Some face-to-face events are returning. Check carefully for any requirements.
The 5th Annual Oxford Business and Poverty Conference will feature a diverse range of speakers addressing the Paradoxes of Prosperity. Sign up here: https://www.eventbrite.com/e/5th-annual-oxford-business-poverty-conference-tickets-57733957822
Hosted at the Sheldonian Theatre, the conference will feature keynotes by:
Lant Pritchett: RISE Research Director at the Blavatnik School of Government, former Senior Fellow at the Center for Global Development
Efosa Ojomo: Global Prosperity Lead and Senior Researcher at the Clayton Christensen Institute
John Hoffmire: Director of Center on Business and Poverty and Research Associate at Kellogg Colleges at Center For Mutual and Employee-owned Business at Oxford University
Ananth Pai: Executive Director, Bharath Beedi Works Pvt. Ltd. and Director, Bharath Auto Cars Pvt
Laurel Stanfield: Assistant Professor of Marketing at Bentley College in Massachusetts
Grace Cheng: Greater China’s Country Manager for Russell Reynolds Associates
Madhusudan Jagadish: 2016 Graduate MBA, Said Business School, University of Oxford
Tentative Schedule:
2:15-2:20 Welcome
2:20-2:50 Efosa Ojomo, co-author of The Prosperity Paradox, sets the stage for the need for innovation in development
2:50-3:20 John Hoffmire, Ananth Pai and Mudhusudan Jagadish explain how the Prosperity Paradox can be used in India as a model to create good jobs for poor women
3:20-3:40 Break
3:40-4:10 Laurel Steinfeld speaks to issues of gender, development and business – addressing paradoxes related to prosperity
4:10-4:40 Grace Cheng, speaks about the history of China’s use of disruptive innovations to develop its economy
4:40-5:15 Break
5:15-6 Lant Pritchett talks on Pushing Past Poverty: Paths to Prosperity
6:30-8 Dinner at the Rhodes House – Purchase tickets after signing up for the conference
Sponsors include: Russell Reynolds, Employee Ownership Foundation, Ananth Pai Foundation and others
Coriander Theatre presents a new play ‘My Mother Runs in Zig-Zags’ at the North Wall Arts Centre, 30th May – 1st June 2019, 7:30pm, Saturday Matinee 2:30pm.
Sometimes, race and trauma are like leaky old pipes: you can’t even have a friend over for dinner without something spilling out everywhere and flooding your life in the most unexpected way.
A conversation between friends becomes a journey to the Lebanese and Nigerian civil wars. Half-remembered worlds of violent oral history invade the kitchen and layer themselves over everyday life, shining light on the laughter that heals intergenerational traumas, and celebrating the overflowings and excesses of a life shaped by migration.
With an original musical score, a chorus of performance poets and contemporary dancers, and stories passed on from a generation of migrants, My mother runs in zig-zags is a bold new tragicomedy, devised by the best of Oxford University’s BAME actors and performers.
Age Guidance: 12+
For this event, 12 artists from all over the country will be presenting work that they have been making as part of the Sound Diaries open call.
The presenting artists are:
Richard Bentley, Hannah Dargavel-Leafe, Aisling Davis, Atilio Doreste, Marlo De Lara, Beth Shearsby, Kathryn Tovey, Jacek Smolicki, James Green, Lucia Hinojosa, Sena Karahan, Fi.Ona
Sound Diaries expands awareness of the roles of sound and listening in daily life. The project explores the cultural and communal significance of sounds and forms a research base for projects executed both locally and Internationally, in Beijing, Brussels, Tallinn, Cumbria and rural Oxfordshire.
Tenor Mark Padmore is preparing to take on the role of Aschenbach in David McVicar’s production of Benjamin Britten’s Death in Venice at the Royal Opera House. Join Mark and a panel of experts, including Colin Matthews, Ray Ockenden, John Hopkins, Henry Bacon, and Philip Bullock to explore this many-faceted character through literature, film, and opera.
2019 marks the 100th anniversary of the Brazilian composer Claudio Santoro (1919-1989), one of the major figures in twentieth-century Brazilian music. His musical legacy includes nearly five hundred compositions. Among them there are fourteen symphonies, several chamber works, concertos, vocal compositions, one opera, film scores, and seventy-three known works for piano solo. Beginning with his very first compositions, his intense and extremely idealistic personality, always searching for new ideas and new musical expressions, led him to explore diverse idioms in his music. This unmissable lecture recital will be presented by the composer’ son Alessandro Santoro, acclaimed harpsichordist and pianist, Brazilian soprano Gabriella Di Laccio and Dr Vinicius Mariano de Carvalho, Lecturer in Brazilian Studies, King’s College London. The concert will present some of Santoro Love Songs – an exquisite cycle written in partnership with Brazilian poet Vinicius de Moraes – as well some of Santoro’s piano preludes.
Edward Higginbottom was Director of Music at New College from 1976 – 2014. In a talk for Oxford Civic Society he reflects on music making in the University and how, sometimes in spite of itself, it has fostered musical talent. He observes that there are some aspects of this story that depend on ‘the genius of the place’.
In modern high-tech health care, patients appear to be the stumbling block.
Uninformed, anxious, noncompliant individuals with unhealthy lifestyles who demand treatments advertised by celebrities and insist on unnecessary but expensive diagnostics may eventually turn into plaintiffs. But what about their physicians? About ten years ago, Muir Gray and Gerd Gigerenzer published a book with the subtitle “Envisioning health care 2020”. They listed “seven sins” of health care systems then, one of which was health professionals’ stunning lack of risk literacy. Many were not exactly sure what a false-positive rate was, or what overdiagnosis and survival rates mean, and they were unable to evaluate articles in their own field. As a consequence, the ideals of informed consent and shared decision-making remain a pipedream – both doctors and patients are habitually misled by biased information in health brochures and advertisements. At the same time, the risk literacy problem is one of the few in health care that actually have a known solution. A quick cure is to teach efficient risk communication that fosters transparency as opposed to confusion, both in medical school and in CME. It can be done with 4th graders, so it should work with doctors, too.
Now, in 2020, can every doctor understand health statistics? In this talk, Gerd Gigerenzer will describe the efforts towards this goal, a few successes, but also the steadfast forces that undermine doctors’ ability to understand and act on evidence. Moreover, the last decade has seen two new forces that distract from solving the problem. The first is the promise of digital technology, from diagnostic AI systems to big data analytics, which consumes much of the attention. Digital technology is of little help if doctors do not understand it. Second, our efforts to make patients competent and to encourage them to articulate their values are now in conflict with the new paternalistic view that patients just need to be nudged into better behaviour.
This talk will be followed by a drinks reception, all welcome
Joint event with: The Oxford–Berlin Research Partnership
Music has taken many forms during China’s long cultural history and many traditions have endured to this day. In this talk, Paul Bevan will look at a selection of the paintings in the Ashmolean collection that reflect China’s rich musical and theatrical heritage.
Music and Musical Instruments in the Ashmolean’s Chinese Paintings Collection
A Weekday Talk with Dr Paul Bevan, Ashmolean Museum
Fri 6 Mar, 1–3pm
Ashmolean Museum
FREE, booking recommended.
Book by contacting chinesepaintingsprogramme@ashmus.ox.ac.uk
https://www.ashmolean.org/event/music-and-musical-instruments-in-the-ashmoleans-chinese-paintings-collection
Life-Writing Beyond Words is a research network and termly series of public events, hosted by Felix Appelbe, the Oxford Centre for Life-Writing, and Ocean Ambassadors, that explores how we move between words and the non-verbal.
Life-writing is the study of lives, through letters, diaries, performance, memoir, autobiography and biography. But it frequently has to negotiate the non-verbal, for instance when describing the creative minds of composers, choreographers or artists, capturing the sound and light of childhood, or eavesdropping on the world of animal experience. How can these worlds be captured in words?
We are addressing this challenge by convening a network that spans many disciplines, bringing together academics, practitioners and performers who would otherwise not meet. Free-thinking lectures and laboratories will forge new pathways between the verbal and the non-verbal, journeying towards innovative experimental and performative methodologies.
5 – 5:10 Introduction by Felix Appelbe
5:10 – 5:50pm Louise Cournarie, Rameau le Moderne. Throughout his unusually long life, Jean Philippe Rameau has left an unerasable mark in Music, Theory, Science, Philosophy, and History. The composer/theorist, often referred to as the ‘father of modern harmony’, and who hated being called a composer, left behind him a forever changed view on music and a large body of work. In a time hugely influenced by the philosophy of Descartes, or the conferences of LeBrun, restlessly attacked by Rousseau, supported by D’Alambert and Voltaire, Rameau the musician and theorist underwent a long evolution. Through his keyboard pieces, this Lecture recital will attempt in having a closer look to the effect of this rich history on both the practice of Jean Philippe Rameau and his theory ideas.
5:50 – 6:30pm Alyn Shipton, How can we explore life-writing that does not use words? One possible answer is to examine both visual art and music for the ways in which we might see or hear biographical ideas. An obvious historical example would be the cycle of self-portraits by Rembrandt, that chronicle every stage of his life, and tell us through peripheral detail not only about the physical changes to Rembrandt the man, but to the environment in which he paints himself, and the clothes he wears. In his new book The Art of Jazz, Alyn Shipton explores the connections between the visual arts and jazz in the first hundred years of the music. Drawing on this unique body of research, Alyn explores how the lives of those in the jazz world have been depicted in music and in painting, drawing, graphics and sculpture. We can see how the image of Miles Davis changed over time, including his own work as a painter; we see how different photographers presented the “Empress of the Blues” Bessie Smith and how she translated the African American experience into song, and using excerpts from his work as an oral historian, Alyn shows how Sonny Rollins used the personal experience of racism in the housing market to inspire his “Freedom Suite”.
6:30 – 7:30pm Roundtable discussion, chaired by Kate Kennedy, on the theme Never the same twice