Quickly approaching 50, Daphna Baram believes she is having a midlife crisis, though her GP thinks that’s highly optimistic. She looks back with no regrets but some remorse, and cracks up some insightful ideas about mass and time, AKA weight and age, tossed up with some political wisdom.

Is an Israeli comedian/journalist/human rights lawyer, and spent a year in Oxford writing her book Disenchantment: The Guardian and Israel. See: https://www.theguardian.com/global/2007/jun/04/daphna.baram

* * * * * “Masterful” (Bunbury Magazine)
* * * * “Wonderful and Hilarious” (Broadway Baby)
“Poignant and illuminating” (The List)

Doors at 8:30/Show at 9pm

This public event brings global leaders in ethnographic museums together to consider how to reinvigorate museums with ethnographic collections, foreground indigenous knowledges and curatorial practices, and rethink assumptions about museums.
Participants include: João Pacheco de Oliveira (Museu Nacional, Rio de Janeiro, Brazil); Joe Horse Capture (Minnesota Historical Society, USA); Damion Thomas (National Museum of African American History & Culture, Smithsonian Institution, USA); Wayne Modest (Museum of World Cultures, The Netherlands).
Delegate biographies:
Joe Horse Capture (A’aninin, USA): Now Director of Native American Initiatives at the Minnesota Historical Society, Joe was formerly Curator at the National Museum of the American Indian. He consults widely on issues regarding museum representation of Indigenous people in the USA.
https://newsmaven.io/indiancountrytoday/archive/horse-capture-native-people-have-a-story-to-tell-their-own-cbrUU5jgNU2keWg71W5B_g/
Wayne Modest (National Museum of World Cultures, The Netherlands): His research interests include issues of belonging and displacement; material mobilities; histories of (ethnographic) collecting and exhibitionary practices; difficult/contested heritage (with a special focus on slavery, colonialism and post-colonialism); Caribbean Thought. More recently Modest has been researching and publishing on heritage and citizenship in Europe with special attention for urban life, and on ethnographic museums and questions of redress/repair.
https://www.materialculture.nl/en/about/wayne-modest

João Pacheco de Oliveira (Federal University of and Museu Nacional, Rio de Janeiro, Brazil): de Oliveira isan anthropologist who works with the Tikuna people of Amazonia. With Indigenous leaders, he was one of the founders of the Maguta Documentation and Research Centre, later the Maguta Museum which is now administered by a local Indigenous group. He is curator of the ethnological collections at the Museu Nacional, which suffered a devastating fire in 2018.
https://rai.onlinelibrary.wiley.com/doi/pdf/10.1111/1467-8322.12485
Damion Thomas (Curator of Sports, National Museum of African American History & Culture, Smithsonian Institution, USA): Damion explores the role of sport in linking African American people with the American nation as a whole.
https://smithsoniancampaign.org/inyourcity/speaker-damion-thomas.php
https://www.smithsonianmag.com/innovation/smithsonian-sports-curator-explains-how-athletes-turn-social-and-political-issues-national-conversations-180970778/

We are delighted to be joined by writer and musician, Catrina Davies, who will be in conversation with George Monbiot on her new book, Homesick and the current housing crisis.

Aged thirty-one, Catrina Davies was renting a box-room in a house in Bristol, which she shared with four other adults and a child. Working several jobs and never knowing if she could make the rent, she felt like she was breaking apart.

Homesick for the landscape of her childhood, in the far west of Cornwall, Catrina decides to give up the box-room and face her demons. As a child, she saw her family and their security torn apart; now, she resolves to make a tiny, dilapidated shed a home of her own.

With the freedom to write, surf and make music, Catrina rebuilds the shed and, piece by piece, her own sense of self. On the border of civilisation and wilderness, between the woods and the sea, she discovers the true value of home, while trying to find her place in a fragile natural world.

This is the story of a personal housing crisis and a country-wide one, grappling with class, economics, mental health and nature. It shows how housing can trap us or set us free, and what it means to feel at home.

Catrina Davies is a writer, singer-songwriter and DJ based in Cornwall, where she lives and works in a tin shed. Her first book The Ribbons Are For Fearlessness is a memoir about busking from Norway to Portugal with her cello. Her story has been featured in Vogue, Red, Daily Express, Surfer’s Path, and numerous other publications and her songs have been played on NTS and the BBC.

This event will be chaired by author and activist, George Monbiot. Along with writing books such as How Did We Get into this Mess, and Out of the Wreckage, George is the editor of the recent independent report to the Labour Party, Land for the Many: Changing the way our fundamental asset is used, owned and governed, which aims to put land at the very heart of politcal debate and discussion.

This is a free event, but please do register if you plan on attending. This event will be held in our Philosophy Department which is only accessible by a small flight of stairs. Seating will be allocated on a first-come-first-served basis. For more information please contact out Customer Service Desk on 01865 333 623 or email events.oxford@blackwell.co.uk.

Talk followed by questions and discussion. This is the second in a three-part series of separate talks on democracy

Natalie Triebwasser, Head of Production at Oxford based production company Quicksilver Media, makers of “Unreported World” – the UK’s longest running foreign current affairs series on Channel 4, and “Killer Ratings” – a documentary series currently streaming on Netflix, talks to award winning journalists Jenny Kleeman and Ramita Navai about their respective careers and the unique challenges that documentary makers face.

Kajal Odedra has always been passionate about helping other people affect change.
She is Executive Director of Change.Org and author of ‘Do Something: Activism for Everyone’. Change.org is the world’s largest petition platform with 15 million UK users and 200 million globally.

In this book talk the Author, Carl Benedikt Frey, will discuss how the Industrial Revolution was a defining moment in history, but how few grasped its enormous consequences at the time. Now that we are in the midst of another technological revolution how can the lessons of the past can help us to more effectively face the present?

This talk will be followed by a book sale, signing and drinks reception. All welcome.

This two-day conference will explore the evolving relationship between conflict and identity, with a specific interest in the role of history education in pre-conflict, at-conflict, and post-conflict societies. It will focus on how teachers and lecturers present history; how such choices shape identity; and how history education can be used for the purposes of promoting or undermining peaceful societies.

Data-driven micro-targeted campaigns have become a main stable of political strategy. As personal and societal data becomes more accessible, we need to understand how it can be used and mis-used in political campaigns and whether it is relevant to regulate political candidates’ access to data.

This book talk will be followed by a drinks reception and book sale, all welcome

FLJS Films opens its 2019-20 programme with acclaimed director Mike Leigh’s latest film Peterloo, which, by bringing to light a little-known atrocity in Manchester 200 years ago, makes a timely comment on the repercussions and resonances of public protest.

The film depicts the nascent labour movement of the nineteenth century, as the hunger and poverty brought about by the Corn Laws (which barred imports of cheap grain from the continent) drove 60,000 peaceful protesters to Manchester’s St Peter’s Field to demand the reform of parliamentary representation.

When the demonstration was brutally put down by the cavalry, leaving 18 people dead and hundreds injured, the government moved to suppress reporting by a nascent free press, and the event has since been largely forgotten.

On the bicentenary year of the massacre, and with the current resurgence of popular demonstrations and civil disobedience over Brexit and the climate crisis, Peterloo offers an invaluable reminder of the power of political resistance.

Historian of protest Dr Katrina Navickas will give a short introductory talk on her involvement in the historical research for Peterloo and the film’s political and contemporary resonances.

Praise for Peterloo
“A full-bore assault on the amnesia of British establishment history”
Sight and Sound

“Shattering in its cumulative effect, and its relevance to these turbulent times”
Wall Street Journal

We are honoured to announce that Elif Shafak will give this year’s Annual Blackwell’s Lecture on Thursday 24th October 2019 at 7.30pm in the Sheldonian Theatre.

Elif Shafak will deliver this year’s Annual Blackwell’s Lecture on the subject of literature, social change and politics.

Elif Shafak is an award-winning British-Turkish novelist and the most widely read female author in Turkey. She writes in both Turkish and English, and has published seventeen books, eleven of which are novels, including the bestselling ‘The Bastard of Istanbul’, ”The Forty Rules of Love’, and ‘Three Daughters of Eve’. Her latest book is ’10 Minutes 38 Seconds in This Strange World.’

Her work has been translated into fifty languages, published by Penguin/Random House and represented by Curtis Brown globally. She was awarded the title of Chevalier des Arts et des Lettres. In 2017 Elif was chosen by Politico as one of the twelve people who would make the world better.

Elif Shafak is also a political scientist and an academic. She holds a degree in International Relations, a masters’ degree in Gender and Women’s Studies and a PhD in Political Science and Political Philosophy. She has taught at various universities in Turkey, the UK and the USA, including St Anne’s College, Oxford University, where she is an honorary fellow.

Elif Shafak is a member of Weforum Global Agenda Council on Creative Economy and a founding member of ECFR (European Council on Foreign Relations). An advocate for women’s rights, LGBT rights and freedom of speech, Shafak is an inspiring public speaker and twice a TED Global speaker, each time receiving a standing ovation.

Her writing has been longlisted for the Orange Prize, MAN Asian Prize; the Baileys Prize and the IMPAC Dublin Award, and shortlisted for the Independent Foreign Fiction Prize and RSL Ondaatje Prize. She judged numerous prestigious literary prizes.

Tickets cost just £5 are available from the Blackwell’s Eventbrite website or from Blackwell’s Bookshop, 50 Broad Street, Oxford.

Blackwell’s are delighted to announce that we will be joined by comedian, director and writer, Richard Ayoade, who will be signing his new book, Ayoade on Top.

Synopsis

At last, the definitive book about perhaps the best cabin crew dramedy ever filmed: View From the Top starring Gwyneth Paltrow.

In Ayoade on Top, Richard Ayoade, perhaps one of the most ‘insubstantial’ people of our age, takes us on a journey from Peckham to Paris by way of Nevada and other places we don’t care about. It’s a journey deep within, in a way that’s respectful and non-invasive; a journey for which we will all pay a heavy price, even if you’ve waited for the smaller paperback edition.

Ayoade argues for the canonisation of this brutal masterpiece, a film that celebrates capitalism in all its victimless glory; one we might imagine Donald Trump himself half-watching on his private jet’s gold-plated flat screen while his other puffy eye scans the cabin for fresh, young prey.”

Richard Ayoade is a writer and director. In addition to directing and co-writing Garth Marenghi’s Darkplace, he has adapted and directed Joe Dunthorne’s novel Submarine for the screen, and is the co-writer (with Avi Korine) and director of the film, The Double. As an actor he is best known for his roles as Dean Learner in Garth Marenghi’s Darkplace and Maurice Moss in the Emmy Award-winning The IT Crowd, for which we was awarded a BAFTA as Best Performance in a Comedy.

This signing is free, but please do register if you plan on attending. Please note, Richard Ayoade will be only be signing his books. For more information, please call our Customer Service Department on 01865 333 623 or email events.oxford@blackwell.co.uk.

Pompeii Rediscovered
A talk with Massimo Osanna, Director General, Parco Archeologico di Pompei
Mon 11 Nov, 6.30–7.30pm

This event will be followed by drinks in the museum and a private view of the Last Supper in Pompeii exhibition.

In 2018, two-hundred and seventy years after excavations at Pompeii began, Director General of Pompeii, Professor Massimo Osanna, launched new excavations for conservation and research. Find out more about the amazing discoveries made in this project – from mysterious mosaics to shrines to the gods and even taverns– and learn what they reveal about daily life in Pompeii.

This event was originally scheduled for 31 October but has been moved to this new date.

Booking is essential. Tickets are £25/£22/£20 Full/Concession/Members

Is a parliamentary route to socialism viable? If so why hasn’t it happened already?

Join us for a conversation with Leo Panitch (Professor of Political Science, York University) and Stephen Marks (Policy Officer, Oxford & District Labour Party) about the Labour Party’s electoral successes and challenges in getting socialists elected. What lessons can we draw from recent history? What should the left be doing to get socialists and a socialist government elected?

Chaired by Rabyah Khan (Chair, Oxford & District Labour Party and Labour Council candidate, Carfax & Jericho ward)

FREE ENTRY – Confirm a space so we have an idea of numbers on the night

Suggested donation on the night £2/£5

Migration is present at the dawn of human history – the phenomena of hunting and gathering, seeking seasonal pasture and nomadism being as old as human social organisation itself.

The flight from natural disasters, adverse climatic changes, famine, and territorial aggression by other communities or other species were also common occurrences.

But if migration is as old as the hills, why is it now so politically sensitive? Why do migrants leave? Where do they go, in what numbers and for what reasons? Do migrants represent a threat to the social and political order? Are they none-the-less necessary to provide labour, develop their home countries, increase consumer demand and generate wealth? Can migration be stopped? One of Britain’s leading migration scholars, Robin Cohen, will probe these issues in this talk

Please register via the link provided.

This talk will be followed by a book sale, signing and drinks reception, all welcome. Copies available at half price — £10 — to cash buyers only.

Some 45,000 years ago, a group of around 1500 humans who were genetically similar left Africa for Asia. Successive generations of their descendants were the first members of H.sapiens to explore the earth, apart from Australia – the ancestors of today’s indigenous population left Africa around 10,000 years earlier. The talk will discuss how that original group became the genetically diverse mix of peoples who now inhabit our world. Perhaps surprisingly, some of the key evidence on the limitations of our differences today is to be found in the Pitt Rivers Museum.

Hella Pick is one of the trailblazers for the modern female foreign correspondent. She worked across three continents and covered the death of Yugoslavia’s leader, President Tito. Yugoslavia was always the saving grace of covering the Soviet bloc,” she remembers. “While in East Germany you were followed and listened to all the time, but Tito’s regime was a symbol of independent communism. Even the American ambassador was predicting the country would survive beyond Tito. Of course, we were all wrong.” Pick will talk about her incredible career, the stories she has covered and the current challenges facing journalism.
Neal Ascherson went to King’s College, Cambridge, where he read history. The historian Eric Hobsbawm was his tutor and described him as “perhaps the most brilliant student I ever had. I didn’t really teach him much, I just let him get on with it.” After graduating he he chose a career in journalism, first at The Manchester Guardian and then at The Scotsman, The Observer and The Independent on Sunday.He contributed scripts for the documentary series The World at War (1973–74) and the Cold War (1998). He has also been a regular contributor to the London Review of Books. Ascherson has lectured and written extensively about Polish and Eastern Europe affairs.

Ask the candidates where they stand on issues related to war and peace, terrorism, defence policy, Trident, etc.

When the UK joined the EU in 1973 all previous trade barriers with the EU were abolished, which led to a strong intensification of trade with the European continent.

This situation will soon be a thing of the past, however, as new trade barriers will be erected with the withdrawal. Since the food self-sufficiency rate in the UK is particular low newly invoked trade barriers will significantly affect how food is produced and consumed in the UK.

Please register via the link provided.

Blackwell’s is delighted to be welcoming Alex J. Bellamy to explore his new book ‘World Peace (And How We Can Achieve It) as part of our ‘For Learning, For Life’ series.

Synopsis

For as long as there has been war, there have been demands for its elimination. The quest for world peace has excited and eluded political leaders, philosophers, religious elders, activists, and artists for millennia. With war on the rise once again, we rarely reflect on what world peace might look like; much less on how it might be achieved.

World Peace aims to change all that and show that world peace is possible. Because the motives, rationales, and impulses that give rise to war – the quest for survival, enrichment, solidarity, and glory – are now better satisfied through peaceful means, war is an increasingly anachronistic practice, more likely to impoverish and harm us humans than satisfy and protect us. This book shows that we already have many of the institutions and practices needed to make peace possible and sets out an agenda for building world peace. In the immediate term, it shows how steps to strengthen compliance with international law, improve collective action such as international peacekeeping and peacebuilding, better regulate the flow of arms, and hold individuals legally accountable for acts of aggression or atrocity crimes can make our world more peaceful. It also shows how in the long term, building strong and legitimate states that protect the rights and secure the livelihoods of their people, gender equal societies, and protecting the right of individuals to opt-out of wars has the potential to establish and sustain world peace. But it will only happen, if individuals organize to make it happen.

Mobile phone filmmaking. It’s the camera of choice for some.
Is the best camera the one you have with you?
We will welcome expert interactive filmmaker and thriller writer Nihal Tharoor (Electric Noir Studios) and former BBC Trainer Bob Walters (MediaInk TV, iphone-filmmaking).
This session will look at the potential of mobile phone cameras for low budget reasons and for those starting out, but also for more experienced filmmakers interested in producing gritty styled thrillers or entertainment for younger audiences who use the platform most. Whether you are using mobile phones for short films, pilots, showreels, documentary filmmaking or features this event offers great value – we’ll be looking at expert output, hearing from passionate speakers and offering some bonus technical tips.

Opportunities to network with local film and TV professionals after main talk

Lord Sumption will discuss the impact on our constitution and political system of the referendum of 2016 and its aftermath.

Part of the Oxford Martin Lecture Series: ‘Shaping the future’

Join us for a screening of The Fly, the classic 1958 sci-fi horror movie produced and directed by Kurt Neumann and starring Vincent Price, Al Hedison and Patricia Owens. A scientist invents a teleportation device, but fate has other plans after an accident leads to a gruesome, life-changing injury. This brilliant 1950s sci-fi, famously remade by David Cronenberg in the 80s, treads a fine line between shlocky fun and an unnerving nature parable.

The screening will be preceded by an introductory with Dr Roderick Bailey, Medical Historian at the Wellcome Centre for Ethics and Humanities. Rod specialises in the study of modern war and conflict, the history of medicine, and the spaces in which those worlds overlap.

David Cronenberg’s ‘body horror’ film ‘The Fly’ is more than science fiction. The movie was based on an original story, published in Playboy magazine in 1957, whose author had been a spy in World War II. Dr Roderick Bailey of Oxford’s Wellcome Centre for Ethics and Humanities, works on the history of human enhancement. In the Q&A Roderick will discuss how secret procedures carried out in wartime London may have shaped this disturbing creation.

‘Funny, horrible and inventive — in its own deranged way this is a classic of 1950s horror.’ Film4

‘One strong factor of the picture is its unusual believability.’ Variety

Dir. Kurt Neumann. USA, 1958. 1h 34m. Vincent Price, Al Hedison (1927 – 2019) Patricia Owens, Herbert Marshall, Kathleen Freeman, Betty Lou Gerson.

Hear a whole phD in just three minutes!
Can you understand a whole phD in just three minutes? Perhaps you are an Undergraduate or Masters student who is aiming for a future PhD?
Join Humanities and Social Sciences PhD students as we challenge them to boil down their whole PhD to just three minutes and one slide – in a way that makes sense to everyone!

As part of the Think Human Festival held by Oxford Brookes University, a film showing of ‘Life is Wonderful: Mandela’s Unsung Heroes’ is being held. Following the showing there will be a Q&A with a panel that includes the director of the film, Sir Nick Stadlen.

Screening of “Streetscapes” (winner of the 2017 German Critics Award) followed by Q&A.
Dr Zohar Rubinstein, clinical and organizational psychologist, specialist in mental health in emergency situations, and one of the founding members of The Interdisciplinary Master Program for Emergency and Disaster Management at the Faculty of Medicine at Tel Aviv University, will be answering questions.

Speaker: Dr Neil Armstrong (Stipendiary Lecturer in Social and Cultural Anthropology at Magdalen College)

This paper uses ethnographic material of NHS mental healthcare to raise some questions about autonomy, risk and personal and institutional responsibility.

My research investigates mental health. I am particularly interested in how the institutional setting shapes so much of mental healthcare. My research aims to find ways that we might improve healthcare institutions rather than just focussing on developing new healthcare interventions. I am also concerned with methodological questions: how anthropological work can be of clinical value, and how best to produce anthropological knowledge in an inclusive way.

The Oath tells the fateful story of two men, whose loyalty to an ideal in a world of disintegrating legal, moral, and constitutional norms tests their beliefs and threatens their liberty.

Acclaimed director Laura Poitras has created a riveting documentary about Salim Hamdan, Osama bin Laden’s driver and the first man to face the controversial US military commissions that were established in response to his earlier exoneration by the Supreme Court. At the heart of the film is Hamdan’s charismatic brother-in-law, whose struggles with his conscience for having introduced him to bin Laden provide a gripping psychological portrait of guilt and the redemptive role of society.

A decade since its release, and with fault lines reopening between the Muslim world and the West, the film leads the viewer on a jihadist’s journey through Saudi Arabia, Yemen, Bosnia, Afghanistan, Iraq, Guantanamo Bay, all the way to the US Supreme Court. Here, the complexities and contradictions of the war on terror are laid bare, epitomized in the devastating revelation behind the double meaning of the film’s title.

Praise for The Oath
“The most essential and revelatory documentary of the year”
New York Magazine

“Compelling, emotionally and intellectually complex, The Oath is an important film that raises questions we must all ask”
Film Comment

We are delighted to welcome Shakespearean actor, director, academy award nominee and anti-Apartheid campaigner, Dame Janet Suzman, to St Peter’s College.

Janet Suzman remains one of the most respected classical stage actresses of her time, having portrayed most of Shakespeare’s heroines, including Cleopatra, during her career. She has also worked alongside some of stage and screen’s most legendary stars, including Marlon Brando, Sir Laurence Olivier, Ava Gardner and Sir Derek Jacobi.

She was nominated for an Oscar for her portrayal of Czarina Alexandra in Nicholas and Alexandra (1971), a sweeping historical epic about the fall of the Romanovs.

Suzman also starred alongside Donald Sutherland and Susan Sarandon in A Dry White Season (1989), a provocative drama that centres on a white schoolmaster’s gradual awakening to the horrors of government-sanctioned racism in South Africa during the 1970s.

St Peter’s College, Hannington Hall
Free to attend
All welcome

This year’s Kenneth Kirkwood Memorial Lecture Day focuses on the always fascinating subject of death and last rites in different cultures. The day will consist of four very varied talks from a panel of eminent speakers, and will include a buffet lunch.

The talks are:

The Funeral Pyre: the Archetypal Death Rite from Ancient Greece to India Today, Dr Felix Padel, School of Social and Cultural Anthropology, University of Oxford

Funeral Options: From Celebration to Ash Delivery, Professor Douglas Davies, Director of The Centre for Death and Life Studies at Durham University

Accra Coffins: Artefact, Art or Expensive Tourist Tat?, Professor Malcolm McLeod, Professor of African Studies at Glasgow University and former Keeper of Ethnography at the British Museum

Of Vultures, Dogs & Fire: A Zoroastrian End, Shahin Bekhradnia, Religious Affairs Spokesperson for the World Zoroastrian Organisation

Friends and students £25/ non-Friends £35 (Includes buffet lunch).

All the profits from this event will be added to the Kenneth Kirkwood Memorial Fund. The primary purpose of this fund is to support staff of the Pitt Rivers Museum to undertake travel associated with their work.