A storytelling lecture about how we cope with climate change from the ‘attractively impish’ (The Guardian) Dr Matt Winning. Presented by Oxford Comedy Festival.

As seen as the Environmental Correspondent on ‘Unspun with Matt Forde’ on Dave, BBC Three and BBC Radio2.

‘everything a Fringe show should be: hilarious, personal, inventive, and something that will stay with you for some time to come’ ★★★★★ (EdFestMag)

Quickly approaching 50, Daphna Baram believes she is having a midlife crisis, though her GP thinks that’s highly optimistic. She looks back with no regrets but some remorse, and cracks up some insightful ideas about mass and time, AKA weight and age, tossed up with some political wisdom.

Is an Israeli comedian/journalist/human rights lawyer, and spent a year in Oxford writing her book Disenchantment: The Guardian and Israel. See: https://www.theguardian.com/global/2007/jun/04/daphna.baram

* * * * * “Masterful” (Bunbury Magazine)
* * * * “Wonderful and Hilarious” (Broadway Baby)
“Poignant and illuminating” (The List)

Doors at 8:30/Show at 9pm

The art market is one of the most visible, yet least understood industries in the world. And it is in the midst of a digital transformation that is redefining what and how art is transacts every day.

During this talk, Sotheby’s Senior Vice President of Data & Strategy, Edouard Benveniste gives an introduction to the art market with a focus on how data and emerging technologies are shaking up an industry long known for its opacity.

Benveniste, has spent the past decade at the world’s leading auction houses in roles spanning sales and technology, will share lessons from the transformation of the art world that can apply to any industry at the time of disruptive innovation.

Schedule:
17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception (optional)
19:45 – Event close
About the event

The seminar is open for anyone to attend
Spaces are limited and tickets are non-transferable so registration is essential so please use the Register button above to confirm your attendance
Please note once the main room is full you will be directed to an overflow room to watch the a livestream of the event, so please arrive early to avoid disappointment

For this event, 12 artists from all over the country will be presenting work that they have been making as part of the Sound Diaries open call.

The presenting artists are:

Richard Bentley, Hannah Dargavel-Leafe, Aisling Davis, Atilio Doreste, Marlo De Lara, Beth Shearsby, Kathryn Tovey, Jacek Smolicki, James Green, Lucia Hinojosa, Sena Karahan, Fi.Ona

Sound Diaries expands awareness of the roles of sound and listening in daily life. The project explores the cultural and communal significance of sounds and forms a research base for projects executed both locally and Internationally, in Beijing, Brussels, Tallinn, Cumbria and rural Oxfordshire.

We are delighted to be joined by writer and musician, Catrina Davies, who will be in conversation with George Monbiot on her new book, Homesick and the current housing crisis.

Aged thirty-one, Catrina Davies was renting a box-room in a house in Bristol, which she shared with four other adults and a child. Working several jobs and never knowing if she could make the rent, she felt like she was breaking apart.

Homesick for the landscape of her childhood, in the far west of Cornwall, Catrina decides to give up the box-room and face her demons. As a child, she saw her family and their security torn apart; now, she resolves to make a tiny, dilapidated shed a home of her own.

With the freedom to write, surf and make music, Catrina rebuilds the shed and, piece by piece, her own sense of self. On the border of civilisation and wilderness, between the woods and the sea, she discovers the true value of home, while trying to find her place in a fragile natural world.

This is the story of a personal housing crisis and a country-wide one, grappling with class, economics, mental health and nature. It shows how housing can trap us or set us free, and what it means to feel at home.

Catrina Davies is a writer, singer-songwriter and DJ based in Cornwall, where she lives and works in a tin shed. Her first book The Ribbons Are For Fearlessness is a memoir about busking from Norway to Portugal with her cello. Her story has been featured in Vogue, Red, Daily Express, Surfer’s Path, and numerous other publications and her songs have been played on NTS and the BBC.

This event will be chaired by author and activist, George Monbiot. Along with writing books such as How Did We Get into this Mess, and Out of the Wreckage, George is the editor of the recent independent report to the Labour Party, Land for the Many: Changing the way our fundamental asset is used, owned and governed, which aims to put land at the very heart of politcal debate and discussion.

This is a free event, but please do register if you plan on attending. This event will be held in our Philosophy Department which is only accessible by a small flight of stairs. Seating will be allocated on a first-come-first-served basis. For more information please contact out Customer Service Desk on 01865 333 623 or email events.oxford@blackwell.co.uk.

Sculpt, Mould, Cast: The Art of Cast Making
THREE DAY WORKSHOP AT THE ASHMOLEAN MUSEUM

Follow in the footsteps of ancient Greek and Roman sculptors to create your own pint-sized plaster statue. You’ll be given special entry to the hidden Lower Cast Gallery, a space not normally open to the public, to gain inspiration from the full Ashmolean collection. Under the guidance of an expert artist, you’ll produce a sketch of your piece, then transform your creation from pencil to clay before casting it in plaster. No previous artistic experience necessary.

Wed 25 Sep, Wed 9 & 23 Oct, 10.30am–4pm
Ashmolean Museum Learning Studio
With Francesca Shakespeare (Artist) and Abbey Ellis (Researcher)

Tickets: £170/£160/£150 – Full/Concession/Members

BOOK ONLINE: https://www.ashmolean.org/event/sculpt-mould-cast-course

The Ashmolean Museum is treasured by local people and visitors alike for its eclectic and fascinating mix of exhibits and special exhibitions, all set within a superb building. Xa Sturgis reflects on five eventful years as the Director of the world-famous museum.

Globally acclaimed Artist and Social Historian Nicola Green will discuss her role as witness to some of the most seminal events of our times. Green will share her experiences gaining remarkable access to iconic figures from the worlds of religion, politics, and culture, including Pope Francis, President Obama and the Archbishop of Canterbury.

Green will discuss the intersection of art, heritage and power, and how she captured this in her seminal works In Seven Days… and Encounters.

Art at Oxford Saïd:
A programme that explores the interconnections between art and business and sets out to delight and inspire the School community and reflect our values.

Event Schedule:
17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception
19:45 – Close

About the Speaker:
Nicola Green is an artist with a career spanning 25 years. Her work combines painting, drawing, collage, silk screen printing, gilding, photography and textile design. Green is a powerful story-teller known for her legacy and heritage art works, and she has established an international reputation for her ambitious projects that change perceptions about identity and power; exploring themes of race, spirituality, gender, sexuality and leadership.

Driven by her belief in the power of the visual image to communicate important human stories, Green frequently assumes the role of witness to momentous occasions taking place across the globe. Inspired by her own mixed-heritage children and multi-faith family, she is committed to creating and preserving religious, social, and cultural heritage for future generations.

Green gained unprecedented access to Barack Obama’s 2008 Presidential campaign producing her acclaimed work In Seven Days… She co-founded, directed and exhibited in the Diaspora Pavilion, an initiative delivering mentoring and professional development for emerging artists and curators from racially and culturally diverse backgrounds. Green’s most recent project Encounters is a ground-breaking exhibition of over fifty portraits of the world’s most prominent religious leaders. Encounters is accompanied by a significant academic book Encounters: The Art of Interfaith Dialogue with essays by leading global scholars, theologians and art historians.

About the event:
The seminar is open for anyone to attend
Spaces are limited and tickets are non-transferable so registration is essential so please use the Register button above to confirm your attendance
Please note once the main room is full you will be directed to an overflow room to watch the a livesream of the event, so please arrive early to avoid disappointment

Photography and filming may take place at Saïd Business School for promotional purposes. This is especially likely and normal at our events where live streams and instant social media posts can be part of the event delivery. Wherever possible we will let you know when photography and filming is to be active via in-venue signage and event communications. For individuals who may wish to opt out of image capture at an event please contact corporate.events@sbs.ox.ac.uk.

The poppy as a recurring image in poetry and art, and as a symbol of wartime loss, is powerfully resonant in our culture. Dr Andrew Lack, Senior Lecturer in Environmental Biology at Oxford Brookes University, will talk about the poppy plant and its ancient and more recent historical associations.

Tenor Mark Padmore is preparing to take on the role of Aschenbach in David McVicar’s production of Benjamin Britten’s Death in Venice at the Royal Opera House. Join Mark and a panel of experts, including Colin Matthews, Ray Ockenden, John Hopkins, Henry Bacon, and Philip Bullock to explore this many-faceted character through literature, film, and opera.

2019 marks the 100th anniversary of the Brazilian composer Claudio Santoro (1919-1989), one of the major figures in twentieth-century Brazilian music. His musical legacy includes nearly five hundred compositions. Among them there are fourteen symphonies, several chamber works, concertos, vocal compositions, one opera, film scores, and seventy-three known works for piano solo. Beginning with his very first compositions, his intense and extremely idealistic personality, always searching for new ideas and new musical expressions, led him to explore diverse idioms in his music. This unmissable lecture recital will be presented by the composer’ son Alessandro Santoro, acclaimed harpsichordist and pianist, Brazilian soprano Gabriella Di Laccio and Dr Vinicius Mariano de Carvalho, Lecturer in Brazilian Studies, King’s College London. The concert will present some of Santoro Love Songs – an exquisite cycle written in partnership with Brazilian poet Vinicius de Moraes – as well some of Santoro’s piano preludes.

Edward Higginbottom was Director of Music at New College from 1976 – 2014. In a talk for Oxford Civic Society he reflects on music making in the University and how, sometimes in spite of itself, it has fostered musical talent. He observes that there are some aspects of this story that depend on ‘the genius of the place’.

Data-driven micro-targeted campaigns have become a main stable of political strategy. As personal and societal data becomes more accessible, we need to understand how it can be used and mis-used in political campaigns and whether it is relevant to regulate political candidates’ access to data.

This book talk will be followed by a drinks reception and book sale, all welcome

Visual Artist Dr Clair Chinnery interprets the ‘shapeshifting’ capabilities of human bodies as they emerge, grow, mature and die, informed by the physical materials left behind when such changes occur. With Digital Developer Gerard Helmich she has produced giant 3D printed sculptures of infant milk teeth and has also collaborated with the Parkinson’s Brain Bank at Imperial College London, working with microscopic images of diseased neurons. Discover how this ‘autoethnographic’ project reaches forwards and backwards in time, considering the irretrievable pasts and unknowable futures of ‘intergenerational’ experiences.

How people become unrecognisable depends on who’s viewing. Contouring, volumised lashes and a smokey eye change a look, but can it trick facial recognition software? Explore makeup artistry from Charlotte Tilbury and City of Oxford College to see how much faces can change. People are more than just selfie, so join Niki Trigoni from the University of Oxford Cyber Physical System Group for the latest in multimodal recognition that can combines faces with voice and walking gait to help spot the whole person.

Big data and AI are starting to feature in cancer research today, and will will play an even greater role in the future. Join researchers from Cancer Research UK to discover the technologies and methods they use to help find, prevent and treat cancer, and what big ideas they have for the future.

IF Oxford is operating a Pay What You Decide (PWYD) ticketing system. This works by enabling you to pre-book events without paying for a ticket beforehand. Afterwards, you have the opportunity to pay what you decide you want to, or can afford. If you prefer, you can make a donation to IF Oxford when you book. All funds raised go towards next year’s Festival.

Blackwell’s are delighted to be hosting a celebration in honour of the launch of Matthew Rice’s beautiful new book, Oxford.

Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice’s Oxford is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today.

While the focus is on architectural detail, Rice also describes how the city has been shaped by its history, most of all by generations of patrons who had the education and the resources to commission work from the greatest architects and builders of their day, an astonishing range of which still stands.

More than anywhere else in England, it is possible in Oxford to take in the history of English architecture simply by walking today’s streets, lanes, parks and meadows.

This is a free event, but please register if you would like to attend. The evening will include a short speech from Matthew Rice, followed by a chance to buy the book, get it signed and then enjoy the evening with the refreshments provided. For more information, please call our Customer Service Desk on 01865 333 623 or email events.oxford@blackwell.co.uk.

Geographers have long been interested in the spaces brought into being by the internet. In the early days of the Web, digital technologies were seen as tools that could bring a heterotopic cyberspace into being: a place beyond space de-tethered from the material world.

More recent framings instead see digital geographies as always-augmented, hybrid, and ontogenetic: integrally embedded into everyday life.

Against that backdrop, Professor Mark Graham will present findings from three large research projects about digital platforms. First, a large-scale digital mapping project that looks at how digital inequalities can become infused into our urban landscapes. Second, a study about the livelihoods of platform workers in Southeast Asia and Sub-Saharan Africa. Finally, early results from a new action research project (the Fairwork Foundation) designed to improve the quality of platform jobs.

In each case, the talk explores why understanding the ways that platforms command digital geographies is a crucial prerequisite for envisioning more equitable digital futures.

Please register via the link provided. This talk will be followed by a drinks reception, all welcome.

A Taste of Pompeii, with Sally Grainger
Evening Talk and Tasting
Tue 29 Oct, 6.30–9.30pm

Join author of The Classical Cookbook Sally Grainger as she shares her knowledge of classical Roman recipes adapted for the contemporary cook, painting a vibrant picture of wining and dining in the ancient world. Having whetted your appetite, enjoy a tasting array of dipping sauces in the ‘Taberna Ashmolean’.

Tickets are £35 each.

Entry is via the Front Door. Doors open 6pm, lecture at 6.30 pm.

Charles Babbage has been called the ‘great-uncle’ of modern computing, a claim that rests simultaneously on his demonstrable understanding of most of the architectural principles underlying the modern computer,band the almost universal ignorance of Babbage’s work before 1970. There has since been an explosion of interest both in Babbage’s devices and the impact they might have had in some parallel history, and in Babbage himself as a man of great originality who had essentially no influence at all on subsequent technological development.

In all this, one fundamental question has been largely ignored: how is it that one individual working alone could have synthesised a workable computer design over a short period, designing an object whose complexity of behaviour so far exceeded that of contemporary machines that it would not be matched for over one hundred years?

Our Leverhulme funded project Notions and notations: Charles Babbage’s language of thought investigated the design methods that Babbage used, and their impact on subsequent design practice. As part of that work we constructed a steam-driven difference engine to Babbage’s outline design.

In this general interest talk, we shall describe some aspects of Babbage’s designs and design methods, and demonstrate the difference engine.

Sarah Weir OBE, Chief Executive, Design Council, will lecture on ‘Designing the Future: Who is doing it?’ She will consider the question of what design is – a mindset and skillset; critical thinking and creativity combined; much more than aesthetics.

The Lady English Lecture Series marks the College’s continuing commitment to the education and advancement of women and promotes the contributions made by women to the University and to public life more generally.

A growing middle class in the developing world, as well as increasing concerns about the healthfulness, environmental footprint and inhumaneness of conventional livestock production have given rise to neo-Malthusian concerns about how to address what seems insatiable demand for protein.

While some have doubled down on calls for reducing meat consumption, so far the most visible response has been a huge wave of innovation in a variety of what are now being called “alternative proteins.” Designed to capture the “flexitarian” market, these include insect-based foods, protein-rich “superfoods,” simulated plant-based meat and dairy substitutes, and cellular/bioengineered meat.

Their rapid development begs two crucial questions, however. How did protein become the macronutrient of concern to begin? Will protein’s new substantiations be any more nutritious and ecological than that which it substitutes? In this talk, Guthman will elaborate on what is being done in the name of protein and provide provisional answers to these questions.

Please register via the link provided.

The Classical Art Research Centre (CARC) welcome Oxford University’s own Dr Llewelyn Morgan to give the 2019 Gandhara Connections Lecture on ‘Heracles’ Track to the Indus: Ancients and Moderns in the Swat Valley’. Dr Morgan is Associate Professor of Classical Languages and Literature and author of The Buddhas of Bamiyan (2012), which reflects his longstanding interest in Graeco-Roman connections with Central Asia and India.

All are welcome to attend and places are free, but please book by emailing us: carc@classics.ox.ac.uk

This talk will describe a class of machine learning methods for reasoning about complex physical systems. The key insight is that many systems can be represented as graphs with nodes connected by edges. I’ll present a series of studies which use graph neural networks–deep neural networks that approximate functions on graphs via learned message-passing-like operations– to predict the movement of bodies in particle systems, infer hidden physical properties, control simulated robotic systems, and build physical structures. These methods are not specific to physics, however, and I’ll show how we and others have applied them to broader problem domains with rich underlying structure.

Bomberg and Kitaj – Two Types of Jewish Agony in Paint
With Sir Simon Schama, Art Historian, Author and BBC Presenter

Sat 14 Dec, 12–1pm
Mathematical Institute, Woodstock Road (Venue changed)

Tickets are FREE. Booking is essential:
ashmolean.org/event/beauforest-lecture-2019

Although separated by a generation, artists David Bomberg (b. 1890) and R. B. Kitaj (b.1932) shared a passionate intensity in their work that was marked by their response to the deeply troubled century in which they lived, and in particular, the rise of antisemitism. Learn how both painters expressed the power of art to mirror the darkness of the contemporary world.

This event is the 2019 Beauforest Lecture.
www.ashmolean.org/event/beauforest-lecture-2019

Alice Kettle will discuss her works at the opening night of her exhibition at the Business School with Brandon Taylor, after which there will be a tour.

Our new exhibition showcases Alice Kettle’s unique practice; textile works which employ a combination of stitch techniques, bringing together the use of antique machines from early last century with hand stitch and contemporary digital technology.

This term’s topic of the popular St Hilda’s ‘Brain and Mind – from concrete to abstract’ series of workshops is ‘Art and the Brain’.

Professor Chrystalina Antoniades (Oxford University), Dr Richard Jolley (University of Staffordshire), and Dr James Grant (Oxford University) will address this topic from the points of view of neuroscience, psychology and philosophy respectively.

There will be an interval with refreshments.

What can dance tell us about human rights? What can hip hop say about equality and human dignity? Join an evening of dance and discussion to find out.

We’ll watch live dance that explores the theme of human rights, with performances from Blakely White-McGuire, Eliot Smith and Body Politic Dance. We’ll celebrate art’s power to challenge the social and political turmoil we face around the world today.

Hear a whole phD in just three minutes!
Can you understand a whole phD in just three minutes? Perhaps you are an Undergraduate or Masters student who is aiming for a future PhD?
Join Humanities and Social Sciences PhD students as we challenge them to boil down their whole PhD to just three minutes and one slide – in a way that makes sense to everyone!

In modern high-tech health care, patients appear to be the stumbling block.

Uninformed, anxious, noncompliant individuals with unhealthy lifestyles who demand treatments advertised by celebrities and insist on unnecessary but expensive diagnostics may eventually turn into plaintiffs. But what about their physicians? About ten years ago, Muir Gray and Gerd Gigerenzer published a book with the subtitle “Envisioning health care 2020”. They listed “seven sins” of health care systems then, one of which was health professionals’ stunning lack of risk literacy. Many were not exactly sure what a false-positive rate was, or what overdiagnosis and survival rates mean, and they were unable to evaluate articles in their own field. As a consequence, the ideals of informed consent and shared decision-making remain a pipedream – both doctors and patients are habitually misled by biased information in health brochures and advertisements. At the same time, the risk literacy problem is one of the few in health care that actually have a known solution. A quick cure is to teach efficient risk communication that fosters transparency as opposed to confusion, both in medical school and in CME. It can be done with 4th graders, so it should work with doctors, too.

Now, in 2020, can every doctor understand health statistics? In this talk, Gerd Gigerenzer will describe the efforts towards this goal, a few successes, but also the steadfast forces that undermine doctors’ ability to understand and act on evidence. Moreover, the last decade has seen two new forces that distract from solving the problem. The first is the promise of digital technology, from diagnostic AI systems to big data analytics, which consumes much of the attention. Digital technology is of little help if doctors do not understand it. Second, our efforts to make patients competent and to encourage them to articulate their values are now in conflict with the new paternalistic view that patients just need to be nudged into better behaviour.

This talk will be followed by a drinks reception, all welcome

Joint event with: The Oxford–Berlin Research Partnership