The art market is one of the most visible, yet least understood industries in the world. And it is in the midst of a digital transformation that is redefining what and how art is transacts every day.

During this talk, Sotheby’s Senior Vice President of Data & Strategy, Edouard Benveniste gives an introduction to the art market with a focus on how data and emerging technologies are shaking up an industry long known for its opacity.

Benveniste, has spent the past decade at the world’s leading auction houses in roles spanning sales and technology, will share lessons from the transformation of the art world that can apply to any industry at the time of disruptive innovation.

Schedule:
17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception (optional)
19:45 – Event close
About the event

The seminar is open for anyone to attend
Spaces are limited and tickets are non-transferable so registration is essential so please use the Register button above to confirm your attendance
Please note once the main room is full you will be directed to an overflow room to watch the a livestream of the event, so please arrive early to avoid disappointment

For this event, 12 artists from all over the country will be presenting work that they have been making as part of the Sound Diaries open call.

The presenting artists are:

Richard Bentley, Hannah Dargavel-Leafe, Aisling Davis, Atilio Doreste, Marlo De Lara, Beth Shearsby, Kathryn Tovey, Jacek Smolicki, James Green, Lucia Hinojosa, Sena Karahan, Fi.Ona

Sound Diaries expands awareness of the roles of sound and listening in daily life. The project explores the cultural and communal significance of sounds and forms a research base for projects executed both locally and Internationally, in Beijing, Brussels, Tallinn, Cumbria and rural Oxfordshire.

Sculpt, Mould, Cast: The Art of Cast Making
THREE DAY WORKSHOP AT THE ASHMOLEAN MUSEUM

Follow in the footsteps of ancient Greek and Roman sculptors to create your own pint-sized plaster statue. You’ll be given special entry to the hidden Lower Cast Gallery, a space not normally open to the public, to gain inspiration from the full Ashmolean collection. Under the guidance of an expert artist, you’ll produce a sketch of your piece, then transform your creation from pencil to clay before casting it in plaster. No previous artistic experience necessary.

Wed 25 Sep, Wed 9 & 23 Oct, 10.30am–4pm
Ashmolean Museum Learning Studio
With Francesca Shakespeare (Artist) and Abbey Ellis (Researcher)

Tickets: £170/£160/£150 – Full/Concession/Members

BOOK ONLINE: https://www.ashmolean.org/event/sculpt-mould-cast-course

Blackwell’s are delighted to present our monthly series of talks, Philosophy in the Bookshop. In a very special event, our programme moves across the street to the Sheldonian Theatre for one night only.

Do we need God in order to explain the existence of the universe? Do we need God in order to be good?

Join Richard Dawkins for a special evening at the Sheldonian Theatre where he will be introducing his book ‘Outgrowing God’, addressing some of the most profound questions human beings confront. Professor Dawkins will be interviewed by author Nigel Warburton.

Should we believe in God? In this new book written for a new generation, the brilliant science writer and author of the international bestseller, ‘The God Delusion’, explains why we shouldn’t.

Richard Dawkins was fifteen when he stopped believing in God. Deeply impressed by the beauty and complexity of living things, he’d felt certain they must have had a designer. Learning about evolution changed his mind. Now one of the world’s best and bestselling science communicators, Richard Dawkins has given readers, young and old, the same opportunity to rethink the big questions.

In ‘Outgrowing God’, Richard Dawkins marshals science, philosophy and comparative religion to interrogate the hypocrisies of all the religious systems and explains to readers of all ages how life emerged without a Creator, how evolution works and how our world came into being.

Richard Dawkins is author of ‘The Selfish Gene’, voted The Royal Society’s Most Inspiring Science Book of All Time, and also the bestsellers ‘The Blind Watchmaker’, ‘Climbing Mount Improbable’, ‘The Ancestor’s Tale’, ‘The God Delusion’, and two volumes of autobiography, ‘An Appetite for Wonder’ and ‘Brief Candle in the Dark’. He is a Fellow of New College, Oxford and both the Royal Society and the Royal Society of Literature. In 2013, Dawkins was voted the world’s top thinker in Prospect magazine’s poll of 10,000 readers from over 100 countries.

Nigel Warburton is a public philosopher and author. As well as being the host of the podcast ‘Philosophy Bites’ with David Edmonds, he is also the author of the bestselling ‘A Little History of Philosophy’, ‘Philosophy : The Classics’, ‘Free Speech: A Very Short Introduction’ and many others.

Tickets cost £10. Seating in the Sheldonian is unreserved and allocated on a first come, first served basis. Doors for entry will open at 6:15pm. For all enquiries please email events.oxford@blackwell.co.uk or call 01865 333623.

The Ashmolean Museum is treasured by local people and visitors alike for its eclectic and fascinating mix of exhibits and special exhibitions, all set within a superb building. Xa Sturgis reflects on five eventful years as the Director of the world-famous museum.

Globally acclaimed Artist and Social Historian Nicola Green will discuss her role as witness to some of the most seminal events of our times. Green will share her experiences gaining remarkable access to iconic figures from the worlds of religion, politics, and culture, including Pope Francis, President Obama and the Archbishop of Canterbury.

Green will discuss the intersection of art, heritage and power, and how she captured this in her seminal works In Seven Days… and Encounters.

Art at Oxford Saïd:
A programme that explores the interconnections between art and business and sets out to delight and inspire the School community and reflect our values.

Event Schedule:
17:15 – Registration opens
17:45 – Event starts
18:45 – Drinks reception
19:45 – Close

About the Speaker:
Nicola Green is an artist with a career spanning 25 years. Her work combines painting, drawing, collage, silk screen printing, gilding, photography and textile design. Green is a powerful story-teller known for her legacy and heritage art works, and she has established an international reputation for her ambitious projects that change perceptions about identity and power; exploring themes of race, spirituality, gender, sexuality and leadership.

Driven by her belief in the power of the visual image to communicate important human stories, Green frequently assumes the role of witness to momentous occasions taking place across the globe. Inspired by her own mixed-heritage children and multi-faith family, she is committed to creating and preserving religious, social, and cultural heritage for future generations.

Green gained unprecedented access to Barack Obama’s 2008 Presidential campaign producing her acclaimed work In Seven Days… She co-founded, directed and exhibited in the Diaspora Pavilion, an initiative delivering mentoring and professional development for emerging artists and curators from racially and culturally diverse backgrounds. Green’s most recent project Encounters is a ground-breaking exhibition of over fifty portraits of the world’s most prominent religious leaders. Encounters is accompanied by a significant academic book Encounters: The Art of Interfaith Dialogue with essays by leading global scholars, theologians and art historians.

About the event:
The seminar is open for anyone to attend
Spaces are limited and tickets are non-transferable so registration is essential so please use the Register button above to confirm your attendance
Please note once the main room is full you will be directed to an overflow room to watch the a livesream of the event, so please arrive early to avoid disappointment

Photography and filming may take place at Saïd Business School for promotional purposes. This is especially likely and normal at our events where live streams and instant social media posts can be part of the event delivery. Wherever possible we will let you know when photography and filming is to be active via in-venue signage and event communications. For individuals who may wish to opt out of image capture at an event please contact corporate.events@sbs.ox.ac.uk.

The poppy as a recurring image in poetry and art, and as a symbol of wartime loss, is powerfully resonant in our culture. Dr Andrew Lack, Senior Lecturer in Environmental Biology at Oxford Brookes University, will talk about the poppy plant and its ancient and more recent historical associations.

Tenor Mark Padmore is preparing to take on the role of Aschenbach in David McVicar’s production of Benjamin Britten’s Death in Venice at the Royal Opera House. Join Mark and a panel of experts, including Colin Matthews, Ray Ockenden, John Hopkins, Henry Bacon, and Philip Bullock to explore this many-faceted character through literature, film, and opera.

2019 marks the 100th anniversary of the Brazilian composer Claudio Santoro (1919-1989), one of the major figures in twentieth-century Brazilian music. His musical legacy includes nearly five hundred compositions. Among them there are fourteen symphonies, several chamber works, concertos, vocal compositions, one opera, film scores, and seventy-three known works for piano solo. Beginning with his very first compositions, his intense and extremely idealistic personality, always searching for new ideas and new musical expressions, led him to explore diverse idioms in his music. This unmissable lecture recital will be presented by the composer’ son Alessandro Santoro, acclaimed harpsichordist and pianist, Brazilian soprano Gabriella Di Laccio and Dr Vinicius Mariano de Carvalho, Lecturer in Brazilian Studies, King’s College London. The concert will present some of Santoro Love Songs – an exquisite cycle written in partnership with Brazilian poet Vinicius de Moraes – as well some of Santoro’s piano preludes.

Edward Higginbottom was Director of Music at New College from 1976 – 2014. In a talk for Oxford Civic Society he reflects on music making in the University and how, sometimes in spite of itself, it has fostered musical talent. He observes that there are some aspects of this story that depend on ‘the genius of the place’.

Data-driven micro-targeted campaigns have become a main stable of political strategy. As personal and societal data becomes more accessible, we need to understand how it can be used and mis-used in political campaigns and whether it is relevant to regulate political candidates’ access to data.

This book talk will be followed by a drinks reception and book sale, all welcome

Visual Artist Dr Clair Chinnery interprets the ‘shapeshifting’ capabilities of human bodies as they emerge, grow, mature and die, informed by the physical materials left behind when such changes occur. With Digital Developer Gerard Helmich she has produced giant 3D printed sculptures of infant milk teeth and has also collaborated with the Parkinson’s Brain Bank at Imperial College London, working with microscopic images of diseased neurons. Discover how this ‘autoethnographic’ project reaches forwards and backwards in time, considering the irretrievable pasts and unknowable futures of ‘intergenerational’ experiences.

Alongside our conference on 19th October, Greene’s Institute will be hosting our first public event: a special interactive keynote with Professor Henrike Lähnemann (University of Oxford). This event promises to be a fantastic exploration of one of the most important acts of translation in European history. All are welcome.

How people become unrecognisable depends on who’s viewing. Contouring, volumised lashes and a smokey eye change a look, but can it trick facial recognition software? Explore makeup artistry from Charlotte Tilbury and City of Oxford College to see how much faces can change. People are more than just selfie, so join Niki Trigoni from the University of Oxford Cyber Physical System Group for the latest in multimodal recognition that can combines faces with voice and walking gait to help spot the whole person.

Big data and AI are starting to feature in cancer research today, and will will play an even greater role in the future. Join researchers from Cancer Research UK to discover the technologies and methods they use to help find, prevent and treat cancer, and what big ideas they have for the future.

IF Oxford is operating a Pay What You Decide (PWYD) ticketing system. This works by enabling you to pre-book events without paying for a ticket beforehand. Afterwards, you have the opportunity to pay what you decide you want to, or can afford. If you prefer, you can make a donation to IF Oxford when you book. All funds raised go towards next year’s Festival.

Blackwell’s are delighted to be hosting a celebration in honour of the launch of Matthew Rice’s beautiful new book, Oxford.

Oxford is one of the jewels of European architecture, much loved and much visited. The city offers an unparallelled collection of the best of English building through the centuries. Matthew Rice’s Oxford is a feast of delightful watercolour illustrations and an informed and witty text, explaining how the city came into being and what to look out for today.

While the focus is on architectural detail, Rice also describes how the city has been shaped by its history, most of all by generations of patrons who had the education and the resources to commission work from the greatest architects and builders of their day, an astonishing range of which still stands.

More than anywhere else in England, it is possible in Oxford to take in the history of English architecture simply by walking today’s streets, lanes, parks and meadows.

This is a free event, but please register if you would like to attend. The evening will include a short speech from Matthew Rice, followed by a chance to buy the book, get it signed and then enjoy the evening with the refreshments provided. For more information, please call our Customer Service Desk on 01865 333 623 or email events.oxford@blackwell.co.uk.

Geographers have long been interested in the spaces brought into being by the internet. In the early days of the Web, digital technologies were seen as tools that could bring a heterotopic cyberspace into being: a place beyond space de-tethered from the material world.

More recent framings instead see digital geographies as always-augmented, hybrid, and ontogenetic: integrally embedded into everyday life.

Against that backdrop, Professor Mark Graham will present findings from three large research projects about digital platforms. First, a large-scale digital mapping project that looks at how digital inequalities can become infused into our urban landscapes. Second, a study about the livelihoods of platform workers in Southeast Asia and Sub-Saharan Africa. Finally, early results from a new action research project (the Fairwork Foundation) designed to improve the quality of platform jobs.

In each case, the talk explores why understanding the ways that platforms command digital geographies is a crucial prerequisite for envisioning more equitable digital futures.

Please register via the link provided. This talk will be followed by a drinks reception, all welcome.

Charles Babbage has been called the ‘great-uncle’ of modern computing, a claim that rests simultaneously on his demonstrable understanding of most of the architectural principles underlying the modern computer,band the almost universal ignorance of Babbage’s work before 1970. There has since been an explosion of interest both in Babbage’s devices and the impact they might have had in some parallel history, and in Babbage himself as a man of great originality who had essentially no influence at all on subsequent technological development.

In all this, one fundamental question has been largely ignored: how is it that one individual working alone could have synthesised a workable computer design over a short period, designing an object whose complexity of behaviour so far exceeded that of contemporary machines that it would not be matched for over one hundred years?

Our Leverhulme funded project Notions and notations: Charles Babbage’s language of thought investigated the design methods that Babbage used, and their impact on subsequent design practice. As part of that work we constructed a steam-driven difference engine to Babbage’s outline design.

In this general interest talk, we shall describe some aspects of Babbage’s designs and design methods, and demonstrate the difference engine.

Sarah Weir OBE, Chief Executive, Design Council, will lecture on ‘Designing the Future: Who is doing it?’ She will consider the question of what design is – a mindset and skillset; critical thinking and creativity combined; much more than aesthetics.

The Lady English Lecture Series marks the College’s continuing commitment to the education and advancement of women and promotes the contributions made by women to the University and to public life more generally.

he Technical & Moral Singularity- a Conversation about Artificial Intelligence and Ethics

This event is a conversation between Prof Nigel Crook (Head of Computing and Communication Technologies (CCT) and Interim Head of Mechanical Engineering and Mathematical Sciences, Oxford Brookes) and Dr Steven Croft (Bishop of Oxford and member of House of Lords Select Committee on AI). You can read about Bishop Stevens encounter with Artie (in the picture above) here.

This event is free however as seating is limited please book a place. in Eventbrite There are pay and display spaces available on the campus from 16.30.

The Classical Art Research Centre (CARC) welcome Oxford University’s own Dr Llewelyn Morgan to give the 2019 Gandhara Connections Lecture on ‘Heracles’ Track to the Indus: Ancients and Moderns in the Swat Valley’. Dr Morgan is Associate Professor of Classical Languages and Literature and author of The Buddhas of Bamiyan (2012), which reflects his longstanding interest in Graeco-Roman connections with Central Asia and India.

All are welcome to attend and places are free, but please book by emailing us: carc@classics.ox.ac.uk

In this lecture, in honour of Edward Greene, Donald Meek will describe the fascinating process of Gaelic Bible translation in Scotland and Ireland. Beginning with the standard Gaelic Bible, translated between 1767 and 1804, Donald will explain its creation, and its debts to the work of earlier translators and revisers, including the Rev. Robert Kirk of Aberfoyle (who produced ‘Kirk’s Bible in 1690), but pre-eminently to the foundational labours of the translators of the Bible into Classical Gaelic in Ireland in the earlier seventeenth century. Both the principal translators of that period – Bishop William Ó Dómhnaill and Bishop William Bedell – studied at Emmanuel College, Cambridge, where they were trained in biblical languages by the first Master of Emmanuel, Lawrence Chadderton. By way of comparison and contrast, brief reference will be made to the somewhat different histories of Bible translation into Manx and Welsh. The lecture will conclude with some discussion of the profound influence of the Gaelic Bible on the development of modern Scottish Gaelic literature, and its enduring legacy

This talk will describe a class of machine learning methods for reasoning about complex physical systems. The key insight is that many systems can be represented as graphs with nodes connected by edges. I’ll present a series of studies which use graph neural networks–deep neural networks that approximate functions on graphs via learned message-passing-like operations– to predict the movement of bodies in particle systems, infer hidden physical properties, control simulated robotic systems, and build physical structures. These methods are not specific to physics, however, and I’ll show how we and others have applied them to broader problem domains with rich underlying structure.

Bomberg and Kitaj – Two Types of Jewish Agony in Paint
With Sir Simon Schama, Art Historian, Author and BBC Presenter

Sat 14 Dec, 12–1pm
Mathematical Institute, Woodstock Road (Venue changed)

Tickets are FREE. Booking is essential:
ashmolean.org/event/beauforest-lecture-2019

Although separated by a generation, artists David Bomberg (b. 1890) and R. B. Kitaj (b.1932) shared a passionate intensity in their work that was marked by their response to the deeply troubled century in which they lived, and in particular, the rise of antisemitism. Learn how both painters expressed the power of art to mirror the darkness of the contemporary world.

This event is the 2019 Beauforest Lecture.
www.ashmolean.org/event/beauforest-lecture-2019

Alice Kettle will discuss her works at the opening night of her exhibition at the Business School with Brandon Taylor, after which there will be a tour.

Our new exhibition showcases Alice Kettle’s unique practice; textile works which employ a combination of stitch techniques, bringing together the use of antique machines from early last century with hand stitch and contemporary digital technology.

This term’s topic of the popular St Hilda’s ‘Brain and Mind – from concrete to abstract’ series of workshops is ‘Art and the Brain’.

Professor Chrystalina Antoniades (Oxford University), Dr Richard Jolley (University of Staffordshire), and Dr James Grant (Oxford University) will address this topic from the points of view of neuroscience, psychology and philosophy respectively.

There will be an interval with refreshments.

St Benet’s Hall marks a special exhibition of The Rule of St Benedict MS. Hatton 48, fols. 14v-15r at the Weston Library, with a series of lectures on aspects of the mediaeval Benedictine contribution to scholarship, libraries and spirituality.

The lecture programme takes place at the Weston Library, Broad Street, Oxford, OX1 3BG

14:30-15.30
Living the Rule of Saint Benedict in England, from the Middle Ages to the Reformation
Professor James Clark, Professor of History, University of Exeter

15.30-16.20
Benedictine Libraries in Medieval England: a Changing Perspective
Professor Richard Sharpe FBA, Hon. MRIA, Professor of Diplomatic, Wadham College, University of Oxford

16.30-17.20
The Rule as a Living Document
The Very Rev. Oswald McBride, OSB, Prior, St Benet’s Hall, University of Oxford

A drinks reception follows the final lecture, from 17:30 to 18:10.

Booking is essential, for each lecture.

Those attending the lectures are welcome to join Vespers at St Benet’s Hall, 38 St Giles, OX1 3LN at 6.30pm.

What can dance tell us about human rights? What can hip hop say about equality and human dignity? Join an evening of dance and discussion to find out.

We’ll watch live dance that explores the theme of human rights, with performances from Blakely White-McGuire, Eliot Smith and Body Politic Dance. We’ll celebrate art’s power to challenge the social and political turmoil we face around the world today.

Compassion is a state of mind, a wish for beings to be free from suffering. When compassion is present in the heart there is no place for anger or hatred. In that moment a wish to harm simply cannot arise because compassion overpowers it. Although compassion may arise naturally towards those we love and who have cared for us, it can also be cultivated so that it arises even towards our enemies. To develop it fully, we begin by cultivating for ourselves, then extend it gradually to others. When linked with understanding, compassion brings both inner and outer peace.

This talk is delivered by Dr Dechen Rochard, Honorary Research Fellow, University of Bristol and Research Fellow, The Dalai Lama Centre for Compassion, Oxford.

Dechen Rochard studied for several years at a Tibetan Buddhist monastery in India and then completed a PhD at the University of Cambridge. She translates Buddhist texts and is currently working on a project for His Holiness the Dalai Lama.

A disciple of Bonnard and Cézanne, Józef Czapski was a Polish painter, author, and critic notable for his singular pursuit of the world around him. He was witness to much of the upheaval of the 20th century. Gain an insight into his approach and his struggles to be true to himself.

The Life and Works of Jozef Czapski (1896–1993)
A Weekday Talk with Eric Karpeles, Author

Tue 25 Feb, 1–2pm
Ashmolean Museum Lecture Theatre

Tickets are: £8 (Full Price) / £7 (Concession) / £6 (Members)
https://www.ashmolean.org/event/the-life-and-works-of-jozef-czapski