, 2011) and Transforming Henry James (with Donatella Izzo and Anna De Biasio; Cambridge Scholars Publishing, 2013).