Think Human Festival is proud to host this panel on Writing Working-Class Fiction.
Kerry Hudson, Kit de Waal and Alex Wheatle are celebrated contemporary British novelists who have all written working-class experience into their fiction. At this event, the novelists are hosted by writer and critic Boyd Tonkin.

They will read from their work, and then discuss the problems they have encountered in being working-class writers, the creative responses they have formulated in their writing of working-class experience, and the wider issues of publishing and literary culture in relation to working-class writing and authorship. The Faculty of Humanities and Social Sciences at Oxford Brookes has a rich tradition of research into working-class life and culture, across literature, history and the social sciences.

Beautiful Japanese Teas:

Open your mind and palate as we introduce you to classic examples of the finest Japanese teas.

We will be sharing a hand-picked selection of stunning teas sourced directly from Japan’s tea gardens. The teas will include classic examples of green, shaded, black and roasted teas – with some unique surprises to complement the classics.

We will also be sharing ceremonial grade Matcha and you will learn how to prepare, serve and store Matcha to bring out its distinct and delicious flavour.

Traditional Tea Gathering

Teas will be prepared and served in traditional Japanese teaware – houhin, kyusu and chawan.

The right choice of teaware optimises the flavour and aroma of high quality teas, so you will be enjoying them at their best. We will give you brewing tips, and advice on how to source and buy Japanese teas.

It promises to be a fun, sensory adventure through modern Chinese tea culture that will entertain, educate and inspire.

No experience required. Just bring curiosity and a love of tea.

Anna Espínola Lynn, MSt in History of Art and Visual Culture (Wadham College, Oxford), will be speaking on the transmission of style in fifteenth-century Catalan manuscript production.

All welcome! Feel free to bring your lunch. The talk will last about half an hour, to allow time for questions and discussion afterwards, and a closer look at the Balliol manuscript discussed.

Unlocking Archives is an interdisciplinary graduate seminar series of illustrated lunchtime talks about current research in Balliol College’s historic collections: archives, manuscripts and early printed books, and the connections between them.

Talks take place at 1pm in Balliol’s Historic Collections Centre in St Cross Church, Holywell. St Cross is next door to Holywell Manor and across the road from the English & Law faculties on Manor Road; directions http://archives.balliol.ox.ac.uk/Services/visit.asp#f.

Adult stem cells are a rare population of undifferentiated cells found throughout our bodies which are able to divide infinitely and give rise to the different types of cells that maintain the body’s tissues and organs. Salvador Aznar’s laboratory is interested in studying how these adult stem cells maintain tissue homeostasis and why they fail to function properly during ageing and tumorigenesis.

Prof Aznar will present their latest data regarding the impact our diet has on the timing of stem cell function and its profound effects on stem cells ageing. He will also discuss their recent findings on the influence that the fatty acid content of our diet has on metastatic-initiating cells, as well as recent work indicating that our diet exerts striking epigenetic effects on metastatic stem cells which can be therapeutically targeted.

Widely acclaimed for his sculpture, installations and public artworks Sir Antony Gormley’s work has been exhibited throughout the UK and internationally.

Book Launch with Author & Translator: Yan Ge (顏歌)’s The Chilli Bean Paste Clan, translated by Nicky Harman

https://www.facebook.com/events/605485149803274/

2018/May/07 Monday 5-7PM Ho Tim Seminar Room, China Centre, St Hugh’s College, Oxford

Open and free of charge for all

Supported by: Oxford Chinese Studies Society

To welcome everyone back to Oxford in this Trinity Term, we have invited one of the most important writers of China’s post-1980 generation, Yan Ge, to share with us her experiences as a young writer in China and abroad. She will bring her seminal work, The Chilli Bean Paste Clan (《我們家》in Chinese, published in 2013), and discuss issues of family, language, morality, capitalism and more, with the novel’s English translator Nicky Harman. The Chilli Bean Paste Clan the English translation will be published by Balestier Press and available on the market from the 1st of May, 2018, adding a fresh voice in the growing field of literature in translation.

Synopsis of The Chilli Bean Paste Clan:

Set in a fictional town in West China, this is the story of the Duan-Xue family, owners of the lucrative chilli bean paste factory, and their formidable matriarch. As Gran’s eightieth birthday approaches, her middle-aged children get together to make preparations. Family secrets are revealed and long-time sibling rivalries flare up with renewed vigour. As Shengqiang struggles unsuccessfully to juggle the demands of his mistress and his wife, the biggest surprises of all come from Gran herself……

Professor David Der-wei Wang 王德威 of Harvard University has commented on Yan Ge and her work and hinted that she might signal a generational shift in the Chinese literary scene:
“She writes about her hometown. The stories in a small Sichuanese town are greatly done. She has her own worldviews, and frankly speaking, she is of a very fortunate generation. What she may have encountered as she grew up is not as tumultuous or adventurous as the writers that came before her, and therefore the factor of imagination has gradually come to matter more than experiences in reality.
她写她的故乡，四川一个小城的故事，写得很好。她有她的世界观，但坦白地讲，他们都是有幸的一代，在她成长的过程里面，她所遭遇的不如过去那辈作家有那么多的坎坷或者冒险性，所以，想象的成分已经逐渐地凌驾了现实经验的体会。”

This event will be of interest to those of you who work on contemporary China, Chinese literature, translation studies, and publishing. The conversation between Yan Ge and Nicky Harman will last around 30 minutes and we will leave plenty of time for critical dialogues, Q & A and discussions.

Books available for purchase at a discounted rate.

Speaker biography:

Yan Ge was born in Sichuan Province, China in 1984. She is a writer as well as a Ph.D. candidate in Comparative Literature. Publishing since 1994, she is the author of eleven books in Chinese. Her works have been translated into English, French, German, Italian, Japanese, Korean, and Hungarian. She was a visiting scholar at Duke University from 2011 to 2012 and a residency writer at the Cross Border Festival in Netherlands in November 2012. Named by People’s Literature magazine as one of twenty future literature masters in China, she is now the chairperson of China Young Writers’ Association and a contract writer of Sichuan Writers’ Association. She recently started writing in English. Her English stories could be seen on Irish Times and Stand Magazine. She lives in Dublin with her husband and son.

Nicky Harman is a British translator of Chinese literature, and one of the most influential figures in the field. She is co-Chair of the Translators Association (Society of Authors) and co-founded Paper Republic 纸托邦, one of the most important online forums for Chinese literatures in translation. She taught on the MSc in Translation at Imperial College until 2011 and now translates full-time from Chinese. The authors she has translated include Jia Pingwa贾平凹，Yan Geling 严歌苓，Chan Koon-chung 陈冠中，Annibaobei 安妮宝贝，Chen Xiwo陈希我，Yan Ge颜歌，and Han Dong韩东, to name just a few. She has won several awards with her translations.

Join St Cross alumna Kristina Lunz (MSc Global Governance and Diplomacy, 2014), co-founder of the Centre for Feminist Foreign Policy, for a panel discussion on diplomacy, feminist foreign policy and social entrepreneurship. Joining her will be CFFP co-founder Marissa Conway, head of CFFP in the UK, and Dr Jennifer Cassidy, Editor of “Gender and Diplomacy” (Routledge, 2017) and Lecturer in International Relations, University of Oxford (St Peter’s College).

This talk is free to attend, all welcome.

About CFFP

The Centre for Feminist Foreign Policy (CFFP) is a research and advocacy organisation promoting a feminist approach to foreign policy. With its vision to challenge the status quo of foreign policy, the CFFP puts people instead of special interest at the core of policy initiatives.

CFFP was founded in 2016 by Marissa in London, where she is heading the UK section of CFFP. Kristina, a St Cross alumna (2014-2015), joined Marissa as a co-founder and also brought the organisation to Germany, where she is heading the German team. Dr Jennifer Cassidy joined CFFP’s Advisory Council recently.

How do we define a sound or a taste for which our language does not have a dedicated word?

Typically, we borrow words from another sensory modality. Wines, for example, are often described by words that belong to other sensory perceptions: a “soft flavour” borrows the adjective soft from the domain of touch, and a “round taste” borrows the adjective round from the domain of sight.

It remains an interesting open issue to what extent these cross-sensory metaphors are universal across languages, and to what extent they are language-specific.

Dr Francesca Strik Lievers will address these questions and provide an overview of the latest scientific discoveries in the field, using examples taken from different languages. Her talk will be followed by an opportunity for questions.

The event is organised and hosted by Creative Multilingualism in collaboration with TORCH. Creative Multilingualism is a research programme led by the University of Oxford and funded by the Arts and Humanities Research Council as part of the Open World Research Initiative.

Participation is free and open to the public. We provide FREE LUNCH to all participants.

12.30-13.00 – lunch and mingling

13.00-14.00 – talk and discussion

In today’s fast changing, highly interconnected, culturally diverse world our current approaches to policy need to become more responsive to change. Currently the dominant mode of policy making is still based on what we might term ‘intelligent choice’. This retains the premise that problems can be resolved through ‘best practice’ evidence-based approaches using empirical methods. We need to move however to ‘next practice’ a method which seeks to create entirely new propositions and then testing them in context so that we may learn, adapt and actively shape our understanding of the problem-solution space itself.

New methods are at the heart of some of that Lab’s latest projects, including a unique collaboration with the Government’s Office for Science, applying Speculative Design and advanced visualisation in the run up to the Industrial Strategy Ageing Grand Challenge.

American Cool Modernism Series: ‘State of the Nation’ with Bonnie Greer and Sarah Churchwell

What does America stand for in the twenty-first century? What is the true story behind the ‘American dream’? What does ‘America First’ really mean? What are the implications of the recent US political upheavals, not only for the USA but for the rest of the world as well? Bonnie Greer and Sarah Churchwell will discuss these and other crucial questions about the ‘world’s only remaining superpower’.

For all enquiries please email events.oxford@blackwell.co.uk or call our Customer Service Department on 01865 333623.

As part of the Surgical Grand Round lecture series, Professor David Cranston from the Nuffield Department of Surgical Sciences at the University of Oxford will discuss ‘Medicine in Art’.

Film Screening with Director: Kit Hung’s Soundless Wind Chime (無聲風鈴)

The Shulman Auditorium, The Queen’s College, Oxford
*Multilingual dialogue with English subtitles
Open and free of charge for all, please register on Eventbrite

Supported by: Oxford Chinese Studies Society (OCSS)

OCSS is proud to present our big film screening event of the term: Kit Hung’s Soundless Wind Chime! The film has a unique place in queer Asian cinema as it interweaves multiple journeys of identity and love together. The central figure of the young handsome migrant from mainland China, his intricate relationship with a Swiss expat, as well as Hong Kong as a kaleidoscopic space where all these take place, form the elements that guarantee the critical reflections this film provokes in the audiences. This event will be of interest to those of you in queer culture, translation studies, migration, Hong Kong, and film studies in general. The film is 110 minutes long and will be followed by a conversation between Director Kit Hung and Dr. Victor Fan from King’s College London, and we will leave plenty of time for critical dialogues, Q & A and discussions.

Synopsis of Soundless Wind Chime:

Soundless Wind Chime is the poetic journey of Ricky, searching for the lost soul and the past of his deceased Swiss lover – Pascal. The film shows a battle of love, lust, reality, memory and illusions and the grief everybody bears every day. The two young men Pascal and Ricky are both foreigners living in Hong Kong. While Pascal, a Swiss, ekes out a living from street theatre and petty crime, Ricky, who comes from Beijing, is a dependable helper in a humble restaurant. One fateful day their paths cross and they fall head over heels in love with each other and boldly decide to move in together. But their love is soon put to the test – the fickle Pascal makes high demands on gentle Ricky. Years later, long after their relationship comes to a sudden end, Ricky sets off in search of his former lover, and not far from Lucerne he meets a young man who looks just like Pascal. Like the broken melody of a wind chime, the secret of this poetic love story is gradually revealed in brief flashbacks. Archaic images of an austere Switzerland with its rugged mountains and rustic restaurant culture reflect not only the loneliness and pain of the lovelorn protagonist Ricky, they also stand in stark contrast to the vitality and colourfulness of life in Hong Kong where, transcending all cultural barriers, the couple experienced moments of profound happiness. (from the Chinese Visual Festival)

Speaker biography:

Kit Hung (洪榮傑) graduated with an M.F.A. from the Department of Film, Video and New Media, School of the Art Institute of Chicago. Lecturer of the Academy of film, Hong Kong Baptist University, his films have won numerous international awards and were screened at over 120 international film festivals. His debut feature Soundless Wind Chime was nominated for the Teddy Award at the Berlin International Film Festival, released in more than 16 countries in 6 languages. He is currently a research student in the department of Media and Communication in the Goldsmiths College, University of London, UK.
Dr. Victor Fan (范可樂) graduated with a Ph.D. from the Film Studies Program and the Comparative Literature Department of Yale University, and an MFA in Film and Television Productions at the University of Southern California. He was Assistant Professor at McGill University, Department of East Asian Studies between 2010 and 2012, where he was also Chair of the Equity Subcommittee on Queer People. Fan has publications in peer-reviewed journals and anthology including The World Picture Journal, Camera Obscura, A Companion to Rainer Werner Fassbinder, Journal of Chinese Cinemas, Screen, Film History and CLCWeb: Comparative Literature and Culture. Further, his monograph Cinema Approaching Reality: Locating Chinese Film Theory was published by University Of Minnesota Press in 2015. In addition, his thesis film from USC, The Well (2000), was screened in the Anthology Film Archives, São Paolo International Film Festival, the Japan Society (NYC) and the George Eastman House. It also won the third prize in the Long Narrative category in the Fort Lauderdale International Film Festival.

About the talk
Using examples from his recent exhibition in the Musee D’art Moderne in Paris, Ian thinks through how we might come to a painting, image, object or model with little information or prior knowledge.
In particular, how we might understand questions of reading and experience when confronting an artwork.

About the event

Registration will open at 12pm with lunch served from 12 to 12.15pm.

About the speaker
Ian Kiaer makes fragile installations involving groupings of architectural models, untouched or slightly modified found objects, and two-dimensional work to create fragmented narratives. These works are prompted by the ideas of utopian thinkers, architects, and artists from various periods of history whose common concern has been their resistance and critique of dominant ideologies – while providing possible alternatives for thought. Kiaer’s installations often operate as projects or proposals and continue to employ the fragment as a means of questioning notions of totality and permanence.

Ian has exhibited internationally since 2000, with solo exhibitions at institutions including Tate Britain, London; Galleria Civica d’Arte Moderna e Contemporanea, Turin; Kunstverein München, Munich; and Fondazione Querini Stampalia, Venice. He has also exhibited at the Venice Biennale (50th), Istanbul Biennale (10th), Berlin Biennale (4th), Lyon Bienniale (10th) and Manifesta 3.

As part of Think Human Festival, this one-off pop-up event is a unique opportunity for visitors of all ages to interact with leading academics from the Faculty of Humanities and Social Sciences at Oxford Brookes University. The academics will act as ‘human books’ from a range of perspectives; historic, literary, political, legal and educational for 15 minutes per ‘book loan’ against the back drop of revolution. ‘RESIST! REMAIN!’ will provide the chance to engage with and access humanities and social science disciplines in a fun, original and inspiring way, and aims to create a lasting impression of how these subjects can help to understand what it is to be human.

Please note that this event is free, open to all ages and there is no need to book ahead. Please come to Bonn Square and start a interesting conversation around revolution!

Lunchtime talk and discussion led by Pete Wallis of Oxfordshire’s Youth Justice Service at the Mint House, Oxford Centre for Restorative Practice. Refreshments from 12.45.

Since 2015 a group of research-active academics from Oxford Brookes School of Law have been investigating how the criminal law can, and should, tackle speech and images on the internet which are dangerous or offensive.

For Think Human Festival Chara Bakalis, Chris Lloyd, and Mark O’Brien will run a workshop with short talks on ‘cyberhate,’ ‘sexting,’ and the ‘dark web’ respectively. These talks aim to engage audiences in intellectual questions about the issues society faces in the internet age and how the law can engage with these pressing topics. This workshop is for anyone interested in issues of criminal law, internet regulation, the affects of social media, and the wider digital world of the 21st century.

Lunch will be provided at this event.

From palaeolithic shamanism to the politics of classical Rome, interpreting the movements and sounds of birds was highly valued as a way of learning what forces might be influencing the events of our world, whether envisaged as gods, the weather or natural laws.

For the second talk of the series, Geoff Sample will follow this idea and its flow through various Eurasian cultures in our attitudes to, and interpretations of, the sound languages of other species; and on to contemporary scientific research and listening with a bioacoustic ear.

Geoff Sample is a field recordist who has concentrated on wildlife and natural soundscapes for the last 30 years. He’s the author and producer of a series of Collins sound guides, including the best-selling Collins Bird Songs & Calls, contributes sound and discussion to radio & TV (Tweet of the Day, Countryfile, the Verb) and collaborates with contemporary artists on installations, exhibitions and performances (Marcus Coates, Hanna Tuulikki, Mike Collier).

Sound I’m Particular is a Pay What You Decide talk series that aims to provide a forum to discuss and interrogate listening as both subject and object, exploring the various guises of contemporary listening practices with talks and demonstrations by artists and academics from all over the country; ranging from topics such as augury and Nan Shepherd, to Gertrude Stein and Virginia Woolf, to field recording and Twin Peaks.

American Cool Modernism with Miguel de Baca and Eric White, chaired by Tara Stubbs.

‘America’s Cool Modernism’ is an exhibition which has garnered critical acclaim and captured the imagination of many, bringing together some of the greatest works ever made by American artists. But these artworks have a complicated label attached: ‘Modernism’. In this discussion, panellists will use selected works from the exhibition as a springboard for a wider contemplation of the ‘whos’, the ‘whats’ and the ‘wheres’ of American Modernism.

Miguel de Baca studies modern and contemporary American art. He is especially interested in issues of memory-making and the representation of history as they intersect the history of abstraction. Miguel joins the History of Art Department as the Terra Foundation Visiting Professor of American Art in 2017-18 from Lake Forest College, where he was the chair of the Department of Art and Art History.

For all enquiries please email events.oxford@blackwell.co.uk or call our Customer Service Department on 01865 333623.

Talk followed by questions and discussion

The year is 1964 and ten defendants are on trial for their lives in South Africa in what is widely perceived as a politically motivated proceeding. The defendants include many prominent campaigners against apartheid, notably Nelson Mandela, Walter Sisulu and Govan Mbeki. Across the world there is widespread condemnation, and criticism of the apartheid regime is frequently aired by states in the United Nations. Multiple resolutions are passed by the General Assembly and Security Council calling for South Africa to end the trial and to release all political prisoners.

On Friday 25 May 2018, members of the Oxford Brookes Model United Nations Society will be staging a re-enactment of a Security Council debate about the Rivonia trial in South Africa.  The Security Council delegates have agreed to meet with interested bystanders, over tea, coffee and cake, between 12 noon and 1pm in Headington Hill Hall and will be available to discuss about what their countries hope to achieve in a resolution about the Rivonia trial.

Please join us for what will be a fun event set in a fascinating time in history with the Cold War, anti-colonial movements and the rise of ideas of racial equality and human rights all playing a role in how apartheid was discussed within the United Nations.

Please register for this event on the Think Human Festival website.

Saturday drop In session for everyone.
Think art is just about looking? Think again! Join this session to find out how hearing, taste, smell and touch are activated in our encounters with painting and sculpture.

Our panel of acclaimed writers will explore the power of food literature to enhance our lives. Whether cookery writing that reveals the nature of cultural heritage, works of food history that highlight changing social conditions, or campaigning journalism that tackles corruption in the food industry, different forms of food literature play vital roles.

Claudia Roden is one of the world’s most respected food writers. Her work, known for being meticulously researched, is focused on the historical and cultural dimensions of national and regional cuisines. A Book of Middle Eastern Food, first published in 1968, was followed by around 20 more books including Mediterranean Cookery, The Food of Italy and The Book of Jewish Food. She has won many awards including six Glenfiddich Awards, two Andre Simon Awards and a James Beard Award in the US.

Bee Wilson is a food writer, historian and journalist. She began her professional writing career as food critic for the New Statesman, and went on to write for The Guardian, The Sunday Times, The Times Literary Supplement and The New Yorker, amongst other publications. She has written five books and her latest, First Bite: How We Learn to Eat, won a special commendation at the 2017 Andre Simon Awards.

Jeremy Lee is Chef Proprietor of Quo Vadis, in London’s Soho. Before taking up his position at this venerable restaurant he spent many years at the Blueprint Café, owned by Sir Terrence Conran. His articles have appeared in numerous publications, most recently The Guardian.

Donald Sloan is the Chair of the Oxford Cultural Collective, an educational and cultural institute that promotes better understanding of food and drink.

Join us for our Blackwell’s Open Mic Night, where there will be performances from an array of talented local performers, across a wide mix of creativity. Everyone is welcome to come along and listen, places for this event are free to register. Information about who will be performing will be updated when the final line-up is confirmed.

If you would like to register to perform, places are still available please email events.oxford@blackwell.co.uk. Each performer will have a 10 minute slot to showcase their work.

To allow opportunity and new talent to join the stage, we are not accepting performers from the last session in March as a main headliner. There will be a slot at the end that is open to drop in on the night for shorter pieces such as a poem or a song, and everyone is welcome to come forward.

For all enquiries please email events.oxford@blackwell.co.uk or call 01865 333623.

Federica Infantino is a postdoctoral research fellow at the Group for Research on Ethnic Relations, Migration and Equality at the Université Libre de Bruxelles. Her project ‘Practicing Immigration Detention and Deportation in the EU. Actors, Organizations and Transnational Policymaking from Below’ is funded by the Belgian Fund for Scientific Research (FNRS-FRS). In 2015, she was Wiener-Anspach postdoctoral fellow and visiting academic at COMPAS, University of Oxford. Federica holds a PhD in political and social sciences from Université Libre de Bruxelles and a PhD in political science, comparative political sociology, from Sciences Po Paris. Her main research interests focus on the practices of migration and border control in comparative perspective, transnational actors and dynamics of policy change, the involvement of non-state actors in governments’ functions. She is the author of the book Outsourcing Border Control. Politics and Practice of Contracted Visa Policy in Morocco (Palgrave MacMillan), the co-editor of the 2014 Security Dialogue’s special issue ‘Border Security as Practice’ and the author of several articles about the day-to-day filtering work of borders that is achieved via visa issuing.

This lecture explores the global preoccupation with criminality in the early twenty-first century, a preoccupation strikingly disproportionate, in most places and for most people, to the risks posed by lawlessness to the conduct of everyday life. Ours in an epoch in which law-making, law-breaking, and law-enforcement are ever more critical registers in which societies construct, contest, and confront truths about themselves. It argues that, as the result of a tectonic shift in the triangulation of capital, the state, and governance, the meanings attached to crime and, with it, the nature of policing, have undergone significant change; also, that there has been a palpable muddying of the lines between legality and illegality, between corruption and conventional business – even between crime-and-policing, which exist, nowadays, in ever greater, hyphenated complicity.

American Literature in 1920s-30s with Alex Goody and Diana Leca chaired by Kristin Grogan.

These literary experts get under the skin of American Literature in the 1920s and 1930s. This was the era of Gertrude Stein, William Faulkner, Ernest Hemingway, F Scott Fitzgerald, Ezra Pound, Edith Wharton and John Dos Passos, amongst others. What themes preoccupied these writers? How did the First World War influence their writing? Which works of literature from this period have stood the test of time?

For all enquiries please email events.oxford@blackwell.co.uk or call our Customer Service Department on 01865 333623.

Blackwell’s presents an evening with madison moore, who will be exploring his new book ‘Fabulous: The Rise of the Beautiful Eccentric’, an exploration of what it means to be fabulous – and why eccentric style, fashion, and creativity are more political than ever.

What does it mean to be fabulous? Is fabulous style only about labels, narcissism, and selfies—looking good and feeling gorgeous? Or can acts of fabulousness be political gestures, too? What are the risks of fabulousness? And in what ways is fabulous style a defiant response to the struggles of living while marginalized? madison moore answers these questions in a timely and fascinating book, moving from catwalks and nightclubs to the street, ‘Fabulous’ includes a range of fabulous and creative powerhouses, including DJ Vjuan Allure, voguing superstar Lasseindra Ninja, fashion designer Patricia Field, performance artist Alok Vaid‑ Menon, and a wide range of other aesthetic rebels from the worlds of art, fashion, and nightlife.

madison moore, is a cultural critic, DJ, and creative director whose writing has appeared in Theater, Journal of Popular Music Studies, Dancecult: Journal of Electronic Dance Music Culture, Aperture, Thought Catalog, Out,Splice Today, and Interview. His work touches pop culture, queer studies, fashion, nightlife, sound, media, visual culture and contemporary art. madison is currently a Research Associate in Modern Moves in the Department of English at King’s College London, where he is also the director of the Queer@King’s Research Centre.

madison moore will be interviewed by Ruth Ramsden-Karelse. Ruth is a co-convener of the Queer Studies Network and a DPhil candidate in the English Faculty, based at Merton College, University of Oxford. Ruth is primarily interested in drag performances as sites at which gender, sexuality, race and class intersect in their full contextual complexity.

For all enquiries please email events.oxford@blackwell.co.uk. The doors for this event will open at 6:45pm, with seats allocated on a first come, first seated basis. There will be a bar serving an array of drinks available to purchase from 6:45pm-7pm.

About the talk

Theatre was the new media of Elizabethan London. This talk discusses the industry via its entrepreneurs – playhouse owners, actors, writers, and publishers. We can trace how these innovators developed the new industry commercially and artistically. This includes issues of early modern branding, advertising, intellectual property, customer loyalty and product differentiation.

Seeing how business imperatives overlap with artistic ones (and occasionally pull in different directions) gives a different, more material angle on the development of Shakespeare – as playwright and as commodity.

About the event

Registration will open at 12pm with lunch served from 12 to 12.15pm.

About the speaker

Emma Smith is Professor of Shakespeare Studies at Hertford College, Oxford.

She has written widely on Shakespeare and early modern drama. Her book Shakespeare’s First Folio: Four Centuries of an Iconic Book was published in paperback by Oxford University Press in March 2018; next year she will publish an introduction to Shakespeare in the Pelican series for Penguin Books.

Founder and co-head of Doughty Street Chambers, Europe’s largest human rights practice. He has argued leading cases in constitutional law, criminal law and media law. Author.

阴道之道l 牛津·女权话剧

Our Vaginas, Ourselves l Chinese Vagina Monologues at Oxford
The play will be performed in Chinese with English subtitles.

The Vagina Monologues is an episodic play written by Eve Ensler based on interviews with more than 200 women from different social-cultural backgrounds. Ensler wrote the piece to “celebrate the vagina”.

In 1996, The Vagina Monologues premiered at HERE Arts Center, Off-Off-Broadway in New York, and it was awarded the Obie Award for ‘Best New Play’ that same year. Ensler’s play has since been translated to more than 40 languages, and performed on the stages of over 140 countries.

In 2012, a drama-focused group, BCome, inspired by the Vagina Monologues, created an original episodic play, Our Vagina, Ourselves, based on interviews with Chinese women. The play is around an hour and a half in length, and the scripts .draw from interviews as well as the personal experiences and opinions that BCome members have on social issues.

In Our Vagina, Ourselves, women are not treated as victims, but as active subjects who have autonomy and agency. It therefore proposes an alternative reading of gender violence and integrates anger and grief with joy, satire and humour. It also challenges the marginalization of “the others” and brings forward the rights of LGBTs, and it cares deeply about intersectionality, especially among gender, sexuality and class.

On March 20, 2018, Our Vagina, Ourselves was performed in the lecture theatre of SOAS by a group of performers consisting mainly of oversea Chinese students.

On June 12, 2018, it will be performed again at Oxford!
See you then, when we will tell you all about Our Vaginas, Ourselves.

Organizing bodies：VaChina, OCSS (Oxford Chinese Studies Society), and BPCS (British Postgraduate Network for Chinese Studies)

Acting Crew: VaChina
VaChina, established in September 2017, is a UK-based Chinese feminist network officially registered at SOAS with members from various higher education institutions including in SOAS，LSE，Oxford，Cambridge，UCL，UAL, and Essex. VaChina aims to create a supportive and friendly environment for all gender and sexualities, advocates for justice within the field of gender, and promotes gender equality via different means, including theatre.

Scripts ：BCome
Founded in 2012, BCome is a feminist group based in Beijing. Led by the youth, the BCome group initiates campaigns for women’s rights and against gender-based violences.

Facebook event page: https://www.facebook.com/events/358499304639795/
Eventbrite: https://www.eventbrite.co.uk/e/our-vagina-ourselves-at-oxford-tickets-45627591354?aff=efbeventtix