Some face-to-face events are returning. Check carefully for any requirements.
The Scythians were warlike nomadic horsemen who roamed the steppe of Asia in the first millennium BC. Using archaeological finds from burials and texts, Barry Cunliffe reconstructs the lives of the Scythians, exploring their beliefs, burial practices, love of fighting and their flexible attitude to gender.
The Scythians: Nomad Warriors of the Steppe
Wed 18 Mar, 1–2pm
A weekday talk with Barry Cunliffe, Emeritus Professor of European Archaeology, University of Oxford
Booking essential.
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/the-scythians-nomad-warriors-of-the-steppe
The Phoenicians were famously great traders who, from their base in modern-day Lebanon, traded their wares around the Mediterranean and beyond. Learn about their culture, art, achievements, and cities at home in the Levant and abroad, including Byblos, Tyre, Eshmoun and Carthage.
The Phoenicians Phoenicia Part 1: the Land of the Phoenicians
An Afternoon Tea Talk (with tea and biscuits included)
With Linda Farrar, Archaeologist and Lecturer
Thu 19 Mar, 2–4pm
Ashmolean Museum Lecture Theatre
Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
https://www.ashmolean.org/event/the-phoenicians-part-i-the-land-of-phoenicians
Moran’s ‘Autumn Afternoon, the Wissahickon’ pictures 19th-century America at its most bucolic and pastoral. It was painted, however, amidst a conflict that threatened to tear the young country apart. Examine Moran’s landscape as an allegory of contested national identity.
A Nation at a Crossroads: The United States in Thomas Moran’s ‘Autumn Afternoon, The Wissahickon’
A weekend talk with Madeleine Harrison, PhD Candidate, The Courtauld Institute of Art
Sat 21 Mar, 11–12pm
Ashmolean Museum Lecture Theatre
Booking essential.
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/a-nation-at-a-crossroads-the-united-state-in-thomas-morans-autumn-afternoon-the-wissahickon
The Rediscovery & Reception of Gandharan Art
Gandhara Connections 4th International Workshop
Thursday 26th and Friday 27th March 2020
Ioannou Centre, 66 St Giles’, Oxford OX1 3LU
The workshop abstract and provisional programme are available on our website:
www.carc.ox.ac.uk/GandharaConnections/events.htm
Updates are expected so please check the website for these.
All are welcome and attendance is free, but please book a place by emailing: carc@classics.ox.ac.uk
We plan also to live webcast this event – details will follow on the website shortly before the event.
Learn about the vast trade network of the Phoenicians, the goods traded and their trading partners, who included the Greeks and Etruscans, as well as people in Sardinia and southern Spain.
The Phoenicians Phoenicia Part 2: The Phoenicians in the West
An Afternoon Tea Talk (tea and biscuits included)
With Linda Farrar, Archaeologist and Lecturer
Thu 26 Mar, 2–4pm
Ashmolean Museum Lecture Theatre
Booking essential.
Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
https://www.ashmolean.org/event/the-phoenicians-phoenicia-part-ii-the-phoenicians-in-the-west
Both worked on the outskirts of Pre-Raphaelitism and aestheticism, tackling ambitious subjects of love, spirituality, and time, to create beautiful artworks. Join De Morgan Curator, Sarah Hardy, to discover the previously ignored professional and personal relationship between these artists.
Evelyn de Morgan and Edward Burne-Jones: Friends or Foes?
An afternoon talk with Sarah Hardy, De Morgan Curator
Fri 27 Mar, 1–2pm
Ashmolean Museum Lecture Theatre
Booking essential.
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/evelyn-de-morgan-and-edward-burne-jones-friends-or-foes
A conversation about life-writing and the Lives of Houses. With Hermione Lee, Roy Foster, Alexandra Harris, and Robert Douglas-Fairhurst.
An exploration of the work of prolific writer Jenny Diski, with a keynote lecture from Blake Morrison.
The city of Hereford stands a couple of hours from Oxford along one of the most scenic train rides in England. Follow the Medieval Pilgrim trail, discovering a landscape alive with holy wells, sacred shrines, ancient mysteries and miraculous saints.
Become a Medieval Tourist: Herefordshire Pilgrimages
With Tim Porter, Historian
Wed 15 Apr, 2–4pm
Ashmolean Museum Lecture Theatre
Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
Includes a break for tea and biscuits
https://www.ashmolean.org/event/become-a-medieval-tourist-herefordshire-pilgrimages
One of the great triumvirate of High Renaissance masters, Raphael is famous for his calm serenity in even the most dramatic of his paintings. This year marks the 500th anniversary of his death, and Alice Foster re-evaluates the work of this celebrated artist.
Raphael
An Afternoon Tea Talk with Alice Foster, Art Historian
Wed 22 Apr, 2–4pm
Ashmolean Museum Lecture Theatre
Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
Includes a break for tea and biscuits
https://www.ashmolean.org/event/raphael-tea-talk
Learn about the young Rembrandt’s rise to fame. A major breakthrough happened when the Prince of Orange, Frederick Henry, began to commission works from the artist, some of which are on display in the Young Rembrandt exhibition and are considered Rembrandt’s first masterpieces. This talk is part of our Young Rembrandt After Hours event.
Rembrandt and Orange
An after hours talk with Christiaan Vogelaar, Curator of Old Master Paintings and Sculpture, Museum De Lakenhal in Leiden, Netherlands
Fri 24 Apr, 6–7pm
Ashmolean Museum Lecture Theatre
Tickets are £8 (Full) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/rembrandt-and-orange
Lecture 2: The case for collective defined contribution (CDC)
On any sensible approach to the valuation of a DB scheme, ineliminable risk will remain that returns on a portfolio weighted towards return-seeking equities and property will fall significantly short of fully funding the DB pension promise. On the actuarial approach, this risk is deemed sufficiently low that it is reasonable and prudent to take in the case of an open scheme that will be cashflow positive for many decades. But if they deem the risk so low, shouldn’t scheme members who advocate such an approach be willing to put their money where their mouth is, by agreeing to bear at least some of this downside risk through a reduction in their pensions if returns are not good enough to achieve full funding? Some such conditionality would simply involve a return to the practices of DB pension schemes during their heyday three and more decades ago. The subsequent hardening of the pension promise has hastened the demise of DB. The target pensions of collective defined contribution (CDC) might provide a means of preserving the benefits of collective pensions, in a manner that is more cost effective for all than any form of defined benefit promise. In one form of CDC, the risks are collectively pooled across generations. In another form, they are collectively pooled only among the members of each age cohorts.
Just an hour by train, discover one of the great lost buildings of England, an ancient centre of pilgrimage and scholarship. Discover what unique artworks and architectural gems survive within the townscape and further afield.
Become a Medieval Tourist: Evesham Abbey
An Afternoon Tea Talk (including tea and biscuits)
With Tim Porter, Historian
Thu 30 Apr, 2–4pm
Ashmolean Museum Lecture Theatre
Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
https://www.ashmolean.org/event/become-a-medieval-tourist-evesham-abbey
Lecture 3: The case for an unfunded pay as you go (PAYG) pension
The previous two lectures grappled with various challenges that funded collective pension schemes face. In the final lecture, I ask whether an unfunded ‘pay as you go’ (PAYG) approach might provide a solution. With PAYG, money is directly transferred from those who are currently working to pay the pensions of those who are currently retired. Rather than drawing from a pension fund consisting of a portfolio of financial assets, these pensions are paid out of the Treasury’s coffers. The pension one is entitled to in retirement is often, however, a function of, even though not funded by, the pensions contributions one has made during one’s working life. I explore the extent to which a PAYG pension can be justified as a form of indirect reciprocity that cascades down generations. This contrasts with a redistributive concern to mitigate the inequality between those who are young, healthy, able-bodied, and productive and those who are elderly, infirm, and out of work. I explore claims inspired by Ken Binmore and Joseph Heath that PAYG pensions in which each generation pays the pensions of the previous generation can be justified as in mutually advantageous Nash equilibrium. I also discuss the relevance to the case for PAYG of Thomas Piketty’s claim that r > g, where “r” is the rate of return on capital and “g” is the rate of growth of the economy.
A window into the intimate world of their makers, users and collectors, 18th- and 19th-century Greek embroideries have many stories to tell. Explore some of them through a selection of highlights on display in Gallery 29.
Mediterranean Threads: 18th- and 19th- Century Greek Embroideries
A Weekday Talk With Dr Francesca Leoni, Curator of Islamic Art
Fri 1 May, 1–2pm
Ashmolean Museum Lecture Theatre
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/mediterranean-threads-18th-and-19th-century-greek-embroideries
Towards the end of the 15th century, Florence had become a centre of artistic achievement. Ghirlandaio, a master of both the fresco and innovative oil techniques, ran a prestigious workshop in which the young Michelangelo studied his unique style.
Ghirlandaio: A Florentine Master
Sat 2 May, 11–12pm
Ashmolean Museum Lecture Theatre
With Juliet Heslewood, Art Historian and Author
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/ghirlandaio-a-florentine-master
Using images and eye-witness accounts, David Stuttard paints a vivid picture of the classical Greek Games – a thousand years of speed trials, brawn and horsemanship underpinned by religious ritual, lavish feasting, political chicanery and (of course) athletic nudity.
Games for Zeus: The Ancient Greek Olympics
Sat 2 May, 2–3pm
Ashmolean Museum Lecture Theatre
With David Stuttard, Classical Historian and Author
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/games-for-zeus-the-ancient-greek-olympics
The Story of a Neglected Book: Hokusai’s Illustrated Tang Poetry of 1880
Mon 4 May, 5–6pm
Ashmolean Museum Lecture Theatre
With Dr Ellis Tinios, Visiting Researcher, Art Research Center, Ritsumeikan University
Learn about a deluxe book, designed by Hokusai in the 1830s but not published until 1880, that demonstrates his extraordinary powers of composition, unerring sense of line, and ability to offer fresh and exciting visualisations of Chinese texts.
Booking essential.
RSVP at eastern.art@ashmus.ox.ac.uk
https://www.ashmolean.org/event/51st-cohn-memorial-lecture

Lecture by Linda Farrar, a freelance researcher, lecturer and author of Ancient Roman Gardens. The art of gardening has a long history, with gardens being used in most ancient cultures to enhance living areas, and even public spaces. We will look at examples from a range of ancient societies. Pay at the door or book online

To enhance our natural environment, we need to put the environment
back into the heart of the economy. Using natural capital as the
guiding principle, we can leave a better environment for future
generations, implementing a bold 25 year environment plan, thereby
restoring rivers, greening agriculture, putting nature back into towns
and cities, and restoring the uplands and our marine ecosystems. We
can put the carbon back into the soils, encourage natural carbon
sequestration, rebuild our biodiversity and improve our mental and
physical health. This is the prize – a Green and Prosperous Land – and
it is much more economically efficient than the dismal proposed of
business-as-usual and allowing the declines of the last century to
continue.

The COVID-19 pandemic is having an unprecedented impact on societies around the world.
As governments mandate social distancing practices and instruct non-essential businesses to close to slow the spread of the outbreak, there is significant uncertainty about the effect such measures will have on lives and livelihoods. While demand for specific sectors such as healthcare has skyrocketed in recent months, other sectors such as air transportation and tourism have seen demand for their services evaporate. At the same time, many sectors are experiencing issues on the supply-side, as governments curtail the activities of non-essential industries.
Which industries will suffer most from demand-side or supply-side shocks resulting from the pandemic? Which workers are most of risk of unemployment or reduced wage income? Who will be the winners and losers?
Professor Doyne Farmer and Maria del Rio-Chanona will talk about their recent paper which estimated these shocks would threaten around 22% of the US economy’s GDP, jeopardise 24% of jobs and reduce total wage income by 17% – while the potential impacts are a multiple of what was experienced during the global financial crisis, and perhaps comparable to the Great Depression. Aggressive fiscal and monetary policies are needed to minimise the impact of these shocks but the avoidance of endangering public health must be the priority.
This talk is in conjunction with The Smith School of Enterprise and the Environment at the University of Oxford and the Oxford Review of Economic Policy.
To register and watch this talk live and participate in the Q & A: https://www.crowdcast.io/e/supply-and-demand-shocks
To watch later: https://youtu.be/5wtNm6ETuLQ

In this talk Natasha Randall explores the task of biographical research into the figure of the literary translator Constance Garnett. Translators notionally produce non-original text but are there aspects of their work, their semantic tendencies perhaps, that can expose something of their personal nature, or their lived experience? Garnett brought seventy volumes of Russian literature to English readers over the course of her lifetime, often first translations, and yet her existing letters and diaries betray relatively little of her interior life. Can her translations provide additional insight into her life and character? What are the detectable choices in Garnett’s work that can contribute to a portrait of her?
Natasha Randall is a literary translator of the works of Dostoyevsky, Zamyatin, Gogol, and others, for publishers such as Penguin Classics, Canongate’s Canon, and the Modern Library. Her writing and critical work has appeared in theTimes Literary Supplement, the Los Angeles Times Book Review, The Moscow Times, BookForum, The New York Times, Strad magazine, The Yale Review, Jubilat, and on National Public Radio. She is a contributing editor to the New York-based literary magazine A Public Space. Her novel, Love Orange, about modern anxieties and opioid addiction, was published in September by riverrun (Quercus).

It is no coincidence that countries with mission-driven governments have fared better in the COVID-19 crisis than those beholden to the cult of efficiency.
Join Mariana Mazzucato, UCL professor and author of The Entrepreneurial State and The Value of Everything, in conversation with Oxford Martin School Director, Sir Charles Godfray, to discuss why states must invest again in dynamic capabilities and capacity – not only to govern more effectively during the pandemic, but to ultimately build back better.
This talk is in partnership with The Smith School of Enterprise and the Environment at the University of Oxford and the Oxford Review of Economic Policy.
To register and watch this talk live: https://www.crowdcast.io/e/professor-mariana-mazzucato
The talk will also be streamed via YouTube https://www.youtube.com/watch?v=QRMlPVgR7x0

Narrative Futures is an interactive podcast featuring interviews with leading authors and editors in the speculative genre and writing prompts designed to support the imagination of better futures.
Narrative Futures is the capstone podcast project of the Futures Thinking network at TORCH. Devised, recorded and edited by Chelsea Haith, the Narrative Futures podcast features eight interviews with some of the mosts important authors and editors working in the the speculative genre today. At the end of each interview, novelist and creative writing tutor Louis Greenberg presents two writing prompts which are designed to support engaged thought and creative imagination about the interview and the listener’s own creative practice in narrative building.
Interviewed on the podcast are Lauren Beukes, Mohale Mashigo, Sami Shah, Mahvesh Murad, Jared Shurin, EJ Swift, Ken Liu, and Tade Thompson. Each interview explores writing strategies, hopes and fears for the future, opinions on genre fiction and tackles questions such as: How do you conceive of and write time? Why is alien invasion a good metaphor for colonialism? What would a benevolent AI look like? What kind of representation is needed in the speculative genre? Are the old stories of future worlds still relevant? How do we integrate the present pandemic into our future imaginaries?

Lt. Major Cecilia Diaconeasa was a Cold War secret police informant who in March 1983, several weeks after the birth of her baby daughter, was assigned to extract confessions from a woman suspected of collaborating in a public political protest, and to prevent her from committing ‘unthinkable acts’. Her ‘target,’ my mother, was under arrest in the infectious ward of the district’s children’s hospital with her own new born son, who was struggling for his life. The talk will discuss working with Cold War surveillance family archives and the process of getting inside the Lt.’s mind, in order to understand the narrative of oppression. In the course of locating the appropriate form which could transform the historical documents and the life experiences into literature, I found myself asking deeper questions about what constitutes literary language.
Carmen Bugan, a George Orwell Prize Fellow, is the author of four poetry collections, most recently Lilies from America, a Poetry Society Special Commendation. Her memoir, Burying the Typewriter, called by the Sunday Times ‘a modern classic,’ won the Bread Loaf Nonfiction Prize and was a BBC Radio 4 Book of the Week. Her poems have been anthologized in the Penguin’s Poems for Life and Joining Music with Reason among others, and her work has been translated into several languages. She wrote a monograph on Seamus Heaney and East European Poetry in Translation: Poetics of Exile and reviews regularly for Harvard Review Online. Bugan was the 2018 Helen DeRoy Professor in Honors at the University of Michigan and teaches at the Gotham Writers’ Workshop in Manhattan. She appears on current affairs and history programmes on the BBC, NPR, Monocle, and ABC. Bugan has a DPhil in English literature from Balliol College, Oxford University. Her book of essays, Poetry and the Language of Oppression, will be published by Oxford University Press in March 2021.

This is the Weinrebe Lecture in Life-Writing for Michaelmas Term 2020.
Hermione Lee, whose biography of Tom Stoppard is published by Faber on 1 October, talks about his life and work, and the challenges for a biographer in writing the life of a living subject.
With unprecedented access to private papers, diaries, letters, and countless interviews with figures ranging from Felicity Kendal to John Boorman and Trevor Nunn to Steven Spielberg, Hermione Lee has built a meticulously researched portrait of one of our greatest playwrights. Drawing on several years of long, exploratory conversations with Stoppard himself, it tracks his Czech origins and childhood in India to every school and home he’s ever lived in, every piece of writing he’s ever done, and every play and film he’s ever worked on. This is the revealing story of a very public and very private man.
Hermione Lee was the President of Wolfson College from 2008 to 2017, and is the founder and advisory director of OCLW. She held the Goldsmiths’ Chair of English Literature at Oxford from 1998 to 2008, and before that taught at the Universities of Liverpool and York. Her work includes acclaimed biographies of Virginia Woolf (1996), Edith Wharton (2007) and Penelope Fitzgerald (2013, winner of the James Tait Black Memorial Prize for Biography). She has also published books on Elizabeth Bowen, Willa Cather and Philip Roth, and she has written about life-writing, in Body Parts: Essays on Life-Writing (2005), Biography: A Very Short Introduction (2009), and, co-edited with Kate Kennedy, in a collection based on an OCLW conference, called Lives of Houses (2020). Her biography of Tom Stoppard is published by Faber in October 2020. She is a Fellow of the British Academy, of the Royal Society of Literature (where she serves on the Council) and of the American Academy of Arts and Sciences, and in 2013 she was made a Dame for services to literature.
The video of this Weinrebe Lecture in Life-Writing will be available for 24 hours only.
The FinCEN Files investigation, coordinated by the International Consortium of Investigative Journalists, exposed more than $2 trillion in suspicious deals.
Criminals, politicians and others sent money through the world’s major banks, which initially ignored red flags or reported the money as potentially dirty after weeks, months or years of delay. Billions of dollars in suspicious deals moved from Africa into Europe, the United States, the Middle East and secretive tax havens, including payments to and from politicians and family members, state-owned oil and gas companies, arms companies and many others.
Join William Fitzgibbon and Augustin Armendariz, International Consortium of Investigative Journalists, and Taiwo Hassan Adebayo, Premium Times Nigeria, as they discuss with Professor Ricardo Soares de Oliveira what the FinCEN Files investigation has uncovered and the implications.

In her mid-20s, Heidi Williamson was part of a Scottish community that suffered an inconceivable tragedy, the Dunblane Primary School shooting.
Through poems about landscape and loss, the poems in her third collection, Return by Minor Road (Bloodaxe), explore the lasting impact of being an ‘incoherent bystander’ at such a tragedy.
Through rivers, rain, wildlife and landscape, Williamson revisits where ‘the occasional endures’ and discovers the healing properties of a beloved place:
‘These small movements
towards the bracken
are to be reckoned with.’
—
Heidi Williamson is a poet, writing tutor and mentor, and an Advisory Fellow for the Royal Literary Fund. She studied poetry and prose at the UEA and regularly teaches for arts and literature organisations in the UK.
Her work has appeared in literary journals in the UK, America and Australia and been translated into Polish, German, and Turkish. It has inspired poetry and science discussions in schools and adult creative writing groups, and has featured in NHS waiting rooms, cafés, and at science and literary festivals in the UK and abroad.
Her first collection, Electric Shadow, was supported by a grant from Arts Council England and was published by Bloodaxe in 2011. It was a Poetry Book Society Recommendation and shortlisted for the Seamus Heaney Prize for Poetry.
Her second collection was inspired by being a printer’s daughter. The Print Museum received the EAW Book by the Cover’ Award and the 2016 East Anglian Book Award for Poetry.
With a rootless lily held in front of him, a poem from her latest collection, won the 2019 Plough Prize.