Simon will investigate class and literature ranging across British writers from the early 19th century through to the present day.

Across poetry and fiction, Simon will present works – classic and not so well-known – which foreground issues of social and economic power, work and wealth, language and accent, region and property.

This lecture asks what happens when literary pursuits turn to working-class lives and what happens when working-class people write themselves into these traditions? Is there a continuity, say, between the ‘peasant poet’ John Clare an the Booker-winning Glaswegian novelist James Kelman? Should we even care about class when we read? Is there such a thing as working-class literary tradition?

In such a competitive and fast-moving industry, what measures can publishers take to remain fresh and unique? Today, innovation in publishing goes far beyond the e-book.

From crowdfunding to creating book apps, to interacting directly with book-buyers, digital publishers are doing some inventive and original things to get their books to the top of your reading list. Xander Cansell, Head of Digital at Unbound and Anna Jean Hughes, Founder and Editorial Director of The Pigeonhole join us on the 8th June to discuss the importance of innovation in publishing, and reveal some of the exciting new ways to publish and connect with readers. Come along and discover what the future of publishing looks like!

A one-day conference, with Professor Dame Marina Warner and featuring a rehearsed reading of Roberto Cavosi’s Bellissima Maria (after Phaedra/Hipploytus). Registration is £25, or £20 for students, and includes: lunch, refreshments, a drinks reception and confirms a place at the evening’s rehearsed reading (in the Jacqueline du Pré Music Building, St Hilda’s). See the website for the full line-up of speakers and papers.

Where poetry meets science creative sparks fly, so come along and hear ideas catch fire at SciPo – a day of talks, panel discussions and readings with the distinguished Welsh poet, Tony Curtis, Director of Medicine Unboxed, Samir Guglani, multi-award-winning poet Lesley Saunders and St Hilda’s College’s own resident science poet – Sarah Watkinson. The event will be introduced by Jenny Lewis of the Poet’s House, Oxford.

There is increasing recognition over the last decade that conservation, while conserving biodiversity of global value, can have local costs. Understanding these costs is essential as a first step to delivering conservation projects that do not make some of the poorest people on the planet poorer. Using examples from Madagascar and Bolivia, we explore the challenges of quantifying the impact of conservation on local wellbeing.
Julia Jones is Professor in conservation science at the School of Environment, Natural Resources and Geography, Bangor University. Julia is interested in how people interact with natural resources and how incentives can be best designed to maintain ecosystem services; for example the growing field of Payment for Ecosystem Services (PES) and how schemes such as REDD+ can effectively deliver global environmental benefits while also having a positive impact on local livelihoods. She also has a strong interest in the design of robust conservation monitoring using different types of data, and in analysing the evidence underpinning environmental policies and decisions.

Telegraph writer Helen Yemm brings her column Thorny Problems to life by answering your gardening conundrums and dispensing invaluable advice in the picturesque setting of the Botanic Garden.

Local songwriter and Shelley specialist John Webster’s new DVD ‘Shelley’s Golden Years in Italy’ takes Shelley from the printed page and into the flux of contemporary culture. Teaming up with poet, playwright and Shelley admirer Benjamin Zephaniah, who provides context to the Shelley songs performed by John’s group Brindaband, it is an unrivalled guide to the poet, introducing around 20 of his key poems, highlighting important aspects of his thinking and describing his final dramatic years in Italy.

John will be introducing and playing the 43 minute-long film – expect an evening touching on some of life’s ‘fundamental things’, illuminated by a great poet’s unique perspective, and leaving an afterburn of hope.

Light refreshments, with an Italian flavour, will be provided.

To confirm your attendance please email events.oxford@blackwell.co.uk or call the Customer Service Department on 01865 333623.

A special postcolonial seminar with Professor Brinda Bose and Professor Prasanta Chakravarty (University of Delhi). This event is CHCI funded and supported by TORCH, the English Faculty Postcolonial Seminar, and Rhodes House.

How to stop spending time you don’t have with people you don’t like doing things you don’t want to do.

Are you stressed out, overbooked and underwhelmed by life? Fed up with pleasing everyone else before you please yourself? Then it’s time to stop giving a f**k.

This irreverent and practical book explains how to rid yourself of unwanted obligations, shame and guilt-and give your f**ks instead to people and things that make you happy. Sarah’s simple ‘NotSorry Method’ for mental decluttering will help you unleash the power of not giving a f**k and will free you to spend your time, energy and money on things that really matter. This wise and humorous guide to modern living is a must read. Sarah is visiting from America and will be discussing the ideas and fantastic flow-charts in an evening talk and signing.

This is a FREE event and will take place in the philosophy department in the Norrington Room. For more information, or to register call 01865 333623 or email events.oxford@blackwell.co.uk.

What can be learned from three sketchbooks, a family commonplace book, a handful of letters, an essay notebook, and a few other “scraps, orts and fragments”? The Hopkins “remains” at Balliol, although comparatively few, have much to teach us about his controversial practices as self-curator, the posthumous (and precarious) disposition of his poetry and papers, and the way in which reading Gerard Manley Hopkins is always an exercise in textural counter-point.

Lesley Higgins, a Professor of English at York University (Toronto, Canada), is the co-general editor of the Collected Works of Gerard Manley Hopkins. She has produced three volumes for the series, has published extensively on Hopkins and Walter Pater, and is the author of The Modernist Cult of Ugliness: Gender and Aesthetic Politics.

Unlocking Archives is a seminar series about current research in Balliol College’s special collections. All welcome, no booking required.

Art historian, novelist and journalist Iain Pears discusses his latest book ‘Arcadia’ whilst highlighting how technology is changing the way we tell stories today.

Ludo, snakes & ladders and draughts are all popular pastimes, but in the past couple of decades a new generation of board games from designers with backgrounds in maths and science has begun to break the Monopoly monopoly. Perhaps the most successful of these is multi award winning Reiner Knizia, who joins mathematician Katie Steckles and board game lover Quentin Cooper to discuss how you develop a game which is easy to learn, hard to master and fun to play time after time. With a chance to have a go at some of Reiner’s latest creations and other top games afterwards.

Book here: http://www.oxfordshiresciencefestival.com/tuesday.html

Shakespeare lived in one of the most unhealthy times and places in history. Disease was rife and hygiene poor, physicians could only be trained abroad, and there was no such thing as a public medical lecture. Most of Shakespeare’s own insights into science were learnt through friends who would tell (or show!) him their discoveries.

This event will bring together professional actors from Creation Theatre with medical historian Leah Astbury and modern day researcher Martijn van de Bunt to explore some of the medical references in Shakespeare’s plays and how they relate to contemporary science. From epilepsy to astrology, malaria to anaesthesia, compare the science of 400 years ago to the cutting edge research we have today and discover what has changed and what has stayed the same.

Join us for a sensational evening of cabaret – an alchemy of acts delivered by Science Oxford’s network of creative science performers. If you love science, stage and stand up, you’ll be in your element with our periodic table-themed cabaret including science presenter and geek songstress Helen Arney and compered by award-winning science communicator Jamie Gallagher. See the everyday elements that make up the world around us in a new light, watch in disbelief as gold is created before your eyes, and learn about their origins and how they behave inside our bodies. Get your tickets now – once they are gone they argon!

Imagine constantly worrying about something that you know is not real, or feel a deep anxiety that only repetitive (and often embarrassing) behavior can diminish. Now imagine this happening 24 hours a day for 365 days a year and you can begin to understand what it might be like to suffer from OCD. Join scientist Paula Banca who will discuss the OCD brain and why psychopaths never suffer from it, followed by artist Dan Holloway’s performance poetry inspired by his own experience. This event is part of the Storytelling Science project.

To coincide with the current exhibition by Isao Miura and Chris Beckett, ‘Sketches from the Poem Road (after Matsuo Bashō’s The Narrow Road to the Deep North)’, which runs from 20 June to 15 July, the Poetry Centre presents a stimulating evening of talks and discussion on the subject of artistic and literary translation. It will feature John Nicoll (Chelsea Foundry), Nathalie Aubert (Professor of French Literature, Oxford Brookes), David Constantine (poet and translator), Sasha Dugdale (poet and editor of Modern Poetry in Translation) and Thomas McAuley (Lecturer in Japanese at the University of Sheffield and translator of many Japanese poems), chaired by Niall Munro, director of Oxford Brookes Poetry Centre.

This presentation explores the discourse of adoption through an analysis of how adoption is linguistically and visually delineated in a corpus of picture books. The aim is to understand how adoption is portrayed, and what the concerns and viewpoints of the three main participants are: child, adoptive parents, and birth parents, as well as those of the voices that surround them.

The study combines a quantitative and qualitative analysis, in which computer-based software is combined with the closer analysis of the individual texts.

The project lies under the umbrella of the major enterprise of understanding how adoption is conceived, the words and patterns used to talk about it, how it is visually represented, and in what ways these choices depict, challenge, and reshape society’s understanding of parenthood and families.

Dr Coral Calvo Maturana is English Lecturer at the University of Cádiz in Spain. Her research interests include stylistics, (critical) discourse analysis, corpus linguistics, and multimodality. Her doctoral thesis: ‘Motherhood and Poetic Voices in The Adoption Papers by Jackie Kay: a corpus stylistics study’, resulted in her special interest in the discourse of adoption, and its multimodal representation in both literary and non-literary texts.

Literally and figuratively, what was time for Shakespeare?
When the Prologue to Romeo and Juliet announces that the performance will last two hours, what does Shakespeare mean?
Professor Tiffany Stern (English, Oxford University) will explore hourglasses, sundials and mechanical clocks to consider the options for measuring time that were visible or audible in the early modern playhouse. Questioning what hours, minutes and seconds might have meant to a playwright in the 1500s and 1600s, Professor Stern examines how the art of describing time shaped Shakespeare’s writing.
Doors open at 6.30pm.

This Spotlight will showcase the Japanese theatre form kabuki, with the presentation of a filmed performance.

As part of our annual museum day-festival, PittFest, archaeologists and museum professionals will be joining us to give short talks sharing insights into their current research. Event info: If you like your archaeology experimental, join us at our fourth annual PittFest. Free-drop in workshops and demonstrations including prehistoric fire lighting, preparing hides the Stone Age way, wattle and daubing and knapping your own knife. You can even dissect replica coprolites (fossilised poo!) and take part in a ‘Detective Dig’. Experts will take to the ‘Archaeology Soapbox’, sharing insights into their current research and visitors can handle archaeological finds, including objects collected by General Pitt-Rivers himself. Live music, beer tent (what would a meeting for archaeologists be without an ale or two?) and refreshments throughout the day. Activities for all ages – not just the kids

Join Photograph Collections curatorial staff for a ‘behind the scenes’ tour of the Pitt Rivers Museum’s dedicated research area. A special opportunity to receive a guided tour of the climate-controlled storerooms and to view collections highlights, including albums by Wilfred Thesiger. An Oxford Open Doors event. Free but booking essential. Two tours: 11.00-12.00 & 14.00-15.00

Paul Griffith, co-author of ‘A Guide to the Japanese Stage’ will speak about the history and traditions of kabuki theatre.

Jonathon Porritt and Shaun Chamberlin celebrate the launch of the late Trinity alumnus David Fleming’s extraordinary book, ‘Surviving the Future: Culture, Carnival and Capital in the Aftermath of the Market Economy’.

This intimate event will be held in the Sutro Room at Trinity College, Oxford University, and will be recorded for a short film. Various themes in Fleming’s wonderfully diverse work – from carnival to climate change, religion to resilience, manners to markets – may be explored in response to the interests of those present.

Interview with Shaun Chamberlin on David Fleming, Brexit and the book: http://www.darkoptimism.org/2016/08/21/interview-on-david-fleming-music-and-hippos/

More information on David Fleming’s books:
http://www.chelseagreen.com/surviving-the-future
http://www.chelseagreen.com/lean-logic

Copies of both books will be on sale on the day.

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“David Fleming was an elder of the UK green movement and a key figure in the early Green Party. Drawing on the heritage of Schumacher’s Small Is Beautiful, Fleming’s beautifully written and nourishing vision of a post-growth economics grounded in human-scale culture and community—rather than big finance—is both inspiring and ever more topical.”
~ Caroline Lucas MP, co-leader, Green Party of England and Wales; former Member of the European Parliament

“I would unreservedly go so far as to say that David Fleming was one of the most original, brilliant, urgently-needed, underrated, and ahead-of-his-time thinkers of the last 50 years. History will come to place him alongside Schumacher, Berry, Seymour, Cobbett, and those other brilliant souls who could not just imagine a more resilient world but who could paint a picture of it in such vivid colours. Step into the world of David Fleming; you’ll be so glad you did.”
~ Rob Hopkins, cofounder of the Transition Network

“Why do some of the truly great books only emerge and exact their influence upon us after the death of their authors? Perhaps it takes a lifetime to accrue and refine the necessary wisdom. Or perhaps it simply takes the rest of us too long to catch up. Like Thoreau, Fleming’s masterpiece brims not only with fresh insight into every nook and cranny of our culture and what it means to be human, but with such wit and humour that its challenging ideas and radical perspectives become a refreshing delight. If we’re to have a future worth surviving, this book demands to be read, re-read, and—ultimately—acted upon.”
~ Mark Boyle, author of The Moneyless Manifesto and Drinking Molotov Cocktails with Gandhi

Originally located in a small room in Norham Gardens, St Hugh’s Library moved to the Main Building in 1916 and then to its current location in 1936. Packed with treasurers such as John Gould’s The Birds of Great Britain and Lewis Carroll’s Through the Looking-Glass, The Howard Piper Library tells a hidden story of Women and Oxford at the dawn of the twentieth century. This guided tour will unlock its secrets and offer a unique glimpse into a long-lost world.

Ms Nora Khayi was Assistant Librarian at St Hugh’s College in 2009 before becoming Librarian in 2013. She previously worked at the Taylor Institution Library and is a member of the Chartered Institute of Library and Information Professionals and a member of various library committees in the South East of England.

Originally located in a small room in Norham Gardens, St Hugh’s Library moved to the Main Building in 1916 and then to its current location in 1936. Packed with treasurers such as John Gould’s The Birds of Great Britain and Lewis Carroll’s Through the Looking-Glass, The Howard Piper Library tells a hidden story of Women and Oxford at the dawn of the twentieth century. This guided tour will unlock its secrets and offer a unique glimpse into a long-lost world.

Ms Nora Khayi was Assistant Librarian at St Hugh’s College in 2009 before becoming Librarian in 2013. She previously worked at the Taylor Institution Library and is a member of the Chartered Institute of Library and Information Professionals and a member of various library committees in the South East of England.

This event is part of the series A Festival of Anniversaries.

Acclaimed poet Alice Oswald returns to the APGRD. Free, all welcome, no booking required.

This summer St Anne’s College and The Danson Foundation jointly supported an Incubator Project to help three teams of students start their own businesses. As well as receiving working capital and accommodation, the teams were offered dedicated mentoring from The Danson Foundation and St Anne’s alumnae. At the Incubator Showcase on Thursday 20 October, the teams will present their business’s progress to date and discuss their plans for the future. All St Anne’s alumnae are very welcome to attend and learn more about the student’s projects. The event will also include time for networking.

Documentary photographer Stephanie Berger has photographed some of the world’s leading performers in the fields of theatre and dance for over twenty-five years. This talk will provide an insight into her work. Some of her photographs are currently on display in the Museum’s Long Gallery exhibition ‘Kabuki – Behind the Scenes’.