In this lecture, in honour of Edward Greene, Donald Meek will describe the fascinating process of Gaelic Bible translation in Scotland and Ireland. Beginning with the standard Gaelic Bible, translated between 1767 and 1804, Donald will explain its creation, and its debts to the work of earlier translators and revisers, including the Rev. Robert Kirk of Aberfoyle (who produced ‘Kirk’s Bible in 1690), but pre-eminently to the foundational labours of the translators of the Bible into Classical Gaelic in Ireland in the earlier seventeenth century. Both the principal translators of that period – Bishop William Ó Dómhnaill and Bishop William Bedell – studied at Emmanuel College, Cambridge, where they were trained in biblical languages by the first Master of Emmanuel, Lawrence Chadderton. By way of comparison and contrast, brief reference will be made to the somewhat different histories of Bible translation into Manx and Welsh. The lecture will conclude with some discussion of the profound influence of the Gaelic Bible on the development of modern Scottish Gaelic literature, and its enduring legacy

Hella Pick is one of the trailblazers for the modern female foreign correspondent. She worked across three continents and covered the death of Yugoslavia’s leader, President Tito. Yugoslavia was always the saving grace of covering the Soviet bloc,” she remembers. “While in East Germany you were followed and listened to all the time, but Tito’s regime was a symbol of independent communism. Even the American ambassador was predicting the country would survive beyond Tito. Of course, we were all wrong.” Pick will talk about her incredible career, the stories she has covered and the current challenges facing journalism.
Neal Ascherson went to King’s College, Cambridge, where he read history. The historian Eric Hobsbawm was his tutor and described him as “perhaps the most brilliant student I ever had. I didn’t really teach him much, I just let him get on with it.” After graduating he he chose a career in journalism, first at The Manchester Guardian and then at The Scotsman, The Observer and The Independent on Sunday.He contributed scripts for the documentary series The World at War (1973–74) and the Cold War (1998). He has also been a regular contributor to the London Review of Books. Ascherson has lectured and written extensively about Polish and Eastern Europe affairs.

Inaugural event in our new events series focusing on responsible leadership: Driving Diversity and Inclusion Seminar Series.

Progress on diversity in the UK civil service and why it matters. How the dial only really shifted on gender, and why the focus is now on inclusion and addressing bullying and harassment. What the good leaders are doing?

Dame Sue Owen will give a talk followed by a Q&A with the audience moderated by Sue Dopson, Rhodes Trust Professor of Organisational Behaviour, Fellow of Green Templeton College, Deputy Dean of Saïd Business School.

Event Schedule:
17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception
19:45 – Close

Bomberg and Kitaj – Two Types of Jewish Agony in Paint
With Sir Simon Schama, Art Historian, Author and BBC Presenter

Sat 14 Dec, 12–1pm
Mathematical Institute, Woodstock Road (Venue changed)

Tickets are FREE. Booking is essential:
ashmolean.org/event/beauforest-lecture-2019

Although separated by a generation, artists David Bomberg (b. 1890) and R. B. Kitaj (b.1932) shared a passionate intensity in their work that was marked by their response to the deeply troubled century in which they lived, and in particular, the rise of antisemitism. Learn how both painters expressed the power of art to mirror the darkness of the contemporary world.

This event is the 2019 Beauforest Lecture.
www.ashmolean.org/event/beauforest-lecture-2019

Alice Kettle will discuss her works at the opening night of her exhibition at the Business School with Brandon Taylor, after which there will be a tour.

Our new exhibition showcases Alice Kettle’s unique practice; textile works which employ a combination of stitch techniques, bringing together the use of antique machines from early last century with hand stitch and contemporary digital technology.

This term’s topic of the popular St Hilda’s ‘Brain and Mind – from concrete to abstract’ series of workshops is ‘Art and the Brain’.

Professor Chrystalina Antoniades (Oxford University), Dr Richard Jolley (University of Staffordshire), and Dr James Grant (Oxford University) will address this topic from the points of view of neuroscience, psychology and philosophy respectively.

There will be an interval with refreshments.

What can dance tell us about human rights? What can hip hop say about equality and human dignity? Join an evening of dance and discussion to find out.

We’ll watch live dance that explores the theme of human rights, with performances from Blakely White-McGuire, Eliot Smith and Body Politic Dance. We’ll celebrate art’s power to challenge the social and political turmoil we face around the world today.

Hear a whole phD in just three minutes!
Can you understand a whole phD in just three minutes? Perhaps you are an Undergraduate or Masters student who is aiming for a future PhD?
Join Humanities and Social Sciences PhD students as we challenge them to boil down their whole PhD to just three minutes and one slide – in a way that makes sense to everyone!

A disciple of Bonnard and Cézanne, Józef Czapski was a Polish painter, author, and critic notable for his singular pursuit of the world around him. He was witness to much of the upheaval of the 20th century. Gain an insight into his approach and his struggles to be true to himself.

The Life and Works of Jozef Czapski (1896–1993)
A Weekday Talk with Eric Karpeles, Author

Tue 25 Feb, 1–2pm
Ashmolean Museum Lecture Theatre

Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/the-life-and-works-of-jozef-czapski

Rembrandt and the Crying Boy: A Question of Method
An After Hours Talk with Martin Royalton-Kisch, former Curator of Dutch and Flemish drawings, British Museum

Fri 28 Feb, 6–7pm
Ashmolean Museum Lecture Theatre

Join Martin Royalton-Kisch as he discusses the attribution of a newly discovered drawing, and explore how decisions on authenticity are currently reached in the fraught field of Rembrandt scholarship.

Tickets £8/£7/£6 Full, Concession, Members
www.ashmolean.org/event/rembrandt-and-the-crying-boy-a-question-of-method

Professor Sir Adam Roberts, Senior Research Fellow in International Relations, University of Oxford, will deliver a lecture on the contemporary decline of the liberal order, and call for a rethinking of liberal ideas and practices. The Keynote Lecture will open a workshop the following day.

The term ‘liberal international order’ has become widely used – generally to refer to the international system that developed in the years after the end of the Cold War in 1989, or even to the whole period since the end of the Second World War in 1945.

Although the term itself is relatively new, the ideas and practices that comprise it are not. They include multi-party democracy, the growth of international law and institutions, recognition of human rights, freedom of religious belief, the removal of barriers to international trade.

All of the above have been advocated as means of reducing the incidence of war between states. This is not an elegy for a liberal international order that is now under threat, but rather a call for rethinking it, especially in light of its long, diverse, and troubled history.

Adam Roberts is Senior Research Fellow in International Relations at Oxford University and a Fellow of Balliol College. In 2009–13 he was President of the British Academy, the UK national academy for the humanities and social sciences. He was awarded a knighthood in 2002 for services to the study and practice of international relations, and has given expert advice to parliamentary committees, governments and non-governmental bodies in the UK and overseas.

His numerous books include (co-edited.) Civil Resistance in the Arab Spring: Triumphs and Disasters, Oxford University Press, 2016. He is currently working on a book on the history of the idea of liberal international order.

A workshop to scrutinize the transformation of the contemporary international order, encompassing its social, political, legal, economic, and technological dimensions. The workshop will serve as an in-depth examination of the issues outlined in Professor Sir Adam Roberts’ lecture of the previous day.

It is plain that shifts in the organization and structure of the international order, and the social relationships within these, are experiencing stress and strain and being reconceived and redesigned in reaction to deeper forces.

Among the factors driving this change and revision, even transformation, include:

relations among nations;
the rise of social movements in response to changing attitudes to authority and established ideas and institutions;
altered dispositions towards international law and international and regional institutions;
challenges to the liberal order;
scepticism about human rights, universal principles, and the power of the courts to uphold them;
new economic perspectives, revised business and financial relations and practices; and
the rapid development of technology, the dawn of the digital age, and the consequences.
Participants include:
Denis Galligan, Professor of Socio-Legal Studies, Oxford

Mary Bartkus, Special Counsel, Hughes Hubbard & Reed LLP

Ralph Schroeder, Professor of Social Science of the Internet, Oxford Internet Institute

David Vines, Professor of Economics, Oxford

Music has taken many forms during China’s long cultural history and many traditions have endured to this day. In this talk, Paul Bevan will look at a selection of the paintings in the Ashmolean collection that reflect China’s rich musical and theatrical heritage.

Music and Musical Instruments in the Ashmolean’s Chinese Paintings Collection
A Weekday Talk with Dr Paul Bevan, Ashmolean Museum

Fri 6 Mar, 1–3pm
Ashmolean Museum

FREE, booking recommended.
Book by contacting chinesepaintingsprogramme@ashmus.ox.ac.uk
https://www.ashmolean.org/event/music-and-musical-instruments-in-the-ashmoleans-chinese-paintings-collection

Explore the work of Dame Paula Rego, who is revered for her unflinching images of women, often living under oppressive political conditions. She draws upon the real and imagined, using her own experiences and references to folklore and literature.

An Afternoon Tea Talk for International Women’s Day 2020
Paula Rego
With Alice Foster, Art Historian

Includes a break with tea and biscuits

Tue 10 Mar, 2–4pm
Ashmolean Museum Lecture Theatre

Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
https://www.ashmolean.org/events

The Scythians were warlike nomadic horsemen who roamed the steppe of Asia in the first millennium BC. Using archaeological finds from burials and texts, Barry Cunliffe reconstructs the lives of the Scythians, exploring their beliefs, burial practices, love of fighting and their flexible attitude to gender.

The Scythians: Nomad Warriors of the Steppe
Wed 18 Mar, 1–2pm
A weekday talk with Barry Cunliffe, Emeritus Professor of European Archaeology, University of Oxford

Booking essential.
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/the-scythians-nomad-warriors-of-the-steppe

The Phoenicians were famously great traders who, from their base in modern-day Lebanon, traded their wares around the Mediterranean and beyond. Learn about their culture, art, achievements, and cities at home in the Levant and abroad, including Byblos, Tyre, Eshmoun and Carthage.

The Phoenicians Phoenicia Part 1: the Land of the Phoenicians
An Afternoon Tea Talk (with tea and biscuits included)
With Linda Farrar, Archaeologist and Lecturer

Thu 19 Mar, 2–4pm
Ashmolean Museum Lecture Theatre

Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
https://www.ashmolean.org/event/the-phoenicians-part-i-the-land-of-phoenicians

Moran’s ‘Autumn Afternoon, the Wissahickon’ pictures 19th-century America at its most bucolic and pastoral. It was painted, however, amidst a conflict that threatened to tear the young country apart. Examine Moran’s landscape as an allegory of contested national identity.

A Nation at a Crossroads: The United States in Thomas Moran’s ‘Autumn Afternoon, The Wissahickon’
A weekend talk with Madeleine Harrison, PhD Candidate, The Courtauld Institute of Art

Sat 21 Mar, 11–12pm
Ashmolean Museum Lecture Theatre

Booking essential.
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/a-nation-at-a-crossroads-the-united-state-in-thomas-morans-autumn-afternoon-the-wissahickon

Learn about the vast trade network of the Phoenicians, the goods traded and their trading partners, who included the Greeks and Etruscans, as well as people in Sardinia and southern Spain.

The Phoenicians Phoenicia Part 2: The Phoenicians in the West
An Afternoon Tea Talk (tea and biscuits included)
With Linda Farrar, Archaeologist and Lecturer

Thu 26 Mar, 2–4pm
Ashmolean Museum Lecture Theatre

Booking essential.
Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
https://www.ashmolean.org/event/the-phoenicians-phoenicia-part-ii-the-phoenicians-in-the-west

Both worked on the outskirts of Pre-Raphaelitism and aestheticism, tackling ambitious subjects of love, spirituality, and time, to create beautiful artworks. Join De Morgan Curator, Sarah Hardy, to discover the previously ignored professional and personal relationship between these artists.

Evelyn de Morgan and Edward Burne-Jones: Friends or Foes?
An afternoon talk with Sarah Hardy, De Morgan Curator

Fri 27 Mar, 1–2pm
Ashmolean Museum Lecture Theatre

Booking essential.
Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/evelyn-de-morgan-and-edward-burne-jones-friends-or-foes

The city of Hereford stands a couple of hours from Oxford along one of the most scenic train rides in England. Follow the Medieval Pilgrim trail, discovering a landscape alive with holy wells, sacred shrines, ancient mysteries and miraculous saints.

Become a Medieval Tourist: Herefordshire Pilgrimages
With Tim Porter, Historian

Wed 15 Apr, 2–4pm
Ashmolean Museum Lecture Theatre

Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
Includes a break for tea and biscuits
https://www.ashmolean.org/event/become-a-medieval-tourist-herefordshire-pilgrimages

One of the great triumvirate of High Renaissance masters, Raphael is famous for his calm serenity in even the most dramatic of his paintings. This year marks the 500th anniversary of his death, and Alice Foster re-evaluates the work of this celebrated artist.

Raphael
An Afternoon Tea Talk with Alice Foster, Art Historian

Wed 22 Apr, 2–4pm
Ashmolean Museum Lecture Theatre

Tickets are: £12 (Full Price) / £11 (Concession) / £10 (Members)
Includes a break for tea and biscuits
https://www.ashmolean.org/event/raphael-tea-talk

Learn about the young Rembrandt’s rise to fame. A major breakthrough happened when the Prince of Orange, Frederick Henry, began to commission works from the artist, some of which are on display in the Young Rembrandt exhibition and are considered Rembrandt’s first masterpieces. This talk is part of our Young Rembrandt After Hours event.

Rembrandt and Orange
An after hours talk with Christiaan Vogelaar, Curator of Old Master Paintings and Sculpture, Museum De Lakenhal in Leiden, Netherlands

Fri 24 Apr, 6–7pm
Ashmolean Museum Lecture Theatre

Tickets are £8 (Full) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/rembrandt-and-orange

A window into the intimate world of their makers, users and collectors, 18th- and 19th-century Greek embroideries have many stories to tell. Explore some of them through a selection of highlights on display in Gallery 29.

Mediterranean Threads: 18th- and 19th- Century Greek Embroideries
A Weekday Talk With Dr Francesca Leoni, Curator of Islamic Art

Fri 1 May, 1–2pm
Ashmolean Museum Lecture Theatre

Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/mediterranean-threads-18th-and-19th-century-greek-embroideries

Towards the end of the 15th century, Florence had become a centre of artistic achievement. Ghirlandaio, a master of both the fresco and innovative oil techniques, ran a prestigious workshop in which the young Michelangelo studied his unique style.

Ghirlandaio: A Florentine Master
Sat 2 May, 11–12pm
Ashmolean Museum Lecture Theatre
With Juliet Heslewood, Art Historian and Author

Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/ghirlandaio-a-florentine-master

The Story of a Neglected Book: Hokusai’s Illustrated Tang Poetry of 1880
Mon 4 May, 5–6pm
Ashmolean Museum Lecture Theatre
With Dr Ellis Tinios, Visiting Researcher, Art Research Center, Ritsumeikan University

Learn about a deluxe book, designed by Hokusai in the 1830s but not published until 1880, that demonstrates his extraordinary powers of composition, unerring sense of line, and ability to offer fresh and exciting visualisations of Chinese texts.

Booking essential.
RSVP at eastern.art@ashmus.ox.ac.uk
https://www.ashmolean.org/event/51st-cohn-memorial-lecture

Life-Writing Beyond Words is a research network and termly series of public events, hosted by Felix Appelbe, the Oxford Centre for Life-Writing, and Ocean Ambassadors, that explores how we move between words and the non-verbal.

Life-writing is the study of lives, through letters, diaries, performance, memoir, autobiography and biography. But it frequently has to negotiate the non-verbal, for instance when describing the creative minds of composers, choreographers or artists, capturing the sound and light of childhood, or eavesdropping on the world of animal experience. How can these worlds be captured in words?

We are addressing this challenge by convening a network that spans many disciplines, bringing together academics, practitioners and performers who would otherwise not meet. Free-thinking lectures and laboratories will forge new pathways between the verbal and the non-verbal, journeying towards innovative experimental and performative methodologies.

5 – 5:10 Introduction by Felix Appelbe

5:10 – 5:50pm Louise Cournarie, Rameau le Moderne. Throughout his unusually long life, Jean Philippe Rameau has left an unerasable mark in Music, Theory, Science, Philosophy, and History. The composer/theorist, often referred to as the ‘father of modern harmony’, and who hated being called a composer, left behind him a forever changed view on music and a large body of work. In a time hugely influenced by the philosophy of Descartes, or the conferences of LeBrun, restlessly attacked by Rousseau, supported by D’Alambert and Voltaire, Rameau the musician and theorist underwent a long evolution. Through his keyboard pieces, this Lecture recital will attempt in having a closer look to the effect of this rich history on both the practice of Jean Philippe Rameau and his theory ideas.

5:50 – 6:30pm Alyn Shipton, How can we explore life-writing that does not use words? One possible answer is to examine both visual art and music for the ways in which we might see or hear biographical ideas. An obvious historical example would be the cycle of self-portraits by Rembrandt, that chronicle every stage of his life, and tell us through peripheral detail not only about the physical changes to Rembrandt the man, but to the environment in which he paints himself, and the clothes he wears. In his new book The Art of Jazz, Alyn Shipton explores the connections between the visual arts and jazz in the first hundred years of the music. Drawing on this unique body of research, Alyn explores how the lives of those in the jazz world have been depicted in music and in painting, drawing, graphics and sculpture. We can see how the image of Miles Davis changed over time, including his own work as a painter; we see how different photographers presented the “Empress of the Blues” Bessie Smith and how she translated the African American experience into song, and using excerpts from his work as an oral historian, Alyn shows how Sonny Rollins used the personal experience of racism in the housing market to inspire his “Freedom Suite”.

6:30 – 7:30pm Roundtable discussion, chaired by Kate Kennedy, on the theme Never the same twice

The FinCEN Files investigation, coordinated by the International Consortium of Investigative Journalists, exposed more than $2 trillion in suspicious deals.

Criminals, politicians and others sent money through the world’s major banks, which initially ignored red flags or reported the money as potentially dirty after weeks, months or years of delay. Billions of dollars in suspicious deals moved from Africa into Europe, the United States, the Middle East and secretive tax havens, including payments to and from politicians and family members, state-owned oil and gas companies, arms companies and many others.

Join William Fitzgibbon and Augustin Armendariz, International Consortium of Investigative Journalists, and Taiwo Hassan Adebayo, Premium Times Nigeria, as they discuss with Professor Ricardo Soares de Oliveira what the FinCEN Files investigation has uncovered and the implications.

The ethnographic museum is full. Clothes, objects and tools fill the walls and floors. But where is the love?
The three speakers take the exhibition ‘Losing Venus’ as their starting point to discuss how emotion, intimacy, care and love can be brought back into the ethnographic museum and radiate out from its collections.

This event will run on Zoom, and will be available to view after the event. A link to the event will be emailed to you via Eventbrite within 48 hours of the event starting.

Lecture by Jane Owen, preceded by OGT’s Christmas drinks party.
Jane Owen, Founder Member of OGT, avid gardener, garden historian and
previously Deputy Editor of the Financial Times, gives us her personal take on
garden history – not to be missed! Doors open 6.30pm for wine or juice (inc), for lecture at 7pm. Book online or pay at the door.
door