High St
Oxford OX1 4DN
UK
Film Screening with Director: Kit Hung’s Soundless Wind Chime (無聲風鈴)
The Shulman Auditorium, The Queen’s College, Oxford
*Multilingual dialogue with English subtitles
Open and free of charge for all, please register on Eventbrite
Supported by: Oxford Chinese Studies Society (OCSS)
OCSS is proud to present our big film screening event of the term: Kit Hung’s Soundless Wind Chime! The film has a unique place in queer Asian cinema as it interweaves multiple journeys of identity and love together. The central figure of the young handsome migrant from mainland China, his intricate relationship with a Swiss expat, as well as Hong Kong as a kaleidoscopic space where all these take place, form the elements that guarantee the critical reflections this film provokes in the audiences. This event will be of interest to those of you in queer culture, translation studies, migration, Hong Kong, and film studies in general. The film is 110 minutes long and will be followed by a conversation between Director Kit Hung and Dr. Victor Fan from King’s College London, and we will leave plenty of time for critical dialogues, Q & A and discussions.
Synopsis of Soundless Wind Chime:
Soundless Wind Chime is the poetic journey of Ricky, searching for the lost soul and the past of his deceased Swiss lover – Pascal. The film shows a battle of love, lust, reality, memory and illusions and the grief everybody bears every day. The two young men Pascal and Ricky are both foreigners living in Hong Kong. While Pascal, a Swiss, ekes out a living from street theatre and petty crime, Ricky, who comes from Beijing, is a dependable helper in a humble restaurant. One fateful day their paths cross and they fall head over heels in love with each other and boldly decide to move in together. But their love is soon put to the test – the fickle Pascal makes high demands on gentle Ricky. Years later, long after their relationship comes to a sudden end, Ricky sets off in search of his former lover, and not far from Lucerne he meets a young man who looks just like Pascal. Like the broken melody of a wind chime, the secret of this poetic love story is gradually revealed in brief flashbacks. Archaic images of an austere Switzerland with its rugged mountains and rustic restaurant culture reflect not only the loneliness and pain of the lovelorn protagonist Ricky, they also stand in stark contrast to the vitality and colourfulness of life in Hong Kong where, transcending all cultural barriers, the couple experienced moments of profound happiness. (from the Chinese Visual Festival)
Speaker biography:
Kit Hung (洪榮傑) graduated with an M.F.A. from the Department of Film, Video and New Media, School of the Art Institute of Chicago. Lecturer of the Academy of film, Hong Kong Baptist University, his films have won numerous international awards and were screened at over 120 international film festivals. His debut feature Soundless Wind Chime was nominated for the Teddy Award at the Berlin International Film Festival, released in more than 16 countries in 6 languages. He is currently a research student in the department of Media and Communication in the Goldsmiths College, University of London, UK.
Dr. Victor Fan (范可樂) graduated with a Ph.D. from the Film Studies Program and the Comparative Literature Department of Yale University, and an MFA in Film and Television Productions at the University of Southern California. He was Assistant Professor at McGill University, Department of East Asian Studies between 2010 and 2012, where he was also Chair of the Equity Subcommittee on Queer People. Fan has publications in peer-reviewed journals and anthology including The World Picture Journal, Camera Obscura, A Companion to Rainer Werner Fassbinder, Journal of Chinese Cinemas, Screen, Film History and CLCWeb: Comparative Literature and Culture. Further, his monograph Cinema Approaching Reality: Locating Chinese Film Theory was published by University Of Minnesota Press in 2015. In addition, his thesis film from USC, The Well (2000), was screened in the Anthology Film Archives, São Paolo International Film Festival, the Japan Society (NYC) and the George Eastman House. It also won the third prize in the Long Narrative category in the Fort Lauderdale International Film Festival.