The emergence of Islamic liberalism in Southeast Asia over the last two decades has been characterized by its highly uneven reception across and within national contexts. In Malaysia, liberalism is a thoroughly negative category in political and religious discourse. In part the mobilization of anti-liberal reaction is the product of two important trends in Malaysian politics: the proliferation and growing power of Malaysia’s Islamic bureaucracy and the increased public activism of a broad array of Islamic NGO’s. These two trends reinforce each other in generating the controversies over Islamic practice or religious diversity that have punctuated Malaysia politics over the last ten years. In spite of these recurring controversies, Malaysia maintains an international reputation among North Atlantic governments as a “moderate Muslim” nation. Prime Minister Najib Razak’s efforts to craft a state Islamic ideology of moderation (wasatiyyah) is viewed by the Malaysian state, however, precisely as a bulwark against the further spread of liberalism within domestic politics. This seminar will examine such ideological inversions at work in Malaysian politics located in the concepts of Islamic liberalism and moderation.

A public lecture by Peter Wilson (University of Sydney). Free, all welcome, no booking required.

Carrie Gracie grew up mostly in North-East Scotland and set up a restaurant before taking a degree in Philosophy, Politics and Economics at Oxford. She spent a year teaching in two Chinese universities and then built a small film business before joining the BBC in 1987 as a trainee producer.

She went back to China as the BBC’s Beijing reporter in the early 1990s and served as China correspondent and Beijing bureau chief until 1999 when she returned to the UK to focus on presenting. For several years she anchored the morning slot on the BBC News Channel and hosted the weekly BBC World Service programme, The Interview. In April 2014, she took up a newly created post as BBC China Editor and has since covered many news stories in mainland China, Hong Kong and Taiwan. She has also made documentaries about China for TV and radio, winning prizes including a Peabody and an Emmy.

In January 2018, she left her post as BBC China editor in protest at unequal pay. She published an open letter to BBC audiences on the subject and appeared before a parliamentary select committee. She has since returned to BBC HQ as a news presenter and continues to campaign for an equal, fair and transparent pay structure.

The talk is part of seminar series, ‘India on the World Stage: International Relations of India Seminar Series’, organised by the Indian National Student Association (INSA), with support from the South Asian Studies Programme at the School of Interdisciplinary Area Studies, and from the Asian Studies Centre of St Antony’s College.

General Julius Caesar has returned from war with a disturbing new determination to rule – alone. Popular, charming and ruthless, Caesar has the love of the people and seems bent on destroying democracy itself.

Brutus and Cassius decide to act. But what happens after you’ve murdered the most powerful person in the world?

Nova Theatre transplant the action from the Roman streets to an all-female military unit in this exhilarating, gender-reversed production.

Book Launch with Author & Translator: Yan Ge (顏歌)’s The Chilli Bean Paste Clan, translated by Nicky Harman

https://www.facebook.com/events/605485149803274/

2018/May/07 Monday 5-7PM Ho Tim Seminar Room, China Centre, St Hugh’s College, Oxford

Open and free of charge for all

Supported by: Oxford Chinese Studies Society

To welcome everyone back to Oxford in this Trinity Term, we have invited one of the most important writers of China’s post-1980 generation, Yan Ge, to share with us her experiences as a young writer in China and abroad. She will bring her seminal work, The Chilli Bean Paste Clan (《我們家》in Chinese, published in 2013), and discuss issues of family, language, morality, capitalism and more, with the novel’s English translator Nicky Harman. The Chilli Bean Paste Clan the English translation will be published by Balestier Press and available on the market from the 1st of May, 2018, adding a fresh voice in the growing field of literature in translation.

Synopsis of The Chilli Bean Paste Clan:

Set in a fictional town in West China, this is the story of the Duan-Xue family, owners of the lucrative chilli bean paste factory, and their formidable matriarch. As Gran’s eightieth birthday approaches, her middle-aged children get together to make preparations. Family secrets are revealed and long-time sibling rivalries flare up with renewed vigour. As Shengqiang struggles unsuccessfully to juggle the demands of his mistress and his wife, the biggest surprises of all come from Gran herself……

Professor David Der-wei Wang 王德威 of Harvard University has commented on Yan Ge and her work and hinted that she might signal a generational shift in the Chinese literary scene:
“She writes about her hometown. The stories in a small Sichuanese town are greatly done. She has her own worldviews, and frankly speaking, she is of a very fortunate generation. What she may have encountered as she grew up is not as tumultuous or adventurous as the writers that came before her, and therefore the factor of imagination has gradually come to matter more than experiences in reality.
她写她的故乡，四川一个小城的故事，写得很好。她有她的世界观，但坦白地讲，他们都是有幸的一代，在她成长的过程里面，她所遭遇的不如过去那辈作家有那么多的坎坷或者冒险性，所以，想象的成分已经逐渐地凌驾了现实经验的体会。”

This event will be of interest to those of you who work on contemporary China, Chinese literature, translation studies, and publishing. The conversation between Yan Ge and Nicky Harman will last around 30 minutes and we will leave plenty of time for critical dialogues, Q & A and discussions.

Books available for purchase at a discounted rate.

Speaker biography:

Yan Ge was born in Sichuan Province, China in 1984. She is a writer as well as a Ph.D. candidate in Comparative Literature. Publishing since 1994, she is the author of eleven books in Chinese. Her works have been translated into English, French, German, Italian, Japanese, Korean, and Hungarian. She was a visiting scholar at Duke University from 2011 to 2012 and a residency writer at the Cross Border Festival in Netherlands in November 2012. Named by People’s Literature magazine as one of twenty future literature masters in China, she is now the chairperson of China Young Writers’ Association and a contract writer of Sichuan Writers’ Association. She recently started writing in English. Her English stories could be seen on Irish Times and Stand Magazine. She lives in Dublin with her husband and son.

Nicky Harman is a British translator of Chinese literature, and one of the most influential figures in the field. She is co-Chair of the Translators Association (Society of Authors) and co-founded Paper Republic 纸托邦, one of the most important online forums for Chinese literatures in translation. She taught on the MSc in Translation at Imperial College until 2011 and now translates full-time from Chinese. The authors she has translated include Jia Pingwa贾平凹，Yan Geling 严歌苓，Chan Koon-chung 陈冠中，Annibaobei 安妮宝贝，Chen Xiwo陈希我，Yan Ge颜歌，and Han Dong韩东, to name just a few. She has won several awards with her translations.

A public lecture by Ben Morgan (University of Oxford). Free, all welcome, no booking required.

How do we define a sound or a taste for which our language does not have a dedicated word?

Typically, we borrow words from another sensory modality. Wines, for example, are often described by words that belong to other sensory perceptions: a “soft flavour” borrows the adjective soft from the domain of touch, and a “round taste” borrows the adjective round from the domain of sight.

It remains an interesting open issue to what extent these cross-sensory metaphors are universal across languages, and to what extent they are language-specific.

Dr Francesca Strik Lievers will address these questions and provide an overview of the latest scientific discoveries in the field, using examples taken from different languages. Her talk will be followed by an opportunity for questions.

The event is organised and hosted by Creative Multilingualism in collaboration with TORCH. Creative Multilingualism is a research programme led by the University of Oxford and funded by the Arts and Humanities Research Council as part of the Open World Research Initiative.

Participation is free and open to the public. We provide FREE LUNCH to all participants.

12.30-13.00 – lunch and mingling

13.00-14.00 – talk and discussion

The Making of the Indonesian Migrant Labour Movement
Junko Asano (St Antony’s, International Development)

The Bold and Brave of Burma:
A Micro-Level Study of the first Movers of Dissent between 1988-2011
Jieun Baek (Hertford, Blavatnik School of Government)

The Politics of Language and Rodrigo Duterte’s Populism
Adrian Calo (School of Oriental and African Languages, London)

The Making of the Indonesian Migrant Labour Movement
Junko Asano (St Antony’s, International Development)

The Bold and Brave of Burma:
A Micro-Level Study of the first Movers of Dissent between 1988-2011
Jieun Baek (Hertford, Blavatnik School of Government)

The Politics of Language and Rodrigo Duterte’s Populism
Adrian Calo (School of Oriental and African Languages, London)

The talk is part of seminar series, ‘India on the World Stage: International Relations of India Seminar Series’, organised by the Indian National Student Association (INSA), with support from the South Asian Studies Programme at the School of Interdisciplinary Area Studies, and from the Asian Studies Centre of St Antony’s College.

The Race and Resistance Programme at The Oxford Center in the Humanities, is honoured to host the Honorable Peter Gastrow, on the afternoon of the 11th of May, (Friday of 3rd Week).

Gastrow, a former Member of the South African Parliament, South African National Peace Committee, and special adviser to the Minister of Safety and Security, will speak about his personal experiences and insights in negotiating the peace process in South Africa, his public service during the country’s transition into a democratic government and his perspectives on contemporary South African political and racial issues. We are also honored to be joined by Wale Adebanwi, the Rhodes Professor for Race Relations, who will respond to Mr. Gastrow’s lecture with his own insights into South Africa’s history and contemporary challenges. The floor will then be opened to members of the audience for any questions or comments for Mr. Gastrow and Professor Adebanwi.

Speaker: Jacques Rupnik (Sciences Po Paris)

A public lecture by Nurit Yaari (Tel Aviv University). Free, all welcome, no booking required.

We are now in the Anthropocene – human activity has become a major influence on the climate and ecosystems of the earth. It has never been more important that the public are aware of the human impact on the environment, and that scientific research about the state of the earth is communicated accurately and truthfully.

Yet we are now in the Post-Truth World where objective facts are less influential in shaping public opinion than appeals to emotion and personal belief. The question we want to address in this panel discussion is: What does the post-truth world mean for the future of our environment?

This seminar is part of the University of Oxford Environmental Research DTP’s Grand Challenge Seminar Series, and is open to all.

We will be releasing speaker announcements in the run up to the seminar.

Please join us for a drinks reception afterward to discuss the topic further and speak with the panel. Drinks will be provided.

Reserve your free ticket on Eventbrite

The talk is part of seminar series, ‘India on the World Stage: International Relations of India Seminar Series’, organised by the Indian National Student Association (INSA), with support from the South Asian Studies Programme at the School of Interdisciplinary Area Studies, and from the Asian Studies Centre of St Antony’s College.

As part of Think Human Festival, this one-off pop-up event is a unique opportunity for visitors of all ages to interact with leading academics from the Faculty of Humanities and Social Sciences at Oxford Brookes University. The academics will act as ‘human books’ from a range of perspectives; historic, literary, political, legal and educational for 15 minutes per ‘book loan’ against the back drop of revolution. ‘RESIST! REMAIN!’ will provide the chance to engage with and access humanities and social science disciplines in a fun, original and inspiring way, and aims to create a lasting impression of how these subjects can help to understand what it is to be human.

Please note that this event is free, open to all ages and there is no need to book ahead. Please come to Bonn Square and start a interesting conversation around revolution!

Professor Linda McDowell, CBE, DLitt, FBA (The School of Geography and St John’s College) presents Moving Stories: the working lives of migrant women in post-war Britain. “Migration and employment are central issues in understanding the transformation of Britain in the second half of the twentieth century. I explore the connections between the shift to a service economy and an increasingly diverse workforce through the lens of the life stories of women who moved to Britain between 1946 and 2010.

In “This is Who I am: LGBT+ Asylum Monologues”, theatre company ice&fire will present an empowering and challenging performance with first-hand accounts of LGBT+ people seeking asylum in the UK. 7.30pm on 18 May. Tickets £3 on the door or online from Eventbrite: https://www.eventbrite.com/e/this-is-who-i-am-lgbt-asylum-monologues-oxford-pride-tickets-45524894184?aff=es2

Our DNA holds clues to the demographic history of our ancestors. Dr Clare Bycroft presents recent work looking at the genetic history of the Iberian Peninsula.

You are a German citizen living under the Nazi regime led by Adolf Hitler—do you resist or comply? Featuring dramatic monologues and explanatory interludes this event introduces the audience to two real-life historical characters: Dietrich Bonhoeffer, a Christian theologian, and Adolf Eichmann, a member of the Nazi bureaucracy.

Bonhoeffer was executed in 1945, having served time in prison for his staunch opposition to Nazism. Eichmann was executed in 1962 in Israel for helping to organise the deportation of Jews to killing centres and sites during the Holocaust. We meet both men during their time in captivity and watch as they ponder their actions and seek to make sense of the horrors unleashed by the Nazis.

Bonhoeffer is clearly a good man. But what was it that inspired his heroic resistance to the Nazis—why, when so many other Christians chose not to act, did he put his life on the line? Eichmann is clearly a villain. And yet, as he himself protested, he was only doing his job. He followed rather than made orders and he was not directly responsible for the death of anyone. Is he, as the philosopher Hannah Arendt once argued, a terrifying instance of “the banality of evil?”

Based on the writings of Bonhoeffer and the records of the police and court interrogations of Eichmann, this event offers a unique portrait of good and evil during one of the darkest moments of the twentieth century.

Join Human Story Theatre for Scenes From… three new plays about young people’s mental health.

Human Story Theatre are an Oxfordshire based company who only produce new writing with a health or social care issue at heart. HST are delighted to unearth the local talent of Brookes University Creative Writing and Drama students who will perform scenes alongside professional actors. Think Human Festival is delighted to host this platform for two local playwrights, (Nick O’Dwyer and Gaye Poole writer of Connie’s Colander, Flat 73 and DRY for Human Story Theatre), and to showcase new writing from Brookes’ own students inspired by their work with Helen Mosby (Writing for Performance Tutor), Lizzy McBain (Artistic Director of Under Construction Theatre Company) and representatives from organisations that work with young people with mental health issues.

The performance will be followed by a Q&A session with members of local mental health support services.

In 2005 Oxford Brookes Professor Tina Miller’s new book Making Sense of Motherhood inspired Sue Bevan to write Mum’s the Word a play which tells the story of Miriam who has walked back into the lives of her daughters who were just ten and twelve years old when she left them during a devastating period of postnatal depression.

We invite you to experience a special Think Human Festival staging of this moving play at Ark T an open and inclusive community centre where people, art and powerful ideas come together.

The show is followed by a question and answer session with Sue Bevan and Tina Miller and an opportunity for the audience to contribute directly to Tina’s current research on Motherhood.

Age 16+ Creche available on site during the performance
This event is free, booking is required.

William Smith is best known for his great geological map of 1815. Less well appreciated is his lasting legacy in crafting and defining the sub-disciplines of stratigraphy (the correlation and ordering of stratified rocks) and bio-stratigraphy (the correlation of rocks by the use of their fossil content). Smith’s work allowed the locations of coal formations to be predicted, fuelling the Industrial Revolution and giving birth to applied geology.

Owen Green has worked in the Department of Earth Sciences, Oxford, since 1989. Initially helping to establish the Palaeobiology Laboratories, and for the past 10 years as Manager of the Geo-facilities laboratories. Research contributions include re-examining the world’s oldest putative microfossils. He is author of ‘A manual of Practical Laboratory and Field Techniques in Palaeobiology’, and is currently writing a book for the Royal Microscopical Society. He is Chair of the Oxfordshire Geology Trust.

阴道之道l 牛津·女权话剧

Our Vaginas, Ourselves l Chinese Vagina Monologues at Oxford
The play will be performed in Chinese with English subtitles.

The Vagina Monologues is an episodic play written by Eve Ensler based on interviews with more than 200 women from different social-cultural backgrounds. Ensler wrote the piece to “celebrate the vagina”.

In 1996, The Vagina Monologues premiered at HERE Arts Center, Off-Off-Broadway in New York, and it was awarded the Obie Award for ‘Best New Play’ that same year. Ensler’s play has since been translated to more than 40 languages, and performed on the stages of over 140 countries.

In 2012, a drama-focused group, BCome, inspired by the Vagina Monologues, created an original episodic play, Our Vagina, Ourselves, based on interviews with Chinese women. The play is around an hour and a half in length, and the scripts .draw from interviews as well as the personal experiences and opinions that BCome members have on social issues.

In Our Vagina, Ourselves, women are not treated as victims, but as active subjects who have autonomy and agency. It therefore proposes an alternative reading of gender violence and integrates anger and grief with joy, satire and humour. It also challenges the marginalization of “the others” and brings forward the rights of LGBTs, and it cares deeply about intersectionality, especially among gender, sexuality and class.

On March 20, 2018, Our Vagina, Ourselves was performed in the lecture theatre of SOAS by a group of performers consisting mainly of oversea Chinese students.

On June 12, 2018, it will be performed again at Oxford!
See you then, when we will tell you all about Our Vaginas, Ourselves.

Organizing bodies：VaChina, OCSS (Oxford Chinese Studies Society), and BPCS (British Postgraduate Network for Chinese Studies)

Acting Crew: VaChina
VaChina, established in September 2017, is a UK-based Chinese feminist network officially registered at SOAS with members from various higher education institutions including in SOAS，LSE，Oxford，Cambridge，UCL，UAL, and Essex. VaChina aims to create a supportive and friendly environment for all gender and sexualities, advocates for justice within the field of gender, and promotes gender equality via different means, including theatre.

Scripts ：BCome
Founded in 2012, BCome is a feminist group based in Beijing. Led by the youth, the BCome group initiates campaigns for women’s rights and against gender-based violences.

Facebook event page: https://www.facebook.com/events/358499304639795/
Eventbrite: https://www.eventbrite.co.uk/e/our-vagina-ourselves-at-oxford-tickets-45627591354?aff=efbeventtix

Through the centuries, the craft of storytelling has been developed with the help of technology – candlelight, printing press, electricity, film and the internet have all been incorporated into the way we make theatre. But this relationship is also inverted: performance design has challenged technology to create new ways to present live drama and interact with the audience. When staging a contemporary production of The Tempest recently, the Royal Shakespeare Company asked Intel and the Imaginarium Studios to work with us, exploring technologies to render cinematic environments in real time. For the first time ever, we created an animated character live on the RSC stage, using innovative real-time performance capture.

Such collaborations bring new audiences to Shakespeare and showcase the best of British creativity globally. There is vast potential for creative collaboration between technology companies and theatre, and the research and development carried out for such productions allows both theatre and technology sectors to learn new skills, developed new tools, and explore new ways of working.

In this talk, we will explore how theatre continues to impact the future of entertainment by pushing the boundaries of technology further still while maintaining a creative focus. At the RSC we have exciting experimentation in development with digital technology companies across the world. We’re engaging in research and development across virtual, augmented and mixed reality, and are always looking for ways to bring the very best live experience to our audiences and amplify that in new and digitally ways.

Simon Stephens is one of the UK’s most exciting playwrights. His plays include Punk Rock, A Thousand Stars Explode in the Sky, and the stage adaptation of The Curious Incident of the Dog in the Night-Time.

Most recently, he wrote the National Theatre’s adaptation of Bertolt Brecht’s The Threepenny Opera, which is being produced by students from the University of Oxford this autumn.

Ahead of the students’ production, Simon joins us to chat about his life and work.

Age guideline 12+

Duration: 1 hour with no interval

Tickets: FREE with a ticket to see The Threepenny Opera (call the Ticket Office on 01865 305305) or £5 without a ticket to The Threepenny Opera.

Asylum seekers, refugees, and undocumented migrants often draw attention to the global colonial histories which give context to their present situation. And yet these connections are rarely made by academics. This presentation explores aspects of my recent book ‘Asylum After Empire: Postcolonial Legacies in the Politics of Asylum Seeking’. The aim of the book is to begin theorising asylum policy within the context of such histories; to make sense of contemporary public policy developments on asylum within the context of histories of colonialism. The book is a historical sociology which brings together postcolonial and decolonial theories on the hierarchical ordering of human beings, troubling the supposedly universal category of ‘man’ within the epistemological framework of ‘modernity’, and naming the response of the British state (which acts as the case study) to contemporary asylum seekers as an example of the coloniality of power. It is an attempt to make sense of the dehumanisation of asylum seekers not as racism, but as enmeshed within interconnected histories -of ideas of distinct geographically located ‘races’, of human beings as hierarchy organised in relation to civilization, and of colonial power relations. In this sense, I am taking as my starting point the sophisticated analyses of forced migrants and sans-papiers and elaborating their conclusions with academic study.

In this panel we invite three individuals from different backgrounds, within and outside of the University of Oxford’s School of Geography and the Environment, to offer their take on data’s dirty tricks. In an age where fake news is on the rise and data is harvested from social media platforms and beyond, what is the impact upon us all? We ask, what are the landscapes of fake news, harvesting and its contortions to conventional democratic spaces? How is it possible to respond, tie together, and understand new forms of geopolitical strategy? How do democracies respond to big data and what should be done? This panel seeks to explore this from people who take alternative approaches and offer insights into how it has impacted us so far, what is being done to tackle it, and what should be done in the future.

Emma Rice is one the UK’s most well-loved and distinctive theatre directors.

As the former Artistic Director of Kneehigh and then Shakespeare’s Globe, she has spent decades creating shows which are filled with her trademark mix of joy, wonder and magic. And we’ve been lucky enough to have many of them visit our stage: from the melancholy beauty of The Flying Lovers of Vitebsk to the fire-side storytelling of The Little Matchgirl (and other happier tales) and her bold adaptation of Daphne Du Maurier’s Rebecca.

Come and join us, as Emma chats about her career to date, as well as discussing her new company, Wise Children, and their first show, very proudly co-produced by OP.

Age guideline 12+

Duration: 1 hour with no interval